Isbn: 9780198163961 - handel's muse: patterns of creation in his oratorios and musical dramas, 1743-1751 (26 risultati)

1st edn 1st printing. 8vo. Original gilt lettered blue cloth (Fine), dustwrapper (Fine). Pp. xvii + 288, illus with b&w photos, figures, tables and musical examples (no inscriptions).

Size: 8vo. xvii, 288pp. Publisher's hardback with printed dust-jacket. Music examples.

Hardcover. Condizione: Very Good. 2001 OUP hardcover edition. Unread copy in very good condition. Contents: 1. Introduction 2. Writing the Score 3. The Process of Creation: Forethought and Spontaneity 4. The Quest for Melodic Diversity 5. Handel as Harmonious Blacksmith: Changes in Tonal Structure 6. Texture as Form 7. The Rough Places Made Plain: Closure vs. Continuity 8. Texts, Musical Form, and Dramatic Impact 9. Musical Imagery as Drama 10. Singers and the Creative Process 11. Conclusions.…

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Condizione: The edges are stamped. Condizione sovraccoperta: Very Good. A former library book from a small College with usual markings and additions; The is binding tight; the pages are clean. Very little wear. Shipping within 24 hours, with a tracking number and delivery confirmation.

Hardcover. Condizione: VG+. Condizione sovraccoperta: Very Good. 318pp. music examples to text. Jacket has very light shelf wear o/w very good. Light dust soiling and spotting to top edge of textblock o/w a lovely copy in near immaculate condition. Overseas orders may require additional postage.

Hardcover. Condizione: Very Good. Author signed and inscribed. No text marks. Corners lightly bumped.

Condizione: New. This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. Exploring the composer's sketches and autograph scores, it offers fresh insights into the creative mind of one of the leading figures in Baroque music. Series: Oxford Monographs on Music. Num Pages: 310 pages, numerous music examples, 7 illustrations, 2 figures. BIC Classification: 3JH; AVGC4; AVGD; AVH. Category: (P) Professional & Vocational. Dimension: 242 x 163 x 21. Weight in Grams: 666. . 2001. Hardback. . . . .…

Condizione: New.

Condizione: New.

Condizione: New. This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. Exploring the composer's sketches and autograph scores, it offers fresh insights into the creative mind of one of the leading figures in Baroque music. Series: Oxford Monographs on Music. Num Pages: 310 pages, numerous music examples, 7 illustrations, 2 figures. BIC Classification: 3JH; AVGC4; AVGD; AVH. Category: (P) Professional & Vocational. Dimension: 242 x 163 x 21. Weight in Grams: 666. . 2001. Hardback. . . . . Books ship from the US and Ireland.…

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. Handel's frequent and extensive alterations to his scores yield much valuable information on musical and extra-musical matters. This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. David Hurley examines six major works composed between 1743 and 1751 (Semele, Hercules, Belshazzar, Solomon, Susanna, and Jephtha), explores changes in the autograph scores, and, where possible, traces the progress of musical ideas from sketches and/or borrowings through drafts to the first performance version. By studying recurring types of revisions, Hurley identifies Handel's regular musical concerns while also addressing changes arising from specific dramatic situations. The later chapters of the book offer fresh insight into the relationship between music and text, evaluating for the first time the role of word painting in Handel's compositional process and furthering our knowledge about Handel's interactions with librettists and singers during the oratorio years.…

Hardback. Condizione: New. Handel's frequent and extensive alterations to his scores yield much valuable information on musical and extra-musical matters. This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. David Hurley examines six major works composed between 1743 and 1751 (Semele, Hercules, Belshazzar, Solomon, Susanna, and Jephtha), explores changes in the autograph scores, and, where possible, traces the progress of musical ideas from sketches and/or borrowings through drafts to the first performance version. By studying recurring types of revisions, Hurley identifies Handel's regular musical concerns while also addressing changes arising from specific dramatic situations. The later chapters of the book offer fresh insight into the relationship between music and text, evaluating for the first time the role of word painting in Handel's compositional process and furthering our knowledge about Handel's interactions with librettists and singers during the oratorio years.…

Hardcover. Condizione: new. Hardcover. Handel's frequent and extensive alterations to his scores yield much valuable information on musical and extra-musical matters. This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. David Hurley examines six major works composed between 1743 and 1751 (Semele, Hercules, Belshazzar, Solomon, Susanna, and Jephtha), explores changes in the autograph scores, and, wherepossible, traces the progress of musical ideas from sketches and/or borrowings through drafts to the first performance version. By studying recurring types of revisions, Hurley identifies Handel's regular musical concernswhile also addressing changes arising from specific dramatic situations. The later chapters of the book offer fresh insight into the relationship between music and text, evaluating for the first time the role of word painting in Handel's compositional process and furthering our knowledge about Handel's interactions with librettists and singers during the oratorio years. This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. Exploring the composer's sketches and autograph scores, it offers fresh insights into the creative mind of one of the leading figures in Baroque music. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condizione: new. Questo è un articolo print on demand.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. Handel's frequent and extensive alterations to his scores yield much valuable information on musical and extra-musical matters. This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. David Hurley examines six major works composed between 1743 and 1751 (Semele, Hercules, Belshazzar, Solomon, Susanna, and Jephtha), explores changes in the autograph scores, and, wherepossible, traces the progress of musical ideas from sketches and/or borrowings through drafts to the first performance version. By studying recurring types of revisions, Hurley identifies Handel's regular musical concernswhile also addressing changes arising from specific dramatic situations. The later chapters of the book offer fresh insight into the relationship between music and text, evaluating for the first time the role of word painting in Handel's compositional process and furthering our knowledge about Handel's interactions with librettists and singers during the oratorio years. This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. Exploring the composer's sketches and autograph scores, it offers fresh insights into the creative mind of one of the leading figures in Baroque music. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: new. Hardcover. Handel's frequent and extensive alterations to his scores yield much valuable information on musical and extra-musical matters. This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. David Hurley examines six major works composed between 1743 and 1751 (Semele, Hercules, Belshazzar, Solomon, Susanna, and Jephtha), explores changes in the autograph scores, and, wherepossible, traces the progress of musical ideas from sketches and/or borrowings through drafts to the first performance version. By studying recurring types of revisions, Hurley identifies Handel's regular musical concernswhile also addressing changes arising from specific dramatic situations. The later chapters of the book offer fresh insight into the relationship between music and text, evaluating for the first time the role of word painting in Handel's compositional process and furthering our knowledge about Handel's interactions with librettists and singers during the oratorio years. This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. Exploring the composer's sketches and autograph scores, it offers fresh insights into the creative mind of one of the leading figures in Baroque music. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Condizione: Neu. Handel's Muse | Patterns of Creation in His Oratorios and Musical Dramas, 1743-1751 | David Ross Hurley | Buch | Buch Gebunden | Englisch | 2001 | OUP Oxford | EAN 9780198163961 | Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, 70567 Stuttgart, vertrieb[at]dbg[dot]de | Anbieter: preigu Print on Demand.…

Condizione: New. Print on Demand pp. 312.

Condizione: New. Print on Demand pp. 312 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam.

Condizione: New. PRINT ON DEMAND pp. 312.

Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book represents the most thorough study to date of Handel s compositional procedures in his English oratorios and musical dramas. Exploring the composer s sketches and autograph scores, it offers fresh insights into the creative mind of one of the lead.…