ISBN: 9780198159599 - building the text: architecture as metaphor in late medieval and early modern france (18 risultati)

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  • Lingua: Inglese

    Editore: Oxford University Press, 1998

    0198159595 / 9780198159599

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    Condizione: New. Descriptions of imaginary buildings abound in late medieval and early modern texts in France. This book explores the relationship between metaphor and allegory in the corpus of writing that spans the late-15th and early-16th century in France, and concentrates on the output of Jean Lemaire. Series: Oxford Modern Languages and Literature Monographs. Num Pages: 256 pages, 11 pp plates. BIC Classification: 2ADF; DSBB; DSBD. Category: (P) Professional & Vocational. Dimension: 225 x 145 x 20. Weight in Grams: 486. . 1998. Hardback. . . . .…

  • Lingua: Inglese

    Editore: Clarendon Press, 1998

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    Editore: Clarendon Press, 1998

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  • Lingua: Inglese

    Editore: Clarendon Press, 1998

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  • Lingua: Inglese

    Editore: Oxford University Press, 1998

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    Condizione: New. Descriptions of imaginary buildings abound in late medieval and early modern texts in France. This book explores the relationship between metaphor and allegory in the corpus of writing that spans the late-15th and early-16th century in France, and concentrates on the output of Jean Lemaire. Series: Oxford Modern Languages and Literature Monographs. Num Pages: 256 pages, 11 pp plates. BIC Classification: 2ADF; DSBB; DSBD. Category: (P) Professional & Vocational. Dimension: 225 x 145 x 20. Weight in Grams: 486. . 1998. Hardback. . . . . Books ship from the US and Ireland.…

  • Lingua: Inglese

    Editore: Clarendon Press, 1998

    0198159595 / 9780198159599

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  • Lingua: Inglese

    Editore: Clarendon Press, 1998

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  • Lingua: Inglese

    Editore: Oxford University Press, Oxford, 1998

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    Hardcover. Condizione: new. Hardcover. Descriptions of imaginary buildings abound in late medieval and early modern texts in France as in other European countries. The vogue for allegorical buildings was, however, more than a literary fashion: by deploying familiar metaphors of the building in new contexts, writers gained a powerful tool of persuasion. This book explores the complex relationship between metaphor and allegory in the largely neglected but extremely rich corpus of writing that spans thelate fifteenth and early sixteenth century in France, and concentrates on the output of Jean Lemaire (c.1473-after 1515), whose fascination with architecture played a crucial role in defining hisself-image as a writer. By exploiting the semantic richness of the image of the temple, Lemaire was able to combine panegyric of his patrons with advertisement of his own talents and to promote an ideology of the self-conscious and self-confident writer that was to characterize the stance of Ronsard and the Pleiade in the poet-architect debate of the later sixteenth century. Descriptions of imaginary buildings abound in late medieval and early modern texts in France. This book examines the reasons for their popularity and analyses the way in which metaphors of the building enabled a writer like Jean Lemaire (c.1473-after 1515) both to praise his patrons and to advertise his own talents. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

  • Lingua: Inglese

    Editore: Clarendon Press, 1998

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  • Lingua: Inglese

    Editore: OUP Oxford, 1998

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  • Lingua: Inglese

    Editore: OUP Oxford, 1998

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  • Lingua: Inglese

    Editore: Oxford University Press, Oxford, 1998

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    Hardcover. Condizione: new. Hardcover. Descriptions of imaginary buildings abound in late medieval and early modern texts in France as in other European countries. The vogue for allegorical buildings was, however, more than a literary fashion: by deploying familiar metaphors of the building in new contexts, writers gained a powerful tool of persuasion. This book explores the complex relationship between metaphor and allegory in the largely neglected but extremely rich corpus of writing that spans thelate fifteenth and early sixteenth century in France, and concentrates on the output of Jean Lemaire (c.1473-after 1515), whose fascination with architecture played a crucial role in defining hisself-image as a writer. By exploiting the semantic richness of the image of the temple, Lemaire was able to combine panegyric of his patrons with advertisement of his own talents and to promote an ideology of the self-conscious and self-confident writer that was to characterize the stance of Ronsard and the Pleiade in the poet-architect debate of the later sixteenth century. Descriptions of imaginary buildings abound in late medieval and early modern texts in France. This book examines the reasons for their popularity and analyses the way in which metaphors of the building enabled a writer like Jean Lemaire (c.1473-after 1515) both to praise his patrons and to advertise his own talents. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Lingua: Inglese

    Editore: Oxford University Press, Oxford, 1998

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    Hardcover. Condizione: new. Hardcover. Descriptions of imaginary buildings abound in late medieval and early modern texts in France as in other European countries. The vogue for allegorical buildings was, however, more than a literary fashion: by deploying familiar metaphors of the building in new contexts, writers gained a powerful tool of persuasion. This book explores the complex relationship between metaphor and allegory in the largely neglected but extremely rich corpus of writing that spans thelate fifteenth and early sixteenth century in France, and concentrates on the output of Jean Lemaire (c.1473-after 1515), whose fascination with architecture played a crucial role in defining hisself-image as a writer. By exploiting the semantic richness of the image of the temple, Lemaire was able to combine panegyric of his patrons with advertisement of his own talents and to promote an ideology of the self-conscious and self-confident writer that was to characterize the stance of Ronsard and the Pleiade in the poet-architect debate of the later sixteenth century. Descriptions of imaginary buildings abound in late medieval and early modern texts in France. This book examines the reasons for their popularity and analyses the way in which metaphors of the building enabled a writer like Jean Lemaire (c.1473-after 1515) both to praise his patrons and to advertise his own talents. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

  • Lingua: Inglese

    Editore: OUP Oxford, 1998

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    Buch. Condizione: Neu. Building the Text | Architecture as Metaphor in Late Medieval and Early Modern France | David Cowling | Buch | Gebunden | Englisch | 1998 | OUP Oxford | EAN 9780198159599 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

  • Lingua: Inglese

    Editore: Clarendon Press, 1998

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    Condizione: New. Print on Demand pp. 256.

  • Lingua: Inglese

    Editore: OUP Oxford, 1998

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    Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Descriptions of imaginary buildings abound in late medieval and early modern texts in France as in other European countries. The vogue for allegorical buildings was, however, more than a literary fashion: by deploying familiar metaphors of the building in new contexts, writers gained a powerful tool of persuasion. This book explores the complex relationship between metaphor and allegory in the largely neglected but extremely rich corpus of writing that spans the late fifteenth and early sixteenth century in France, and concentrates on the output of Jean Lemaire (c.1473-after 1515), whose fascination with architecture played a crucial role in defining his self-image as a writer. By exploiting the semantic richness of the image of the temple, Lemaire was able to combine panegyric of his patrons with advertisement of his own talents and to promote an ideology of the self-conscious and self-confident writer that was to characterize the stance of Ronsard and the Pléiade in the poet-architect debate of the later sixteenth century.…

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    Editore: Clarendon Press, 1998

    0198159595 / 9780198159599

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    Condizione: New. Print on Demand pp. 256 44:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Case Laminate on Creme w/Gloss Lam.

  • Lingua: Inglese

    Editore: Clarendon Press, 1998

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    Condizione: New. PRINT ON DEMAND pp. 256.