Isbn: 9780226845203 - the goldsmith's debt: conceptions of property in early modern art (26 risultati)

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hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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Hardback. Condizione: New. Reveals how art shaped the economy, social order, and legal claims during the rise of capitalism.   In the sixteenth century, German goldsmiths played a unique role in articulating property claims and social values. These artisans shaped precious metals into visible expressions of domination, subordination, and obligation. The objects they crafted played a major role in the practices of exchange and inheritance that were reconfiguring a tumultuous economic landscape. Cities commissioned goldsmiths to transform revenue into goblets that could be given as diplomatic gifts or reconverted into currency in times of war, and courts used serving implements as promises of credit.   With The Goldsmith's Debt, art historian Shira Brisman offers the first book-length study of the Nuremberg goldsmith Christoph Jamnitzer (1563-1618), who created elaborate gilded silver drinking cups that he crafted into unexpected forms, with designs ranging from racialized heads to mining scenes. Considering how works of art can shape a social order, Brisman explores what Jamnitzer's etchings and goblets reveal about how goldsmiths shared ideas and how their patrons used commissioned works to legitimize their claims over land and the rights of others. Drawing on a range of textual and material evidence-including commentaries on Roman and customary laws, wills and civic statutes, printed designs, and firsthand study of lidded cups in dozens of major European institutions-this unprecedented study places the goldsmith at the heart of the era's arguments about how people and lands should be subjugated. Brisman reveals the insidious side of these objects that were often used to advance socially conservative agendas, and she presents radical proposals for addressing inequity in the world of ornament prints.…

Condizione: New.

Hardback. Condizione: New. Reveals how art shaped the economy, social order, and legal claims during the rise of capitalism.   In the sixteenth century, German goldsmiths played a unique role in articulating property claims and social values. These artisans shaped precious metals into visible expressions of domination, subordination, and obligation. The objects they crafted played a major role in the practices of exchange and inheritance that were reconfiguring a tumultuous economic landscape. Cities commissioned goldsmiths to transform revenue into goblets that could be given as diplomatic gifts or reconverted into currency in times of war, and courts used serving implements as promises of credit.   With The Goldsmith's Debt, art historian Shira Brisman offers the first book-length study of the Nuremberg goldsmith Christoph Jamnitzer (1563-1618), who created elaborate gilded silver drinking cups that he crafted into unexpected forms, with designs ranging from racialized heads to mining scenes. Considering how works of art can shape a social order, Brisman explores what Jamnitzer's etchings and goblets reveal about how goldsmiths shared ideas and how their patrons used commissioned works to legitimize their claims over land and the rights of others. Drawing on a range of textual and material evidence-including commentaries on Roman and customary laws, wills and civic statutes, printed designs, and firsthand study of lidded cups in dozens of major European institutions-this unprecedented study places the goldsmith at the heart of the era's arguments about how people and lands should be subjugated. Brisman reveals the insidious side of these objects that were often used to advance socially conservative agendas, and she presents radical proposals for addressing inequity in the world of ornament prints.…

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. Reveals how art shaped the economy, social order, and legal claims during the rise of capitalism. In the sixteenth century, German goldsmiths played a unique role in articulating property claims and social values. These artisans shaped precious metals into visible expressions of domination, subordination, and obligation. The objects they crafted played a major role in the practices of exchange and inheritance that were reconfiguring a tumultuous economic landscape. Cities commissioned goldsmiths to transform revenue into goblets that could be given as diplomatic gifts or reconverted into currency in times of war, and courts used serving implements as promises of credit. With The Goldsmith's Debt, art historian Shira Brisman offers the first book-length study of the Nuremberg goldsmith Christoph Jamnitzer (15631618), who created elaborate gilded silver drinking cups that he crafted into unexpected forms, with designs ranging from racialized heads to mining scenes. Considering how works of art can shape a social order, Brisman explores what Jamnitzer's etchings and goblets reveal about how goldsmiths shared ideas and how their patrons used commissioned works to legitimize their claims over land and the rights of others. Drawing on a range of textual and material evidenceincluding commentaries on Roman and customary laws, wills and civic statutes, printed designs, and firsthand study of lidded cups in dozens of major European institutionsthis unprecedented study places the goldsmith at the heart of the era's arguments about how people and lands should be subjugated. Brisman reveals the insidious side of these objects that were often used to advance socially conservative agendas, and she presents radical proposals for addressing inequity in the world of ornament prints. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Brand New. 496 pages. 10.00x7.00x10.00 inches. In Stock.

