9780198163923 - haydn's symphonic forms: essays in compositional logic di haimo, ethan (23 risultati)
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Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Ex-library copy with traditional stamps and markings. Shows some wear, dustjacket still in mylar wrapper. Binding still tight. All pages intact and free of marks.
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hardcover. Condizione: Very Good. Hardcover in illustrated boards, no jacket as issued. Clean and unmarked. Binding strong. Light wear.
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Condizione: Bueno. Clarendon Press Oxford. 60045 HAIMO, Ethan [ 1995 Claredon Press Oxford, 1995. Hardcover, without dust jacket 294 pages. música.
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Condizione: New. Haydn never discussed his compositional ideas in much detail, either in the interviews he gave or in his surviving correspondence. Using his symphonies as its subject, this book attempts to clarify what Haydn's fundamental principles of formal logic might have been. Series: Oxford Monographs on Music. Num Pages:… 310 pages, music examples, tables. BIC Classification: AVA; AVGC4; AVH. Category: (P) Professional & Vocational. Dimension: 242 x 162 x 22. Weight in Grams: 572. . 1995. Illustrated. hardcover. . . . .
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Hardback. Condizione: New. Illustrated. Haydn never discussed his compositional ideas in much detail, either in the interviews he gave to an early biographer or in his surviving correspondence. Moreover, relatively few sketches of his compositions have been preserved. Therefore, attempts to reconstruct Haydn's compositional thou…ght, and in particular his formal logic, must rely on evidence drawn from close analyses of the works themselves. Using his symphonies as its subject, this book attempts to clarify what Haydn's fundamental principles of formal logic might have been. It shows how Haydn employed those basic compositional principles to structure his forms, providing explanations that account for specific details of individual movements as well as the relationships between the movements. Beyond what they show about Haydn's formal thought and the individual works discussed, the analyses in this book also have a larger purpose: to argue in support of the idea that compositions cannot be analysed in a meaningful manner if the analysis is divorced from the work's historical context.
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Condizione: New. Haydn never discussed his compositional ideas in much detail, either in the interviews he gave or in his surviving correspondence. Using his symphonies as its subject, this book attempts to clarify what Haydn's fundamental principles of formal logic might have been. Series: Oxford Monographs on Music. Num Pages:… 310 pages, music examples, tables. BIC Classification: AVA; AVGC4; AVH. Category: (P) Professional & Vocational. Dimension: 242 x 162 x 22. Weight in Grams: 572. . 1995. Illustrated. hardcover. . . . . Books ship from the US and Ireland.
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Hardback. Condizione: New. Illustrated. Haydn never discussed his compositional ideas in much detail, either in the interviews he gave to an early biographer or in his surviving correspondence. Moreover, relatively few sketches of his compositions have been preserved. Therefore, attempts to reconstruct Haydn's compositional thou…ght, and in particular his formal logic, must rely on evidence drawn from close analyses of the works themselves. Using his symphonies as its subject, this book attempts to clarify what Haydn's fundamental principles of formal logic might have been. It shows how Haydn employed those basic compositional principles to structure his forms, providing explanations that account for specific details of individual movements as well as the relationships between the movements. Beyond what they show about Haydn's formal thought and the individual works discussed, the analyses in this book also have a larger purpose: to argue in support of the idea that compositions cannot be analysed in a meaningful manner if the analysis is divorced from the work's historical context.
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Hardcover. Condizione: new. Hardcover. Haydn never discussed his compositional ideas in much detail, either in the interviews he gave to an early biographer or in his surviving correspondence. Moreover, relatively few sketches of his compositions have been preserved. Therefore, attempts to reconstruct Haydn's compositional thoug…ht, and in particular his formal logic, must rely on evidence drawn from close analyses of the works themselves. Using his symphonies as its subject, this book attempts toclarify what Haydn's fundamental principles of formal logic might have been. It shows how Haydn employed those basic compositional principles to structure his forms, providing explanations that accountfor specific details of individual movements as well as the relationships between the movements. Beyond what they show about Haydn's formal thought and the individual works discussed, the analyses in this book also have a larger purpose: to argue in support of the idea that compositions cannot be analysed in a meaningful manner if the analysis is divorced from the work's historical context. This book examines formal organization in Haydn's symphonies. The structure of individual movements and the relationships between them are analysed. All common instrumental forms of the Classical era are discussed. The author reconstructs Haydn's principles of formal thought and explains how these principles governed his compositional choices. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Hardcover. Condizione: new. Hardcover. Haydn never discussed his compositional ideas in much detail, either in the interviews he gave to an early biographer or in his surviving correspondence. Moreover, relatively few sketches of his compositions have been preserved. Therefore, attempts to reconstruct Haydn's compositional thoug…ht, and in particular his formal logic, must rely on evidence drawn from close analyses of the works themselves. Using his symphonies as its subject, this book attempts toclarify what Haydn's fundamental principles of formal logic might have been. It shows how Haydn employed those basic compositional principles to structure his forms, providing explanations that accountfor specific details of individual movements as well as the relationships between the movements. Beyond what they show about Haydn's formal thought and the individual works discussed, the analyses in this book also have a larger purpose: to argue in support of the idea that compositions cannot be analysed in a meaningful manner if the analysis is divorced from the work's historical context. This book examines formal organization in Haydn's symphonies. The structure of individual movements and the relationships between them are analysed. All common instrumental forms of the Classical era are discussed. The author reconstructs Haydn's principles of formal thought and explains how these principles governed his compositional choices. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Haydn never discussed his compositional ideas in much detail, either in the interviews he gave or in his surviving correspondence. Using his symphonies as its subject, this book attempts to clarify what Hay…dn s fundamental principles of formal logic might h.
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Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Haydn never discussed his compositional ideas in much detail, either in the interviews he gave to an early biographer or in his surviving correspondence. Moreover, relatively few sketches of his compositions have been preserved. Therefore, att…empts to reconstruct Haydn's compositional thought, and in particular his formal logic, must rely on evidence drawn from close analyses of the works themselves. Using his symphonies as its subject, this book attempts to clarify what Haydn's fundamental principles of formal logic might have been. It shows how Haydn employed those basic compositional principles to structure his forms, providing explanations that account for specific details of individual movements as well as the relationships between the movements. Beyond what they show about Haydn's formal thought and the individual works discussed, the analyses in this book also have a larger purpose: to argue in support of the idea that compositions cannot be analysed in a meaningful manner if the analysis is divorced from the work's historical context.
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Buch. Condizione: Neu. Haydn's Symphonic Forms | Essays in Compositional Logic | Ethan Haimo | Buch | Buch Gebunden | Englisch | 2001 | OUP Oxford | EAN 9780198163923 | Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, 70567 Stuttgart, vertrieb[at]dbg[dot]de | Anbieter: preigu Print on Demand.
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Condizione: New. Print on Demand pp. 312.
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Condizione: New. Print on Demand pp. 312 9:B&W 6 x 9 in or 229 x 152 mm Case Laminate on Creme w/Gloss Lam.
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Condizione: New. PRINT ON DEMAND pp. 312.
