Isbn: 9780226365534 - the objective eye: color, form, and reality in the theory of art (30 risultati)

Paperback. Condizione: Fair. Explores the fundamental concepts we use in our innocent thoughts and conversations about art, as well as in the sophisticated art theory. This book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to the Renaissance perspective, and more. It is useful for philosophers, art historians, and students.…

Paperback. Condizione: Fair. Explores the fundamental concepts we use in our innocent thoughts and conversations about art, as well as in the sophisticated art theory. This book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to the Renaissance perspective, and more. It is useful for philosophers, art historians, and students.…

Condizione: very_good.

paperback. Condizione: Good.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condizione: Good. No jacket. Cover is shelf worn. Binding is tight. Pencil underlining and inscriptions throughout some pages of the book, otherwise all other pages are clean and unmarked.

Paperback. Condizione: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Condizione: New.

Condizione: New. Brand New.

Condizione: new.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. 2006. New edition. Paperback. Explores the fundamental concepts we use in our innocent thoughts and conversations about art, as well as in the sophisticated art theory. This book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to the Renaissance perspective, and more. It is useful for philosophers, art historians, and students. Num Pages: 300 pages, 8 colour plates, 97 halftones. BIC Classification: ABA. Category: (P) Professional & Vocational. Dimension: 227 x 180 x 18. Weight in Grams: 560. . . . . .…

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. This, in a nutshell, is the central problem in the theory of art. It has fascinated philosophers from Plato to Wittgenstein. And it fascinates artists and art historians, who have always drawn extensively on philosophical ideas about language and representation, and on ideas about vision and the visible world that have deep philosophical roots. John Hyman's "The Objective Eye" is a radical treatment of this problem, deeply informed by the history of philosophy and science, but entirely fresh. The questions tackled here are fundamental ones: Is our experience of color an illusion? How does the metaphysical status of colors differ from that of shapes? With great agility, Hyman considers what is different between a picture and a written text - and whether absolutely anything can be represented in a picture. For example, can a picture represent a thought or a feeling, or a sound or a smell, or must the things it represents have shapes and colors? Why are some pictures said to be more realistic than others? Is it because they are especially truthful or, on the contrary, because they deceive the eye?"The Objective Eye" explores the fundamental concepts we use constantly in our most innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to Renaissance perspective, from anatomy in ancient Greece to impressionism in nineteenth-century France. Philosophers, art historians, and students of the arts will find "The Objective Eye" challenging and absorbing.…

Condizione: New. pp. 300.

Condizione: New.

Condizione: New. 2006. New edition. Paperback. Explores the fundamental concepts we use in our innocent thoughts and conversations about art, as well as in the sophisticated art theory. This book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to the Renaissance perspective, and more. It is useful for philosophers, art historians, and students. Num Pages: 300 pages, 8 colour plates, 97 halftones. BIC Classification: ABA. Category: (P) Professional & Vocational. Dimension: 227 x 180 x 18. Weight in Grams: 560. . . . . . Books ship from the US and Ireland.…

Paperback. Condizione: Brand New. 286 pages. 8.75x0.50x1.24 inches. In Stock.

Paperback. Condizione: new. Paperback. The longer you work, the more the mystery deepens of what appearance is, or how what is called appearance can be made in another medium."Francis Bacon, painter This, in a nutshell, is the central problem in the theory of art. It has fascinated philosophers from Plato to Wittgenstein. And it fascinates artists and art historians, who have always drawn extensively on philosophical ideas about language and representation, and on ideas about vision and the visible world that have deep philosophical roots. John Hymans The Objective Eye is a radical treatment of this problem, deeply informed by the history of philosophy and science, but entirely fresh. The questions tackled here are fundamental ones: Is our experience of color an illusion? How does the metaphysical status of colors differ from that of shapes? What is the difference between a picture and a written text? Why are some pictures said to be more realistic than others? Is it because they are especially truthful or, on the contrary, because they deceive the eye? The Objective Eye explores the fundamental concepts we use constantly in our most innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to Renaissance perspective, from anatomy in ancient Greece to impressionism in nineteenth-century France. Philosophers, art historians, and students of the arts will find The Objective Eye challenging and absorbing. Explores the fundamental concepts we use in our innocent thoughts and conversations about art, as well as in the sophisticated art theory. This book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to the Renaissance perspective, and more. It is useful for philosophers, art historians, and students. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. In English.

Paperback. Condizione: Very good. Paperback Octavo. wraps, 286 pp.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 300.

Condizione: Very Good.

Paperback. Condizione: New. This, in a nutshell, is the central problem in the theory of art. It has fascinated philosophers from Plato to Wittgenstein. And it fascinates artists and art historians, who have always drawn extensively on philosophical ideas about language and representation, and on ideas about vision and the visible world that have deep philosophical roots. John Hyman's "The Objective Eye" is a radical treatment of this problem, deeply informed by the history of philosophy and science, but entirely fresh. The questions tackled here are fundamental ones: Is our experience of color an illusion? How does the metaphysical status of colors differ from that of shapes? With great agility, Hyman considers what is different between a picture and a written text - and whether absolutely anything can be represented in a picture. For example, can a picture represent a thought or a feeling, or a sound or a smell, or must the things it represents have shapes and colors? Why are some pictures said to be more realistic than others? Is it because they are especially truthful or, on the contrary, because they deceive the eye?"The Objective Eye" explores the fundamental concepts we use constantly in our most innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to Renaissance perspective, from anatomy in ancient Greece to impressionism in nineteenth-century France. Philosophers, art historians, and students of the arts will find "The Objective Eye" challenging and absorbing.…

Paperback. Condizione: new. Paperback. The longer you work, the more the mystery deepens of what appearance is, or how what is called appearance can be made in another medium."Francis Bacon, painter This, in a nutshell, is the central problem in the theory of art. It has fascinated philosophers from Plato to Wittgenstein. And it fascinates artists and art historians, who have always drawn extensively on philosophical ideas about language and representation, and on ideas about vision and the visible world that have deep philosophical roots. John Hymans The Objective Eye is a radical treatment of this problem, deeply informed by the history of philosophy and science, but entirely fresh. The questions tackled here are fundamental ones: Is our experience of color an illusion? How does the metaphysical status of colors differ from that of shapes? What is the difference between a picture and a written text? Why are some pictures said to be more realistic than others? Is it because they are especially truthful or, on the contrary, because they deceive the eye? The Objective Eye explores the fundamental concepts we use constantly in our most innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to Renaissance perspective, from anatomy in ancient Greece to impressionism in nineteenth-century France. Philosophers, art historians, and students of the arts will find The Objective Eye challenging and absorbing. Explores the fundamental concepts we use in our innocent thoughts and conversations about art, as well as in the sophisticated art theory. This book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to the Renaissance perspective, and more. It is useful for philosophers, art historians, and students. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: New.