Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
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Aggiungi al carrelloCondizione: New. 2017. revised edition. Hardcover. . . . . .
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Aggiungi al carrelloCondizione: new.
Lingua: Inglese
Editore: Columbia University Press, US, 2017
ISBN 10: 0231167547 ISBN 13: 9780231167543
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 107,57
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Aggiungi al carrelloHardback. Condizione: New. Revised Edition. Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera. With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations.The book also explores new possibilities for writing about and theorizing film, such as randomization.
Lingua: Inglese
Editore: Wallflower Press 2018-01-09, 2018
ISBN 10: 0231167547 ISBN 13: 9780231167543
Da: Chiron Media, Wallingford, Regno Unito
EUR 93,45
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Aggiungi al carrelloHardcover. Condizione: New.
Lingua: Inglese
Editore: Columbia University Press, US, 2017
ISBN 10: 0231167547 ISBN 13: 9780231167543
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
EUR 112,00
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Aggiungi al carrelloHardback. Condizione: New. Revised Edition. Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera. With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations.The book also explores new possibilities for writing about and theorizing film, such as randomization.
Condizione: New.
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Condizione: New. 2017. revised edition. Hardcover. . . . . . Books ship from the US and Ireland.
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Aggiungi al carrelloHardback. Condizione: New. New copy - Usually dispatched within 4 working days.
Condizione: As New. Unread book in perfect condition.
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EUR 141,31
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Columbia University Press, US, 2017
ISBN 10: 0231167547 ISBN 13: 9780231167543
Da: Rarewaves USA United, OSWEGO, IL, U.S.A.
EUR 115,02
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Aggiungi al carrelloHardback. Condizione: New. Revised Edition. Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera. With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations.The book also explores new possibilities for writing about and theorizing film, such as randomization.
EUR 161,34
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Aggiungi al carrelloHardcover. Condizione: Brand New. 2nd revised edition. 272 pages. 9.50x6.50x1.00 inches. In Stock.
EUR 125,26
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Aggiungi al carrelloCondizione: New. This updated edition of Cinema in the Digital Age takes a fresh look at the state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image and examines how rec.
Lingua: Inglese
Editore: Columbia University Press, US, 2017
ISBN 10: 0231167547 ISBN 13: 9780231167543
Da: Rarewaves.com UK, London, Regno Unito
EUR 101,49
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Aggiungi al carrelloHardback. Condizione: New. Revised Edition. Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera. With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations.The book also explores new possibilities for writing about and theorizing film, such as randomization.
Lingua: Inglese
Editore: Columbia University Press Dez 2017, 2017
ISBN 10: 0231167547 ISBN 13: 9780231167543
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 173,05
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Aggiungi al carrelloBuch. Condizione: Neu. Neuware - This updated edition of Cinema in the Digital Age takes a fresh look at the state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image and examines how recent films have disguised and erased their digital foundations.
Da: Revaluation Books, Exeter, Regno Unito
EUR 114,96
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 2nd revised edition. 272 pages. 9.50x6.50x1.00 inches. In Stock. This item is printed on demand.