9780199335558 - the harlem renaissance: a very short introduction di wall, cheryl a. (45 risultati)

Lingua: Inglese
Editore: Oxford University Press, 2016
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Lingua: Inglese
Editore: Oxford University Press, 2016
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Lingua: Inglese
Editore: Oxford University Press, 2016
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Lingua: Inglese
Editore: Oxford University Press, 2016
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Lingua: Inglese
Editore: Oxford University Press, 2016
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Lingua: Inglese
Editore: Oxford University Press Inc, US, 2016
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Paperback. Condizione: New. The Harlem Renaissance was a cultural awakening among African Americans between the two world wars. It was the cultural phase of the "New Negro" movement, a social and political phenomenon that promoted a proud racial identity, economic independence, and progressive politics. In this Very Short Introd…uction, Cheryl A. Wall captures the Harlem Renaissance's zeitgeist by identifying issues and strategies that engaged writers, musicians, and visual artists alike. She introduces key figures such as Langston Hughes, Zora Neale Hurston, Claude McKay, and Jean Toomer, along with such signature texts as "Mother to Son," "Harlem Shadows," and Cane. In examining the "New Negro," she looks at the art of photographer James Van der Zee and painters Archibald Motley and Laura Wheeler and the way Marita Bonner, Jessie Fauset, and Nella Larsen explored the dilemmas of gender identity for New Negro women. Focusing on Harlem as a cultural capital, Wall covers theater in New York, where black musicals were produced on Broadway almost every year during the 1920s. She also depicts Harlem nightlife with its rent parties and clubs catering to working class blacks, wealthy whites, and gays of both races, and the movement of Renaissance artists to Paris.From Hughes's "The Negro Speaks of Rivers" to W.E.B. Du Bois's novel Dark Princess, black Americans explored their relationship to Africa. Many black American intellectuals met African intellectuals in Paris, where they made common cause against European colonialism and race prejudice. Folklore - spirituals, stories, sermons, and dance - was considered raw material that the New Negro artist could alchemize into art. Consequently, they applauded the performance of spirituals on the concert stage by artists like Roland Hayes and Paul Robeson. The Harlem Renaissance left an indelible mark not only on African American visual and performing arts, but, as Cheryl Wall shows, its legacies are all around us.

Lingua: Inglese
Editore: Oxford University Press, 2016
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Lingua: Inglese
Editore: Oxford University Press, 2016
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Lingua: Inglese
Editore: Oxford University Press, 2016
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Lingua: Inglese
Editore: Oxford University Press, 2016
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Lingua: Inglese
Editore: Oxford University Press, USA 7/5/2016, 2016
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Paperback or Softback. Condizione: New. The Harlem Renaissance: A Very Short Introduction. Book.

Lingua: Inglese
Editore: Oxford University Press, 2016
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Lingua: Inglese
Editore: Oxford University Press, 2016
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Lingua: Inglese
Editore: Oxford University Press, 2016
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Lingua: Inglese
Editore: Oxford University Press Inc, 2016
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Lingua: Inglese
Editore: Oxford University Press Inc, US, 2016
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Paperback. Condizione: New. The Harlem Renaissance was a cultural awakening among African Americans between the two world wars. It was the cultural phase of the "New Negro" movement, a social and political phenomenon that promoted a proud racial identity, economic independence, and progressive politics. In this Very Short Introd…uction, Cheryl A. Wall captures the Harlem Renaissance's zeitgeist by identifying issues and strategies that engaged writers, musicians, and visual artists alike. She introduces key figures such as Langston Hughes, Zora Neale Hurston, Claude McKay, and Jean Toomer, along with such signature texts as "Mother to Son," "Harlem Shadows," and Cane. In examining the "New Negro," she looks at the art of photographer James Van der Zee and painters Archibald Motley and Laura Wheeler and the way Marita Bonner, Jessie Fauset, and Nella Larsen explored the dilemmas of gender identity for New Negro women. Focusing on Harlem as a cultural capital, Wall covers theater in New York, where black musicals were produced on Broadway almost every year during the 1920s. She also depicts Harlem nightlife with its rent parties and clubs catering to working class blacks, wealthy whites, and gays of both races, and the movement of Renaissance artists to Paris.From Hughes's "The Negro Speaks of Rivers" to W.E.B. Du Bois's novel Dark Princess, black Americans explored their relationship to Africa. Many black American intellectuals met African intellectuals in Paris, where they made common cause against European colonialism and race prejudice. Folklore - spirituals, stories, sermons, and dance - was considered raw material that the New Negro artist could alchemize into art. Consequently, they applauded the performance of spirituals on the concert stage by artists like Roland Hayes and Paul Robeson. The Harlem Renaissance left an indelible mark not only on African American visual and performing arts, but, as Cheryl Wall shows, its legacies are all around us.

Lingua: Inglese
Editore: Oxford University Press, 2016
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Da: Pangea, Louisville, KY, U.S.A.Pangea
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paperback. Condizione: Very Good. Gently used with light wear. Pages remain clean and easy to read, with only minor signs of handling. Ships from our Kentucky facility. Orders placed before 1 PM EST (Mon?Fri) ship the same day. Packaged with care. Contact us with any questions.