Condizione: New.

Condizione: NEW.

Hardcover. Condizione: new. Hardcover. Reveals how art shaped the economy, social order, and legal claims during the rise of capitalism. In the sixteenth century, German goldsmiths played a unique role in articulating property claims and social values. These artisans shaped precious metals into visible expressions of domination, subordination, and obligation. The objects they crafted played a major role in the practices of exchange and inheritance that were reconfiguring a tumultuous economic landscape. Cities commissioned goldsmiths to transform revenue into goblets that could be given as diplomatic gifts or reconverted into currency in times of war, and courts used serving implements as promises of credit. With The Goldsmith's Debt, art historian Shira Brisman offers the first book-length study of the Nuremberg goldsmith Christoph Jamnitzer (15631618), who created elaborate gilded silver drinking cups that he crafted into unexpected forms, with designs ranging from racialized heads to mining scenes. Considering how works of art can shape a social order, Brisman explores what Jamnitzer's etchings and goblets reveal about how goldsmiths shared ideas and how their patrons used commissioned works to legitimize their claims over land and the rights of others. Drawing on a range of textual and material evidenceincluding commentaries on Roman and customary laws, wills and civic statutes, printed designs, and firsthand study of lidded cups in dozens of major European institutionsthis unprecedented study places the goldsmith at the heart of the era's arguments about how people and lands should be subjugated. Brisman reveals the insidious side of these objects that were often used to advance socially conservative agendas, and she presents radical proposals for addressing inequity in the world of ornament prints. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Condizione: Neu. Neuware - Reveals how art shaped the economy, social order, and legal claims during the rise of capitalism. In the sixteenth century, German goldsmiths played a unique role in articulating property claims and social values. These artisans shaped precious metals into visible expressions of domination, subordination, and obligation. The objects they crafted played a major role in the practices of exchange and inheritance that were reconfiguring a tumultuous economic landscape. Cities commissioned goldsmiths to transform revenue into goblets that could be given as diplomatic gifts or reconverted into currency in times of war, and courts used serving implements as promises of credit. With The Goldsmith's Debt, art historian Shira Brisman offers the first book-length study of the Nuremberg goldsmith Christoph Jamnitzer (1563-1618), who created elaborate gilded silver drinking cups that he crafted into unexpected forms, with designs ranging from racialized heads to mining scenes. Considering how works of art can shape a social order, Brisman explores what Jamnitzer's etchings and goblets reveal about how goldsmiths shared ideas and how their patrons used commissioned works to legitimize their claims over land and the rights of others. Drawing on a range of textual and material evidence--including commentaries on Roman and customary laws, wills and civic statutes, printed designs, and firsthand study of lidded cups in dozens of major European institutions--this unprecedented study places the goldsmith at the heart of the era's arguments about how people and lands should be subjugated. Brisman reveals the insidious side of these objects that were often used to advance socially conservative agendas, and she presents radical proposals for addressing inequity in the world of ornament prints.…

Condizione: New.

496 pages, 84 colour plates, 104 black & white. Hardback 26 x 19cms. ISBN: 9780226845203. First comprehensive study on the Nuremberg goldsmith Christoph Jamnitzer, exploring what his etchings and goblets reveal about goldsmith networks in late 16th and early 17th century Germany, and about how property was determined, protected, and passed on. With in depth analysis of his gilded silver ware and his 'New Book of Grotesques'(1610). Divided into three sections on bids for recognition, the language of legitimacy, and proposals for redistribution.…

