9780199655496 - Work and Object: Explorations in the Metaphysics of Art [Lingua inglese] di Lamarque, Peter (26 risultati)

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good-. Card covers show a light bit of shelf wear, mostly at edges, with a superficial crease at bottom-front-right corner, though no tears, splits, loss or other damage; binding tight, secure; pages crisp and unmarked with no damage or signs of previous reading. a good, tight copy of this excellent work of analytical philosophy. ; 5.5 x 0.6 x 8.5 inches; 248 pages.

Condizione: New.

Paperback. Condizione: New. Work and Object is a study of fundamental questions in the metaphysics of art, notably how works relate to the materials that constitute them. Issues about the creation of works, what is essential and inessential to their identity, their distinct kinds of properties, including aesthetic properties, their amenability to interpretation, their style, the conditions under which they can go out of existence, and their relation to perceptually indistinguishable doubles (e.g. forgeries and parodies), are raised and debated. A core theme is that works like paintings, music, literature, sculpture, architecture, films, photographs, multi-media installations, and many more besides, have fundamental features in common, as cultural artefacts, in spite of enormous surface differences. It is their nature as distinct kinds of things, grounded in distinct ontological categories, that is the subject of this enquiry. Although much of the discussion is abstract, based in analytical metaphysics, there are numerous specific applications, including a study of Jean-Paul Sartre's novel La Nausée and recent conceptual art. Some surprising conclusions are derived, about the identity conditions of works and about the difference, often, between what a work seems to be and what it really is.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In.

PF. Condizione: New.

paperback. Condizione: Good. Ex-library book, usual marking. Clean copy in good condition. Quick dispatch from UK seller.

Condizione: New.

Condizione: New. Peter Lamarque explores metaphysical aspects of works of art, looking at their status as cultural artefacts, their distinctive kinds of properties, their relation to interpretation, their style. He reaches surprising conclusions about the identity conditions of works and about the difference between what a work seems to be and what it really is. Num Pages: 264 pages, black & white illustrations. BIC Classification: ABA; HPJ; HPN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 217 x 154 x 14. Weight in Grams: 322. . 2012. Paperback. . . . .

Condizione: As New. Unread book in perfect condition.

