Isbn: 9780198884576 - wedding, gender, and performance in ancient greece (13 risultati)

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  • Lingua: Inglese

    Editore: Oxford University Press, 2025

    0198884575 / 9780198884576

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  • Lingua: Inglese

    Editore: Oxford University Press, 2025

    0198884575 / 9780198884576

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  • Lingua: Inglese

    Editore: Oxford University Press, Oxford, 2024

    0198884575 / 9780198884576

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    Hardcover. Condizione: new. Hardcover. Wedding, Gender, and Performance in Ancient Greece traces the wedding song tradition, its imagery, and its tropes as a genre that became crystallized throughout the ages. It explores how wedding poetics permeates ancient Greek literature. It first analyzes how explicit or implicit matrimonial references shape archaic epic diction and become an integral part of epic discourse; orally circulating texts, such as wedding songs, could have a life of their ownbut, beyond their original context, could also become an integral part of a different genre, especially epic and drama. This author discusses the multiple platforms that enrich the wedding song tradition,including children's songs, hymns, paeans, and ululations, arguing for a combination of ritualized discourse with ludic childhood poetics. With an approach from cognitive and trauma studies, such references can be more revealing of the female experience than previously acknowledged. This book resists the idea that a wedding constitutes an initiation ritual, arguing that what on the surface may seem like a transition to a new phase reveals other underlying trends that work against the concept ofa passage. It further considers how emotion is staged and revisits the poetics of return by looking at patterns such as the eloping, returning, failed, and dead bride. Finally, the theme of separationand return as an exemplification of a distinct female nostos is revisited in female-authored poetry, which helps us decode the complex interweaving of wedding performances and lamentation, among other types of performance. This book reconstructs the wedding song tradition in Ancient Greece, and looks at how the wedding song tradition has shaped some of the great surviving literature, most notably epic and lyric poetry. By recovering a lost genre, we can detect important voices from the ancient Greek world, and see the nuances with which different poets used it. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Lingua: Inglese

    Editore: OUP Oxford, 2025

    0198884575 / 9780198884576

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  • Lingua: Inglese

    Editore: Oxford University Press, 2025

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  • Lingua: Inglese

    Editore: OUP Oxford, 2024

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  • Lingua: Inglese

    Editore: Oxford University Press, 2025

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    Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

  • Lingua: Inglese

    Editore: Oxford University Press, GB, 2024

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    Hardback. Condizione: New. Wedding, Gender, and Performance in Ancient Greece traces the wedding song tradition, its imagery, and its tropes as a genre that became crystallized throughout the ages. It explores how wedding poetics permeates ancient Greek literature. It first analyzes how explicit or implicit matrimonial references shape archaic epic diction and become an integral part of epic discourse; orally circulating texts, such as wedding songs, could have a life of their own but, beyond their original context, could also become an integral part of a different genre, especially epic and drama. This author discusses the multiple platforms that enrich the wedding song tradition, including children's songs, hymns, paeans, and ululations, arguing for a combination of ritualized discourse with ludic childhood poetics. With an approach from cognitive and trauma studies, such references can be more revealing of the female experience than previously acknowledged. This book resists the idea that a wedding constitutes an initiation ritual, arguing that what on the surface may seem like a transition to a new phase reveals other underlying trends that work against the concept of a passage. It further considers how emotion is staged and revisits the poetics of return by looking at patterns such as the eloping, returning, failed, and dead bride. Finally, the theme of separation and return as an exemplification of a distinct female nostos is revisited in female-authored poetry, which helps us decode the complex interweaving of wedding performances and lamentation, among other types of performance.

  • Lingua: Inglese

    Editore: OUP Oxford, 2025

    0198884575 / 9780198884576

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  • Lingua: Inglese

    Editore: OUP Oxford, 2025

    0198884575 / 9780198884576

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  • Lingua: Inglese

    Editore: OUP Oxford, 2025

    0198884575 / 9780198884576

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  • Lingua: Inglese

    Editore: Oxford University Press, GB, 2024

    0198884575 / 9780198884576

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    Hardback. Condizione: New. Wedding, Gender, and Performance in Ancient Greece traces the wedding song tradition, its imagery, and its tropes as a genre that became crystallized throughout the ages. It explores how wedding poetics permeates ancient Greek literature. It first analyzes how explicit or implicit matrimonial references shape archaic epic diction and become an integral part of epic discourse; orally circulating texts, such as wedding songs, could have a life of their own but, beyond their original context, could also become an integral part of a different genre, especially epic and drama. This author discusses the multiple platforms that enrich the wedding song tradition, including children's songs, hymns, paeans, and ululations, arguing for a combination of ritualized discourse with ludic childhood poetics. With an approach from cognitive and trauma studies, such references can be more revealing of the female experience than previously acknowledged. This book resists the idea that a wedding constitutes an initiation ritual, arguing that what on the surface may seem like a transition to a new phase reveals other underlying trends that work against the concept of a passage. It further considers how emotion is staged and revisits the poetics of return by looking at patterns such as the eloping, returning, failed, and dead bride. Finally, the theme of separation and return as an exemplification of a distinct female nostos is revisited in female-authored poetry, which helps us decode the complex interweaving of wedding performances and lamentation, among other types of performance.

  • Editore: Oxford University Press

    0198884575 / 9780198884576

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    Condizione: new. Questo è un articolo print on demand.