Hardback. Condizione: New. Reveals how art shaped the economy, social order, and legal claims during the rise of capitalism.   In the sixteenth century, German goldsmiths played a unique role in articulating property claims and social values. These artisans shaped precious metals into visible expressions of domination, subordination, and obligation. The objects they crafted played a major role in the practices of exchange and inheritance that were reconfiguring a tumultuous economic landscape. Cities commissioned goldsmiths to transform revenue into goblets that could be given as diplomatic gifts or reconverted into currency in times of war, and courts used serving implements as promises of credit.   With The Goldsmith's Debt, art historian Shira Brisman offers the first book-length study of the Nuremberg goldsmith Christoph Jamnitzer (1563-1618), who created elaborate gilded silver drinking cups that he crafted into unexpected forms, with designs ranging from racialized heads to mining scenes. Considering how works of art can shape a social order, Brisman explores what Jamnitzer's etchings and goblets reveal about how goldsmiths shared ideas and how their patrons used commissioned works to legitimize their claims over land and the rights of others. Drawing on a range of textual and material evidence-including commentaries on Roman and customary laws, wills and civic statutes, printed designs, and firsthand study of lidded cups in dozens of major European institutions-this unprecedented study places the goldsmith at the heart of the era's arguments about how people and lands should be subjugated. Brisman reveals the insidious side of these objects that were often used to advance socially conservative agendas, and she presents radical proposals for addressing inequity in the world of ornament prints.…

Buch. Condizione: Neu. The Goldsmith's Debt | Conceptions of Property in Early Modern Art | Shira Brisman | Buch | Englisch | 2026 | The University of Chicago Press | EAN 9780226845203 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

Hardback. Condizione: New. Reveals how art shaped the economy, social order, and legal claims during the rise of capitalism.   In the sixteenth century, German goldsmiths played a unique role in articulating property claims and social values. These artisans shaped precious metals into visible expressions of domination, subordination, and obligation. The objects they crafted played a major role in the practices of exchange and inheritance that were reconfiguring a tumultuous economic landscape. Cities commissioned goldsmiths to transform revenue into goblets that could be given as diplomatic gifts or reconverted into currency in times of war, and courts used serving implements as promises of credit.   With The Goldsmith's Debt, art historian Shira Brisman offers the first book-length study of the Nuremberg goldsmith Christoph Jamnitzer (1563-1618), who created elaborate gilded silver drinking cups that he crafted into unexpected forms, with designs ranging from racialized heads to mining scenes. Considering how works of art can shape a social order, Brisman explores what Jamnitzer's etchings and goblets reveal about how goldsmiths shared ideas and how their patrons used commissioned works to legitimize their claims over land and the rights of others. Drawing on a range of textual and material evidence-including commentaries on Roman and customary laws, wills and civic statutes, printed designs, and firsthand study of lidded cups in dozens of major European institutions-this unprecedented study places the goldsmith at the heart of the era's arguments about how people and lands should be subjugated. Brisman reveals the insidious side of these objects that were often used to advance socially conservative agendas, and she presents radical proposals for addressing inequity in the world of ornament prints.…

Condizione: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: new. Hardcover. Reveals how art shaped the economy, social order, and legal claims during the rise of capitalism. In the sixteenth century, German goldsmiths played a unique role in articulating property claims and social values. These artisans shaped precious metals into visible expressions of domination, subordination, and obligation. The objects they crafted played a major role in the practices of exchange and inheritance that were reconfiguring a tumultuous economic landscape. Cities commissioned goldsmiths to transform revenue into goblets that could be given as diplomatic gifts or reconverted into currency in times of war, and courts used serving implements as promises of credit. With The Goldsmith's Debt, art historian Shira Brisman offers the first book-length study of the Nuremberg goldsmith Christoph Jamnitzer (15631618), who created elaborate gilded silver drinking cups that he crafted into unexpected forms, with designs ranging from racialized heads to mining scenes. Considering how works of art can shape a social order, Brisman explores what Jamnitzer's etchings and goblets reveal about how goldsmiths shared ideas and how their patrons used commissioned works to legitimize their claims over land and the rights of others. Drawing on a range of textual and material evidenceincluding commentaries on Roman and customary laws, wills and civic statutes, printed designs, and firsthand study of lidded cups in dozens of major European institutionsthis unprecedented study places the goldsmith at the heart of the era's arguments about how people and lands should be subjugated. Brisman reveals the insidious side of these objects that were often used to advance socially conservative agendas, and she presents radical proposals for addressing inequity in the world of ornament prints. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condizione: New. 2026. hardcover. . . . . .