Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
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Lingua: Inglese
Editore: Oxford University Press Inc, New York, 2026
ISBN 10: 0197602533 ISBN 13: 9780197602539
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. In the fourteenth century composers and theorists invented mensuration and proportion signs that allowed them increased flexibility and precision in notating a wide range of rhythmic and metric relationships. The origin and interpretation of these signs is one of the least understood and most complex issues in music history. This study represents the first attempt to see the origin of musical mensuration and proportion signs in the context of other measuring systemsof the fourteenth century. Berger analyzes the exact meaning of every mensuration and proportion sign in music and theory from the fourteenth to the sixteenth century, and offers revisions of manycurrently-held views concerning the significance and development of early time signatures. Mensuration and Proportion Signs represents the first attempt to see the origin of musical mensuration and proportion signs in the context of other measuring systems of the fourteenth century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Oxford University Press Inc, 2021
ISBN 10: 0197602533 ISBN 13: 9780197602539
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Lingua: Inglese
Editore: Oxford University Press Inc, 2022
ISBN 10: 0197602533 ISBN 13: 9780197602539
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Aggiungi al carrelloPaperback. Condizione: Brand New. 288 pages. 6.10x9.20x0.80 inches. In Stock.
Lingua: Inglese
Editore: Oxford University Press Inc, 2021
ISBN 10: 0197602533 ISBN 13: 9780197602539
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Lingua: Inglese
Editore: Oxford University Press, USA, 2021
ISBN 10: 0197602533 ISBN 13: 9780197602539
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In the fourteenth century composers and theorists invented mensuration and proportion signs that allowed them increased flexibility and precision in notating a wide range of rhythmic and metric relationships. The origin and interpretation of these signs is one of the least understood and mostcomplex issues in music history. This study represents the first attempt to see the origin of musical mensuration and proportion signs in the context of other measuring systems of the fourteenth century. Berger analyzes the exact meaning of every mensuration and proportion sign in music and theoryfrom the fourteenth to the sixteenth century, and offers revisions of many currently-held views concerning the significance and development of early time signatures.