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Editore: University of Chicago Press, 2026
ISBN 10: 0226849813 ISBN 13: 9780226849812
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Editore: University of Chicago Press, 2026
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Aggiungi al carrelloHardcover. Condizione: Brand New. 112 pages. 8.51x5.51x8.50 inches. In Stock.
Lingua: Inglese
Editore: University of Chicago Press, 2026
ISBN 10: 0226849813 ISBN 13: 9780226849812
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Editore: University of Chicago Press, 2026
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Lingua: Inglese
Editore: The University of Chicago Press, 2026
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Aggiungi al carrelloHardback. Condizione: New. New copy - Usually dispatched within 4 working days.
Lingua: Inglese
Editore: University of Chicago Press, 2026
ISBN 10: 0226849813 ISBN 13: 9780226849812
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ISBN 10: 0226849813 ISBN 13: 9780226849812
Da: Books Puddle, New York, NY, U.S.A.
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Lingua: Inglese
Editore: University of Chicago Press, 2026
ISBN 10: 0226849813 ISBN 13: 9780226849812
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Aggiungi al carrelloHardcover. Condizione: Brand New. 112 pages. 8.51x5.51x8.50 inches. In Stock.
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Editore: The University of Chicago Press, 2026
ISBN 10: 0226849813 ISBN 13: 9780226849812
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Hardcover. Condizione: new. Hardcover. How an ancient Indigenous earthwork traveled from Ohio to Washington state in the mid-1970s. In Transit, Chadwick Allen chronicles the surprising history of how the ancient snake effigy known as Serpent Mound, located in what is now southern Ohio, traveled to Seattle, Washington in the 1970s, at the height of American Indian activism associated with the Red Power movement. Allen considers Indigenous earthworks built for thousands of years across the eastern half of the North American continent, questioning what it would mean if they were understood not as static entities fixed in space and time, but as animate forces with the ability to travel. Allen also looks at the origins of the modern effigy in the nineteenth century, when archaeologists reconstructed Serpent Mounds deteriorating form to create a static icon suitable for touristic display within the confines of a settler state memorial. Drawing from archival research, interviews, and site-specific encounters, Transit meditates on the significance of building an earthen effigy in the Pacific Northwest, as part of what became the Daybreak Star Indian Cultural Center, and on the complexity of the mounds generative contexts. Allens research intersects the mid-twentieth century, when artist Robert Smithson created his iconic Spiral Jetty earth sculpture and when the Muscogee (Creek) Nation designed its innovative Mound Building. The story remains ongoing in the twenty-first century, as new mounds are rising in Oklahoma and artists, activists, and intellectuals are again asserting the power of Indigenous design. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: The University of Chicago Press, 2026
ISBN 10: 0226849813 ISBN 13: 9780226849812
Da: CitiRetail, Stevenage, Regno Unito
EUR 156,28
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: new. Hardcover. How an ancient Indigenous earthwork traveled from Ohio to Washington state in the mid-1970s. In Transit, Chadwick Allen chronicles the surprising history of how the ancient snake effigy known as Serpent Mound, located in what is now southern Ohio, traveled to Seattle, Washington in the 1970s, at the height of American Indian activism associated with the Red Power movement. Allen considers Indigenous earthworks built for thousands of years across the eastern half of the North American continent, questioning what it would mean if they were understood not as static entities fixed in space and time, but as animate forces with the ability to travel. Allen also looks at the origins of the modern effigy in the nineteenth century, when archaeologists reconstructed Serpent Mounds deteriorating form to create a static icon suitable for touristic display within the confines of a settler state memorial. Drawing from archival research, interviews, and site-specific encounters, Transit meditates on the significance of building an earthen effigy in the Pacific Northwest, as part of what became the Daybreak Star Indian Cultural Center, and on the complexity of the mounds generative contexts. Allens research intersects the mid-twentieth century, when artist Robert Smithson created his iconic Spiral Jetty earth sculpture and when the Muscogee (Creek) Nation designed its innovative Mound Building. The story remains ongoing in the twenty-first century, as new mounds are rising in Oklahoma and artists, activists, and intellectuals are again asserting the power of Indigenous design. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.