Lingua: Inglese
Editore: Oxford University Press, 2016
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Lingua: Inglese
Editore: Oxford University Press Inc, New York, 2016
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Paperback. Condizione: new. Paperback. The Harlem Renaissance was a cultural awakening among African Americans between the two world wars. It was the cultural phase of the "New Negro" movement, a social and political phenomenon that promoted a proud racial identity, economic independence, and progressive politics.In this Very Sh…ort Introduction, Cheryl A. Wall captures the Harlem Renaissance's zeitgeist by identifying issues and strategies that engaged writers, musicians,and visual artists alike. She introduces key figures such as Langston Hughes, Zora Neale Hurston, Claude McKay, and Jean Toomer, along with such signature texts as "Mother to Son," "Harlem Shadows," and Cane.In examining the "New Negro," she looks at the art of photographer James Van der Zee and painters Archibald Motley and Laura Wheeler and the way Marita Bonner, Jessie Fauset, and Nella Larsen explored the dilemmas of gender identity for New Negro women. Focusing on Harlem as a cultural capital, Wall covers theater in New York, where black musicals were produced on Broadway almost every year during the 1920s. She also depicts Harlem nightlife with its rent parties and clubs catering to workingclass blacks, wealthy whites, and gays of both races, and the movement of Renaissance artists to Paris.From Hughes's "The Negro Speaks of Rivers" to W.E.B. Du Bois's novel DarkPrincess, black Americans explored their relationship to Africa. Many black American intellectuals met African intellectuals in Paris, where they made common cause against European colonialism and race prejudice. Folklore - spirituals, stories, sermons, and dance - was considered raw material that the New Negro artist could alchemize into art. Consequently, they applauded the performance of spirituals on the concert stage by artists like Roland Hayes and Paul Robeson. The HarlemRenaissance left an indelible mark not only on African American visual and performing arts, but, as Cheryl Wall shows, its legacies are all around us. This Very Short Introduction offers an overview of the Harlem Renaissance, a cultural awakening among African Americans between the two world wars. Cheryl A. Wall brings readers to the Harlem of 1920s to identify the cultural themes and issues that engaged writers, musicians, and visual artists alike. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Lingua: Inglese
Editore: Oxford University Press, 2016
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Da: zenosbooks, San Francisco, CA, U.S.A.zenosbooks
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paperback. Condizione: Very Good in Wrappers. No Jacket. New York. 2016. June 2016. Oxford University Press. Reprinted Paperback Edition. Very Good in Wrappers. 9780199335558. Very Short Introductions. 4-3/8 x 6-7/8 inches. 160 pages. paperback. keywords: African American Literary Criticism. DESCRIPTION - The Harlem Renaissance…was a cultural awakening among African Americans between the two world wars. It was the cultural phase of the 'New Negro' movement, a social and political phenomenon that promoted a proud racial identity, economic independence, and progressive politics. In this Very Short Introduction, Cheryl A. Wall captures the Harlem Renaissance's zeitgeist by identifying issues and strategies that engaged writers, musicians, and visual artists alike. She introduces key figures such as Langston Hughes, Zora Neale Hurston, Claude McKay, and Jean Toomer, along with such signature texts as 'Mother to Son,' 'Harlem Shadows,' and Cane. In examining the 'New Negro,' she looks at the art of photographer James Van der Zee and painters Archibald Motley and Laura Wheeler and the way Marita Bonner, Jessie Fauset, and Nella Larsen explored the dilemmas of gender identity for New Negro women. Focusing on Harlem as a cultural capital, Wall covers theater in New York, where black musicals were produced on Broadway almost every year during the 1920s. She also depicts Harlem nightlife with its rent parties and clubs catering to working class blacks, wealthy whites, and gays of both races, and the movement of Renaissance artists to Paris. From Hughes's 'The Negro Speaks of Rivers' to W.E.B. Du Bois's novel Dark Princess, black Americans explored their relationship to Africa. Many black American intellectuals met African intellectuals in Paris, where they made common cause against European colonialism and race prejudice. Folklore - spirituals, stories, sermons, and dance - was considered raw material that the New Negro artist could alchemize into art. Consequently, they applauded the performance of spirituals on the concert stage by artists like Roland Hayes and Paul Robeson. The Harlem Renaissance left an indelible mark not only on African American visual and performing arts, but, as Cheryl Wall shows, its legacies are all around us. inventory #44858.

Lingua: Inglese
Editore: Oxford University Press, 2016
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Da: Pangea, Louisville, KY, U.S.A.Pangea
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paperback. Condizione: New. Brand new, never used. Ships from our Kentucky facility. Orders placed before 1 PM EST (Mon?Fri) ship the same day. Packaged with care. Contact us with any questions.

Lingua: Inglese
Editore: Oxford University Press Inc, 2016
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Lingua: Inglese
Editore: Oxford University Press, 2016
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Condizione: New. pp. 160.

Lingua: Inglese
Editore: Oxford Univ Pr, 2016
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Paperback. Condizione: Brand New. 1st edition. 152 pages. 6.75x4.50x0.25 inches. In Stock.

Lingua: Inglese
Editore: Oxford University Press, 2016
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Condizione: New. . 2016. 1st Edition. Paperback. . . . .

Lingua: Inglese
Editore: Oxford University Press OUP, 2016
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Condizione: New. pp. 160.

Lingua: Inglese
Editore: Oxford Univ Pr, 2016
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 1st edition. 152 pages. 6.75x4.50x0.25 inches. In Stock.

Lingua: Inglese
Editore: Oxford University Press, 2016
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condizione: New. . 2016. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Lingua: Inglese
Editore: OUP USA, 2016
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Da: Brit Books, Milton Keynes, Regno UnitoBrit Books
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Paperback. Condizione: Used; Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every liter…ary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Lingua: Inglese
Editore: Oxford University Press, 2016
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Condizione: New. In.