9780199356560 - senecan tragedy and the reception of augustan poetry di trinacty, christopher v. (23 risultati)
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Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Text is unmarked; pages are bright. Top corner has been clipped from the title page. Binding is tight and square. Dust jacket is ever so slightly edgeworn. 266pp.
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Hardcover. Condizione: As New. 1st Edition. As New in As New Jacket. 1st printing. 266pp 8vo.
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Oxford University Press, 2014. VI,266p. Hardback with dust wrps. 'Senecan Tragedy and the Reception of Augustan Poetry? is primarily a study of the tragedies of the Latin author Seneca the Younger (4BCE-65CE), although the first chapter also reads some of his moral-philosophical Epistles. It argues that Seneca?s tragic poetics d…epend on a system of intertextual references to the works of the Augustan poets who were considered canonical by Seneca?s lifetime - in particular, Virgil, Horace, and Ovid. (?) Over four chapters, the book demonstrates that the characters, plots, tragic universes, and metapoetic programs of Seneca?s dramas are constructed and developed through quotations from, allusions to, and rewordings - or ?rebrandings?- of key moments in the Augustan poetic canon. Thus Senecan characters appear to be aware of, and to intervene consciously in, the process of their own literary construction. His Medea seeks to surpass the evils she is already famous for, and famously proclaims nunc Medea sum (?), meaning both that she has recovered from the madness of love that had temporarily possessed her and that she us living up to her literary reputation as an exemplar of feminine evil. Similarly, the plots of Senecan tragedies are shown to hinge on generic as much as interpersonal conflict, as when Phaedra uses the language of Augustan love elegy to describe herself, in a genre-based misreading of her situation that ultimately brings about her downfall. Characters in Senecan tragedy, from Phaedra to Oedipus and Cassandra, are situated, partial, and fallible readers, who misread the ambiguous signs of the world around them. (?) Trinacty?s book makes a strong case for seeing Seneca?s tragic poetics as inseparable from the metaphysics of allusion. (IKA WILLIS in Reception: Texts, Readers, Audiences, History, 2015, pp.121-123).
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Condizione: New. Christopher Trinacty's Senecan Tragedy and the Reception of Augustan Poetry uniquely places Senecan tragedy in its Roman literary context, offering a further dimension to the motivations and meaning behind Seneca's writings. By reading Senecan tragedy through an intertextual lens, Num Pages: 272 pages, black & w…hite illustrations. BIC Classification: DSC; HBLA1; JFSJ1. Category: (G) General (US: Trade). Dimension: 242 x 157 x 23. Weight in Grams: 488. . 2014. hardcover. . . . .
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Hardback. Condizione: New. In their practice of aemulatio, the mimicry of older models of writing, the Augustan poets often looked to the Greeks: Horace drew inspiration from the lyric poets, Virgil from Homer, and Ovid from Hesiod, Callimachus, and others. But by the time of the great Roman tragedian Seneca, the Augustan poets…had supplanted the Greeks as the "classics" to which Seneca and his contemporaries referred. Indeed, Augustan poetry is a reservoir of language, motif, and thought for Seneca's writing. Strangely, however, there has not yet been a comprehensive study revealing the relationship between Seneca and his Augustan predecessors. Christopher Trinacty's Senecan Tragedy and the Reception of Augustan Poetry is the long-awaited answer to the call for such a study. Senecan Tragedy and the Reception of Augustan Poetry uniquely places Senecan tragedy in its Roman literary context, offering a further dimension to the motivations and meaning behind Seneca's writings. By reading Senecan tragedy through an intertextual lens, Trinacty reveals Seneca's awareness of his historical moment, in which the Augustan period was eroding steadily around him. Seneca, looking back to the poetry of Horace, Virgil, and Ovid, acts as a critical interpreter of both their work and their era. He deconstructs the language of the Augustan poets, refiguring it through the perspective of his tragic protagonists. In doing so, he positions himself as a critic of the Augustan tradition and reveals a poetic voice that often subverts the classical ethos of that tradition. Through this process of reappropriation Seneca reveals much about himself as a playwright and as a man: In the inventive manner in which he re-employs the Augustan poets' language, thought, and poetics within the tragic framework, Seneca gives his model works new--and uniquely Senecan--life. Trinacty's analysis sheds new light both on Seneca and on his Augustan predecessors. As such, Senecan Tragedy and the Reception of Augustan Poetry promises to be a groundbreaking contribution to the study of both Senecan tragedy and Augustan poetry.
