Isbn: 9780226135120 - the judgment of paris (26 risultati)

Paperback. Condizione: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Very good. No jacket. Back cover is scratched, but legibility is not impacted. Cover edges are slightly worn. Upper front cover edge is bumped. Fore and bottom edges are stained, but readability is not affected. Pages are unmarked.

Trade Paperback. Condizione: VG. used trade paperback edition. lightly shelfworn, corners perhaps slightly bumped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

softcover. Condizione: Nearly fine copy. 1st. 8vo, 377 pp. Well-illustrated (illustratore).

Paperback. Condizione: Near Fine. Ever so slight cover wear. No markings. Always securely packed. Professional booksellers since 1994. Satisfaction guaranteed.

Condizione: new.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Condizione: New. Drawing on Freudian theories of sexuality and Kant's conception of the beautiful, French art historian Hubert Damisch considers artists as diverse as Raphael, Picasso, Watteau and Manet to demonstrate that beauty has always been connected to ideas of sexual difference and pleasure. Translator(s): Goodman, John. Num Pages: 396 pages, 116 halftones. BIC Classification: AC; AFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 217 x 230 x 31. Weight in Grams: 630. . 1996. 1st Edition. Paperback. . . . . …

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

Condizione: Acceptable. Used - Acceptable. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condizione: New. pp. 396 Illus.

Condizione: New. Drawing on Freudian theories of sexuality and Kant's conception of the beautiful, French art historian Hubert Damisch considers artists as diverse as Raphael, Picasso, Watteau and Manet to demonstrate that beauty has always been connected to ideas of sexual difference and pleasure. Translator(s): Goodman, John. Num Pages: 396 pages, 116 halftones. BIC Classification: AC; AFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 217 x 230 x 31. Weight in Grams: 630. . 1996. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. …

Condizione: New.

Condizione: New. In English.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. pp. 396 Index.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 1st edition. 396 pages. 9.25x6.25x0.75 inches. In Stock.

Condizione: New. Drawing on Freudian theories of sexuality and Kant s conception of the beautiful, French art historian Hubert Damisch considers artists as diverse as Raphael, Picasso, Watteau and Manet to demonstrate that beauty has always been connected to ideas of sexual.

Taschenbuch. Condizione: Neu. Neuware - Drawing on Freudian theories of sexuality and Kant's conception of the beautiful, French art historian Hubert Damisch considers artists as diverse as Raphael, Picasso, Watteau, and Manet to demonstrate that beauty has always been connected to ideas of sexual difference and pleasure. Damisch's tale begins with the judgment of Paris, in which Paris awards Venus the golden apple and thus forever links beauty with desire. The casting of this decision as a mistake--in which desire is rewarded over wisdom and strength--is then linked to theories of the unconscious and psychological drives. In his quest for an exposition of the beautiful in its relation to visual pleasure, Damisch employs what he terms 'analytic iconology,' following the revisions and repetitions of the motif of the judgment through art history, philosophy, aesthetics, and psychoanalysis. This translation brings an important figure of the French art historical tradition to Anglo-American audiences.…

Paperback. Condizione: Brand New. 1st edition. 396 pages. 9.25x6.25x0.75 inches. In Stock. This item is printed on demand.

Paperback. Condizione: new. Paperback. Drawing on Freudian theories of sexuality and Kant's conception of the beautiful, French art historian Hubert Damisch considers artists as diverse as Raphael, Picasso, Watteau, and Manet to demonstrate that beauty has always been connected to ideas of sexual difference and pleasure. Damisch's tale begins with the judgment of Paris, in which Paris awards Venus the golden apple and thus forever links beauty with desire. The casting of this decision as a mistakein which desire is rewarded over wisdom and strengthis then linked to theories of the unconscious and psychological drives. In his quest for an exposition of the beautiful in its relation to visual pleasure, Damisch employs what he terms analytic iconology, following the revisions and repetitions of the motif of the judgment through art history, philosophy, aesthetics, and psychoanalysis. This translation brings an important figure of the French art historical tradition to Anglo-American audiences. Drawing on Freudian theories of sexuality and Kant's conception of the beautiful, Damisch considers artists as diverse as Raphael, Picasso, Watteau, and Manet to demonstrate that beauty has always been connected to ideas of sexual difference and pleasure. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…