Isbn: 9780252042775 - black cultural production after civil rights (18 risultati)

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  • Lingua: Inglese

    Editore: University of Illinois Press, 2019

    0252042778 / 9780252042775

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    hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

  • Lingua: Inglese

    Editore: MO - University of Illinois Press, 2019

    0252042778 / 9780252042775

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  • Lingua: Inglese

    Editore: University of Illinois Press, 2019

    0252042778 / 9780252042775

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  • Lingua: Inglese

    Editore: University of Illinois Press, US, 2019

    0252042778 / 9780252042775

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    Hardback. Condizione: New. The post-civil rights era of the 1970s offered African Americans an all-too-familiar paradox. Material and symbolic gains contended with setbacks fueled by resentment and reaction. African American artists responded with black approaches to expression that made history in their own time and continue to exercise an enormous influence on contemporary culture and politics. This collection's fascinating spectrum of topics begins with the literary and cinematic representations of slavery from the 1970s to the present. Other authors delve into visual culture from Blaxploitation to the art of Betye Saar to stage works like A Movie Star Has to Star in Black and White as well as groundbreaking literary works like Corregidora and Captain Blackman. A pair of concluding essays concentrate on institutional change by looking at the Seventies surge of black publishing and by analyzing Ntozake Shange's for colored girls. . . in the context of current controversies surrounding sexual violence. Throughout, the writers reveal how Seventies black cultural production anchors important contemporary debates in black feminism and other issues while spurring the black imagination to thrive amidst abject social and political conditions.Contributors: Courtney R. Baker, Soyica Diggs Colbert, Madhu Dubey, Nadine Knight, Monica White Ndounou, Kinohi Nishikawa, Samantha Pinto, Jermaine Singleton, Terrion L. Williamson, and Lisa Woolfork.

  • Lingua: Inglese

    Editore: University of Illinois Press, 2019

    0252042778 / 9780252042775

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  • Lingua: Inglese

    Editore: University of Illinois Press, 2019

    0252042778 / 9780252042775

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    Condizione: As New. Unread book in perfect condition.

  • Lingua: Inglese

    Editore: University of Illinois Press, 2019

    0252042778 / 9780252042775

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  • Lingua: Inglese

    Editore: University of Illinois Press, 2019

    0252042778 / 9780252042775

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  • Lingua: Inglese

    Editore: University of Illinois Press, 2019

    0252042778 / 9780252042775

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    Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

  • Lingua: Inglese

    Editore: University of Illinois Press, 2019

    0252042778 / 9780252042775

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    Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections

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    Condizione: New. In English.

  • Lingua: Inglese

    Editore: University of Illinois Press, 2019

    0252042778 / 9780252042775

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    Condizione: New. Illustrated edition NO-PA16APR2015-KAP.

  • Lingua: Inglese

    Editore: University of Illinois Press, 2019

    0252042778 / 9780252042775

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    Condizione: New. 2019. Illustrated. hardcover. . . . . .

  • Lingua: Inglese

    Editore: University of Illinois Press, 2019

    0252042778 / 9780252042775

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    Condizione: As New. Unread book in perfect condition.

  • Lingua: Inglese

    Editore: Univ of Illinois Pr, 2019

    0252042778 / 9780252042775

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    Hardcover. Condizione: Brand New. 288 pages. 9.25x6.25x0.75 inches. In Stock.

  • Lingua: Inglese

    Editore: University of Illinois Press, 2019

    0252042778 / 9780252042775

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    Condizione: New. 2019. Illustrated. hardcover. . . . . . Books ship from the US and Ireland.

  • Lingua: Inglese

    Editore: University of Illinois Press, US, 2019

    0252042778 / 9780252042775

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    EUR 116,07

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    Hardback. Condizione: New. The post-civil rights era of the 1970s offered African Americans an all-too-familiar paradox. Material and symbolic gains contended with setbacks fueled by resentment and reaction. African American artists responded with black approaches to expression that made history in their own time and continue to exercise an enormous influence on contemporary culture and politics. This collection's fascinating spectrum of topics begins with the literary and cinematic representations of slavery from the 1970s to the present. Other authors delve into visual culture from Blaxploitation to the art of Betye Saar to stage works like A Movie Star Has to Star in Black and White as well as groundbreaking literary works like Corregidora and Captain Blackman. A pair of concluding essays concentrate on institutional change by looking at the Seventies surge of black publishing and by analyzing Ntozake Shange's for colored girls. . . in the context of current controversies surrounding sexual violence. Throughout, the writers reveal how Seventies black cultural production anchors important contemporary debates in black feminism and other issues while spurring the black imagination to thrive amidst abject social and political conditions.Contributors: Courtney R. Baker, Soyica Diggs Colbert, Madhu Dubey, Nadine Knight, Monica White Ndounou, Kinohi Nishikawa, Samantha Pinto, Jermaine Singleton, Terrion L. Williamson, and Lisa Woolfork.

  • Lingua: Inglese

    Editore: University Of Illinois Press, 2019

    0252042778 / 9780252042775

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    Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The post-civil rights era of the 1970s offered African Americans an all-too-familiar paradox. Material and symbolic gains contended with setbacks fueled by resentment and reaction. African American artists responded with black approaches to expression that made history in their own time and continue to exercise an enormous influence on contemporary culture and politics. This collection's fascinating spectrum of topics begins with the literary and cinematic representations of slavery from the 1970s to the present. Other authors delve into visual culture from Blaxploitation to the art of Betye Saar to stage works like A Movie Star Has to Star in Black and White as well as groundbreaking literary works like Corregidora and Captain Blackman. A pair of concluding essays concentrate on institutional change by looking at the Seventies surge of black publishing and by analyzing Ntozake Shange's for colored girls. . . in the context of current controversies surrounding sexual violence. Throughout, the writers reveal how Seventies black cultural production anchors important contemporary debates in black feminism and other issues while spurring the black imagination to thrive amidst abject social and political conditions.Contributors: Courtney R. Baker, Soyica Diggs Colbert, Madhu Dubey, Nadine Knight, Monica White Ndounou, Kinohi Nishikawa, Samantha Pinto, Jermaine Singleton, Terrion L. Williamson, and Lisa Woolfork 288 pp. Englisch.

  • Lingua: Inglese

    Editore: University Of Illinois Press, 2019

    0252042778 / 9780252042775

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    Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH

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    Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The post-civil rights era of the 1970s offered African Americans an all-too-familiar paradox. Material and symbolic gains contended with setbacks fueled by resentment and reaction. African American artists responded with black approaches to expression that made history in their own time and continue to exercise an enormous influence on contemporary culture and politics. This collection's fascinating spectrum of topics begins with the literary and cinematic representations of slavery from the 1970s to the present. Other authors delve into visual culture from Blaxploitation to the art of Betye Saar to stage works like A Movie Star Has to Star in Black and White as well as groundbreaking literary works like Corregidora and Captain Blackman. A pair of concluding essays concentrate on institutional change by looking at the Seventies surge of black publishing and by analyzing Ntozake Shange's for colored girls. . . in the context of current controversies surrounding sexual violence. Throughout, the writers reveal how Seventies black cultural production anchors important contemporary debates in black feminism and other issues while spurring the black imagination to thrive amidst abject social and political conditions.Contributors: Courtney R. Baker, Soyica Diggs Colbert, Madhu Dubey, Nadine Knight, Monica White Ndounou, Kinohi Nishikawa, Samantha Pinto, Jermaine Singleton, Terrion L. Williamson, and Lisa Woolfork.