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Condizione: New. Christopher Trinacty's Senecan Tragedy and the Reception of Augustan Poetry uniquely places Senecan tragedy in its Roman literary context, offering a further dimension to the motivations and meaning behind Seneca's writings. By reading Senecan tragedy through an intertextual lens, Num Pages: 272 pages, black & w…hite illustrations. BIC Classification: DSC; HBLA1; JFSJ1. Category: (G) General (US: Trade). Dimension: 242 x 157 x 23. Weight in Grams: 488. . 2014. hardcover. . . . . Books ship from the US and Ireland.
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Hardback. Condizione: New. In their practice of aemulatio, the mimicry of older models of writing, the Augustan poets often looked to the Greeks: Horace drew inspiration from the lyric poets, Virgil from Homer, and Ovid from Hesiod, Callimachus, and others. But by the time of the great Roman tragedian Seneca, the Augustan poets…had supplanted the Greeks as the "classics" to which Seneca and his contemporaries referred. Indeed, Augustan poetry is a reservoir of language, motif, and thought for Seneca's writing. Strangely, however, there has not yet been a comprehensive study revealing the relationship between Seneca and his Augustan predecessors. Christopher Trinacty's Senecan Tragedy and the Reception of Augustan Poetry is the long-awaited answer to the call for such a study. Senecan Tragedy and the Reception of Augustan Poetry uniquely places Senecan tragedy in its Roman literary context, offering a further dimension to the motivations and meaning behind Seneca's writings. By reading Senecan tragedy through an intertextual lens, Trinacty reveals Seneca's awareness of his historical moment, in which the Augustan period was eroding steadily around him. Seneca, looking back to the poetry of Horace, Virgil, and Ovid, acts as a critical interpreter of both their work and their era. He deconstructs the language of the Augustan poets, refiguring it through the perspective of his tragic protagonists. In doing so, he positions himself as a critic of the Augustan tradition and reveals a poetic voice that often subverts the classical ethos of that tradition. Through this process of reappropriation Seneca reveals much about himself as a playwright and as a man: In the inventive manner in which he re-employs the Augustan poets' language, thought, and poetics within the tragic framework, Seneca gives his model works new--and uniquely Senecan--life. Trinacty's analysis sheds new light both on Seneca and on his Augustan predecessors. As such, Senecan Tragedy and the Reception of Augustan Poetry promises to be a groundbreaking contribution to the study of both Senecan tragedy and Augustan poetry.
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Condizione: New. Print on Demand pp. 272 Index.
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Hardcover. Condizione: new. Hardcover. In their practice of aemulatio, the mimicry of older models of writing, the Augustan poets often looked to the Greeks: Horace drew inspiration from the lyric poets, Virgil from Homer, and Ovid from Hesiod, Callimachus, and others. But by the time of the great Roman tragedian Seneca, the Aug…ustan poets had supplanted the Greeks as the "classics" to which Seneca and his contemporaries referred. Indeed, Augustan poetry is a reservoir of language, motif, andthought for Seneca's writing. Strangely, however, there has not yet been a comprehensive study revealing the relationship between Seneca and his Augustan predecessors. Christopher Trinacty's Senecan Tragedy andthe Reception of Augustan Poetry is the long-awaited answer to the call for such a study.Senecan Tragedy and the Reception of Augustan Poetry uniquely places Senecan tragedy in its Roman literary context, offering a further dimension to the motivations and meaning behind Seneca's writings. By reading Senecan tragedy through an intertextual lens, Trinacty reveals Seneca's awareness of his historical moment, in which the Augustan period was erodingsteadily around him. Seneca, looking back to the poetry of Horace, Virgil, and Ovid, acts as a critical interpreter of both their work and their era. He deconstructs the language of the Augustan poets, refiguring it throughthe perspective of his tragic protagonists. In doing so, he positions himself as a critic of the Augustan tradition and reveals a poetic voice that often subverts the classical ethos of that tradition. Through this process of reappropriation Seneca reveals much about himself as a playwright and as a man: In the inventive manner in which he re-employs the Augustan poets' language, thought, and poetics within the tragic framework, Seneca gives his model works new--and uniquely Senecan--life.Trinacty's analysis sheds new light both on Seneca and on his Augustan predecessors. As such, Senecan Tragedy and the Reception of Augustan Poetry promises to be a groundbreakingcontribution to the study of both Senecan tragedy and Augustan poetry. Christopher Trinacty's Senecan Tragedy and the Reception of Augustan Poetry uniquely places Senecan tragedy in its Roman literary context, offering a further dimension to the motivations and meaning behind Seneca's writings. By reading Senecan tragedy through an intertextual lens, This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Buch. Condizione: Neu. Senecan Tragedy and the Reception of Augustan Poetry | Christopher V. Trinacty | Buch | Gebunden | Englisch | 2014 | OUP US | EAN 9780199356560 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
