ISBN: 9780252082603 - the creative process in music from mozart to kurtag (20 risultati)

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  • Lingua: Inglese

    Editore: University of Illinois Press, 2017

    0252082605 / 9780252082603

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    Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

  • Lingua: Inglese

    Editore: University of Illinois Press, 2017

    0252082605 / 9780252082603

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  • Lingua: Inglese

    Editore: University of Chicago press, 2017

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  • Lingua: Inglese

    Editore: University of Illinois Press, 2017

    0252082605 / 9780252082603

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  • Lingua: Inglese

    Editore: University of Illinois Press, 2017

    0252082605 / 9780252082603

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  • Lingua: Inglese

    Editore: University of Illinois Press, 2017

    0252082605 / 9780252082603

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    Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.

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    Condizione: New. 2017. First Edition. Paperback. . . . . .

  • Lingua: Inglese

    Editore: Univ of Illinois Pr, 2017

    0252082605 / 9780252082603

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    Paperback. Condizione: Brand New. reprint edition. 256 pages. 10.00x7.00x1.00 inches. In Stock.

  • Lingua: Inglese

    Editore: University of Illinois Press, 2017

    0252082605 / 9780252082603

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    Condizione: New. pp. 256.

  • Lingua: Inglese

    Editore: University of Illinois Press, Baltimore, 2017

    0252082605 / 9780252082603

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    Paperback. Condizione: new. Paperback. Great music arouses wonder: how did the composer create such an original work of art? What was the artist's inspiration, and how did that idea become a reality? Cultural products inevitably arise from a context, a submerged landscape that is often not easily accessible. To bring such things to light, studies of the creative process find their cutting edge by probing beyond the surface, opening new perspectives on the apparently familiar. In this intriguing study, William Kinderman opens the door to the composer's workshop, investigating not just the final outcome but the process of creative endeavor in music. Focusing on the stages of composition, Kinderman maintains that the most rigorous basis for the study of artistic creativity comes not from anecdotal or autobiographical reports, but from original handwritten sketches, drafts, revised manuscripts, and corrected proof sheets. He explores works of major composers from the eighteenth century to the present, from Mozart's piano music and Beethoven's Piano Trio in F to KurtAg's Kafka Fragments and Hommage A R. Sch. Other chapters examine Robert Schumann's Fantasie in C, Mahler's Fifth Symphony, and BartOk's Dance Suite. Kinderman's analysis takes the form of "genetic criticism," tracing the genesis of these cultural works, exploring their aesthetic meaning, and mapping the continuity of a central European tradition that has displayed remarkable vitality for over two centuries, as accumulated legacies assumed importance for later generations. Revealing the diversity of sources, rejected passages and movements, fragmentary unfinished works, and aborted projects that were absorbed into finished compositions, The Creative Process in Music from Mozart to KurtAg illustrates the wealth of insight that can be gained through studying the creative process. In this intriguing study, William Kinderman opens the door to the composer's workshop, investigating not just the final outcome but the process of creative endeavor in music. Focusing on the stages of composition, Kinderman maintains that the most rigorous basis for the study of artistic creativity comes not from anecdotal or autobiographical reports, but from original handwritten sketches, drafts, revised manuscripts, and corrected proof sheets. He explores works of major composers from the eighteenth century to the present, from Mozart's piano music and Beethoven's Piano Trio in F to Kurtag's Kafka Fragments and Hommage a R. Sch. Other chapters examine Robert Schumann's Fantasie in C, Mahler's Fifth Symphony, and Bartok's Dance Suite. Revealing the diversity of sources, rejected passages and movements, fragmentary unfinished works, and aborted projects that were absorbed into finished compositions, The Creative Process in Music from Mozart to Kurtag illustrates the wealth of insight that can be gained through studying the creative process. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Lingua: Inglese

    Editore: University of Illinois Press, 2017

    0252082605 / 9780252082603

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    Condizione: New. 2017. First Edition. Paperback. . . . . . Books ship from the US and Ireland.

  • Lingua: Inglese

    Editore: University of Illinois Press, 2017

    0252082605 / 9780252082603

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  • Lingua: Inglese

    Editore: University of Illinois Press, 2017

    0252082605 / 9780252082603

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    Condizione: New. In English.

  • Lingua: Inglese

    Editore: University of Illinois Press, 2017

    0252082605 / 9780252082603

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    Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

  • Lingua: Inglese

    Editore: University of Illinois Press, 2017

    0252082605 / 9780252082603

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    Condizione: New. pp. 256.

