ISBN: 9780226281964 - color harmonies (15 risultati)

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condizione: Fine. clean, unmarked copy.

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Condizione: Near Fine. 1st. xv, [16 pages of color plates], 76 pages, illustrations; 21 cm. Translation of: Le armonie del colore. Near fine. Firm binding, clean inside copy. Age toning. First thus. *** "Because theories of visual perception have traditionally concentrated on form, artists have generally dealt with the problem of color through their own observation and intuition. In Color Harmonies, Augusto Garau systematically investigates the role of both color and form in visual perception and presents an original theory of the aesthetic relations among colors. Garau, a painter who teaches the psychology of form, pays particular attention to the way colors behave when organized in patterns. His theory of color combination addresses two principal compositional elements: the relations between figure and ground and the phenomenon of transparency. Garau meticulously analyzes the use of color in paintings by masters such as Cezanne, Picasso, and Matisse to show how his theory applies to actual works of art. Containing many full-color examples, his introduction to the workings of color relations is of great practical use to art historians and critics, artists, interior decorators, fashion and set designers, and anyone who works with color to display information or convey emotions." - Publisher. *** CONTENTS: Juxtaposing a pure color to a mixture that contains that color; Complete inversion; Partial inversion; Shared dominant; Shared subordinate; Figural unity and chromatic unity; Applications in painting; Examples of chromatic juxtapositions in pictorial works by Cezanne, Picasso, and Matisse; Complete transparency in the perception of colored displays; An anomalous case of perceptual transparency. Size: 8vo. …

paperback. Condizione: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: New. Brand New.

Paperback. Condizione: good. 0226281965. University Chigaco, clean copy, hinge seprated in 1 place, name front end paper, Professional booksellers since 1981.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Kartoniert / Broschiert. Condizione: New. KlappentextForeword by Rudolf ArnheimPreliminary NoteIntroduction1. Juxtaposing a Pure Color to a Mixture That Contains That Color2. Complete Inversion3. Partial Inversion4. Shared Dominant5. Shared Subordinate6. Figural Unity and Chroma.

Taschenbuch. Condizione: Neu. Neuware - Foreword by Rudolf ArnheimPreliminary NoteIntroduction1. Juxtaposing a Pure Color to a Mixture That Contains That Color2. Complete Inversion3. Partial Inversion4. Shared Dominant5. Shared Subordinate6. Figural Unity and Chromatic Unity7. Applications in Painting8. Examples of Chromatic Juxtapositions in Pictorial Works by Cezanne, Picasso, and Matisse9. Complete Transparency in the Perception of Colored Displays10. An Anomalous Case of Perceptual TransparencyBibliography.…