Condizione: New. Peter Lamarque explores metaphysical aspects of works of art, looking at their status as cultural artefacts, their distinctive kinds of properties, their relation to interpretation, their style. He reaches surprising conclusions about the identity conditions of works and about the difference between what a work seems to be and what it really is. Num Pages: 264 pages, black & white illustrations. BIC Classification: ABA; HPJ; HPN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 217 x 154 x 14. Weight in Grams: 322. . 2012. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condizione: new. Paperback. Work and Object is a study of fundamental questions in the metaphysics of art, notably how works relate to the materials that constitute them. Issues about the creation of works, what is essential and inessential to their identity, their distinct kinds of properties, including aesthetic properties, their amenability to interpretation, their style, the conditions under which they can go out of existence, and their relation to perceptually indistinguishabledoubles (e.g. forgeries and parodies), are raised and debated. A core theme is that works like paintings, music, literature, sculpture, architecture, films, photographs, multi-media installations, and many morebesides, have fundamental features in common, as cultural artefacts, in spite of enormous surface differences. It is their nature as distinct kinds of things, grounded in distinct ontological categories, that is the subject of this enquiry. Although much of the discussion is abstract, based in analytical metaphysics, there are numerous specific applications, including a study of Jean-Paul Sartre's novel La Nausee and recent conceptual art. Some surprising conclusions are derived, aboutthe identity conditions of works and about the difference, often, between what a work seems to be and what it really is. Peter Lamarque explores metaphysical aspects of works of art, looking at their status as cultural artefacts, their distinctive kinds of properties, their relation to interpretation, their style. He reaches surprising conclusions about the identity conditions of works and about the difference between what a work seems to be and what it really is. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New. Work and Object is a study of fundamental questions in the metaphysics of art, notably how works relate to the materials that constitute them. Issues about the creation of works, what is essential and inessential to their identity, their distinct kinds of properties, including aesthetic properties, their amenability to interpretation, their style, the conditions under which they can go out of existence, and their relation to perceptually indistinguishable doubles (e.g. forgeries and parodies), are raised and debated. A core theme is that works like paintings, music, literature, sculpture, architecture, films, photographs, multi-media installations, and many more besides, have fundamental features in common, as cultural artefacts, in spite of enormous surface differences. It is their nature as distinct kinds of things, grounded in distinct ontological categories, that is the subject of this enquiry. Although much of the discussion is abstract, based in analytical metaphysics, there are numerous specific applications, including a study of Jean-Paul Sartre's novel La Nausée and recent conceptual art. Some surprising conclusions are derived, about the identity conditions of works and about the difference, often, between what a work seems to be and what it really is.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: new. Questo è un articolo print on demand.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condizione: new. Paperback. Work and Object is a study of fundamental questions in the metaphysics of art, notably how works relate to the materials that constitute them. Issues about the creation of works, what is essential and inessential to their identity, their distinct kinds of properties, including aesthetic properties, their amenability to interpretation, their style, the conditions under which they can go out of existence, and their relation to perceptually indistinguishabledoubles (e.g. forgeries and parodies), are raised and debated. A core theme is that works like paintings, music, literature, sculpture, architecture, films, photographs, multi-media installations, and many morebesides, have fundamental features in common, as cultural artefacts, in spite of enormous surface differences. It is their nature as distinct kinds of things, grounded in distinct ontological categories, that is the subject of this enquiry. Although much of the discussion is abstract, based in analytical metaphysics, there are numerous specific applications, including a study of Jean-Paul Sartre's novel La Nausee and recent conceptual art. Some surprising conclusions are derived, aboutthe identity conditions of works and about the difference, often, between what a work seems to be and what it really is. Peter Lamarque explores metaphysical aspects of works of art, looking at their status as cultural artefacts, their distinctive kinds of properties, their relation to interpretation, their style. He reaches surprising conclusions about the identity conditions of works and about the difference between what a work seems to be and what it really is. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. Work and Object is a study of fundamental questions in the metaphysics of art, notably how works relate to the materials that constitute them. Issues about the creation of works, what is essential and inessential to their identity, their distinct kinds of properties, including aesthetic properties, their amenability to interpretation, their style, the conditions under which they can go out of existence, and their relation to perceptually indistinguishabledoubles (e.g. forgeries and parodies), are raised and debated. A core theme is that works like paintings, music, literature, sculpture, architecture, films, photographs, multi-media installations, and many morebesides, have fundamental features in common, as cultural artefacts, in spite of enormous surface differences. It is their nature as distinct kinds of things, grounded in distinct ontological categories, that is the subject of this enquiry. Although much of the discussion is abstract, based in analytical metaphysics, there are numerous specific applications, including a study of Jean-Paul Sartre's novel La Nausee and recent conceptual art. Some surprising conclusions are derived, aboutthe identity conditions of works and about the difference, often, between what a work seems to be and what it really is. Peter Lamarque explores metaphysical aspects of works of art, looking at their status as cultural artefacts, their distinctive kinds of properties, their relation to interpretation, their style. He reaches surprising conclusions about the identity conditions of works and about the difference between what a work seems to be and what it really is. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. Print on Demand pp. 264.

Condizione: New. Print on Demand pp. 264.

Condizione: New. PRINT ON DEMAND pp. 264.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Peter Lamarque explores metaphysical aspects of works of art, looking at their status as cultural artefacts, their distinctive kinds of properties, their relation to interpretation, their style. He reaches surprising conclusions about the identity condition.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Peter Lamarque explores metaphysical aspects of works of art, looking at their status as cultural artefacts, their distinctive kinds of properties, their relation to interpretation, their style. He reaches surprising conclusions about the identity conditions of works and about the difference between what a work seems to be and what it really is.

Taschenbuch. Condizione: Neu. Work and Object | Explorations in the Metaphysics of Art | Peter Lamarque | Taschenbuch | Kartoniert / Broschiert | Englisch | 2012 | OUP Oxford | EAN 9780199655496 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.