  • Lingua: Inglese

    Editore: University of Illinois Press, 2017

    0252082605 / 9780252082603

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    Da: MostlyAcademic, Berrima, NSW, AustraliaMostlyAcademic

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  • Lingua: Inglese

    Editore: University of Illinois Press, 2017

    0252082605 / 9780252082603

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  • Lingua: Inglese

    Editore: University of Illinois Press, 2017

    0252082605 / 9780252082603

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  • Lingua: Inglese

    Editore: University Of Illinois Press Feb 2017, 2017

    0252082605 / 9780252082603

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    Taschenbuch. Condizione: Neu. Neuware - Great music arouses wonder: how did the composer create such an original work of art What was the artist's inspiration, and how did that idea become a reality Cultural products inevitably arise from a context, a submerged landscape that is often not easily accessible. To bring such things to light, studies of the creative process find their cutting edge by probing beyond the surface, opening new perspectives on the apparently familiar.In this intriguing study, William Kinderman opens the door to the composer's workshop, investigating not just the final outcome but the process of creative endeavor in music. Focusing on the stages of composition, Kinderman maintains that the most rigorous basis for the study of artistic creativity comes not from anecdotal or autobiographical reports, but from original handwritten sketches, drafts, revised manuscripts, and corrected proof sheets. He explores works of major composers from the eighteenth century to the present, from Mozart's piano music and Beethoven's Piano Trio in F to KurtÁg's Kafka Fragments and Hommage À R. Sch. Other chapters examine Robert Schumann's Fantasie in C, Mahler's Fifth Symphony, and BartÓk's Dance Suite.Kinderman's analysis takes the form of 'genetic criticism,' tracing the genesis of these cultural works, exploring their aesthetic meaning, and mapping the continuity of a central European tradition that has displayed remarkable vitality for over two centuries, as accumulated legacies assumed importance for later generations. Revealing the diversity of sources, rejected passages and movements, fragmentary unfinished works, and aborted projects that were absorbed into finished compositions, The Creative Process in Music from Mozart to KurtÁg illustrates the wealth of insight that can be gained through studying the creative process.…

  • Lingua: Inglese

    Editore: UNIV OF ILLINOIS PR, 2017

    0252082605 / 9780252082603

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    Condizione: New. &Uumlber den AutorWlliam Kinderman is a professor of music at the University of Illinois at Urbana-Champaign, the editor of The String Quartets of Beethoven, and the author of the three-volume study Artaria 195..

  • Lingua: Inglese

    Editore: University of Illinois Press, Baltimore, 2017

    0252082605 / 9780252082603

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    Paperback. Condizione: new. Paperback. Great music arouses wonder: how did the composer create such an original work of art? What was the artist's inspiration, and how did that idea become a reality? Cultural products inevitably arise from a context, a submerged landscape that is often not easily accessible. To bring such things to light, studies of the creative process find their cutting edge by probing beyond the surface, opening new perspectives on the apparently familiar. In this intriguing study, William Kinderman opens the door to the composer's workshop, investigating not just the final outcome but the process of creative endeavor in music. Focusing on the stages of composition, Kinderman maintains that the most rigorous basis for the study of artistic creativity comes not from anecdotal or autobiographical reports, but from original handwritten sketches, drafts, revised manuscripts, and corrected proof sheets. He explores works of major composers from the eighteenth century to the present, from Mozart's piano music and Beethoven's Piano Trio in F to KurtAg's Kafka Fragments and Hommage A R. Sch. Other chapters examine Robert Schumann's Fantasie in C, Mahler's Fifth Symphony, and BartOk's Dance Suite. Kinderman's analysis takes the form of "genetic criticism," tracing the genesis of these cultural works, exploring their aesthetic meaning, and mapping the continuity of a central European tradition that has displayed remarkable vitality for over two centuries, as accumulated legacies assumed importance for later generations. Revealing the diversity of sources, rejected passages and movements, fragmentary unfinished works, and aborted projects that were absorbed into finished compositions, The Creative Process in Music from Mozart to KurtAg illustrates the wealth of insight that can be gained through studying the creative process. In this intriguing study, William Kinderman opens the door to the composer's workshop, investigating not just the final outcome but the process of creative endeavor in music. Focusing on the stages of composition, Kinderman maintains that the most rigorous basis for the study of artistic creativity comes not from anecdotal or autobiographical reports, but from original handwritten sketches, drafts, revised manuscripts, and corrected proof sheets. He explores works of major composers from the eighteenth century to the present, from Mozart's piano music and Beethoven's Piano Trio in F to Kurtag's Kafka Fragments and Hommage a R. Sch. Other chapters examine Robert Schumann's Fantasie in C, Mahler's Fifth Symphony, and Bartok's Dance Suite. Revealing the diversity of sources, rejected passages and movements, fragmentary unfinished works, and aborted projects that were absorbed into finished compositions, The Creative Process in Music from Mozart to Kurtag illustrates the wealth of insight that can be gained through studying the creative process. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…