Lingua: Inglese
Editore: Indiana University Press (Ips), 2008
ISBN 10: 0253219655 ISBN 13: 9780253219657
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Indiana University Press, Bloomington, 2008
ISBN 10: 0253219655 ISBN 13: 9780253219657
Da: Abacus Bookshop, Pittsford, NY, U.S.A.
Prima edizione
softcover. Condizione: Fine copy. Illus. with photos (illustratore). 1st. 8vo, 268 pp., Translated from the Hungarian by Paul Salamon.
Lingua: Inglese
Editore: MH - Indiana University Press, 2008
ISBN 10: 0253219655 ISBN 13: 9780253219657
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 22,60
Quantità: 15 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Condizione: New.
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 26,70
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: new.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Indiana University Press (USA), 2008
ISBN 10: 0253219655 ISBN 13: 9780253219657
Da: Majestic Books, Hounslow, Regno Unito
EUR 28,48
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 288 21 Illus.
EUR 22,22
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 28,87
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. The use of rhythm in filmmaking from the silent era to today Num Pages: 288 pages, 21 b&w illus. BIC Classification: APFA. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 5487 x 3556 x 18. Weight in Grams: 389. . 2008. Paperback. . . . .
Lingua: Inglese
Editore: Indiana University Press (USA), 2008
ISBN 10: 0253219655 ISBN 13: 9780253219657
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. pp. 288 Index.
EUR 34,82
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. The use of rhythm in filmmaking from the silent era to today Num Pages: 288 pages, 21 b&w illus. BIC Classification: APFA. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 5487 x 3556 x 18. Weight in Grams: 389. . 2008. Paperback. . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Indiana University Press 3/12/2008, 2008
ISBN 10: 0253219655 ISBN 13: 9780253219657
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. Turbulence and Flow in Film: The Rhythmic Design. Book.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 31,17
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New.
EUR 41,50
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 268 pages. 8.50x5.50x0.50 inches. In Stock.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 37,30
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 32,99
Quantità: Più di 20 disponibili
Aggiungi al carrelloKartoniert / Broschiert. Condizione: New.
EUR 24,00
Quantità: 5 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. Turbulence and Flow in Film | The Rhythmic Design | Yvette Biro | Taschenbuch | Indiana University Press (IPS) | Einband - flex.(Paperback) | Englisch | 2008 | Indiana University Press | EAN 9780253219657 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.
Da: Revaluation Books, Exeter, Regno Unito
EUR 24,15
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 268 pages. 8.50x5.50x0.50 inches. In Stock. This item is printed on demand.
Lingua: Inglese
Editore: Indiana University Press Feb 2008, 2008
ISBN 10: 0253219655 ISBN 13: 9780253219657
Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germania
EUR 23,54
Quantità: 2 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Little attention has been paid to the temporal aspect of filmmaking. Turbulence and Flow in Film describes how pace and rhythm create meaning and how film gains its fullness through the flow of images and the speed or slowness of the dramatic action. It demonstrates that the quick or restrained breathing of the sequences is not a secondary element but rather provides the spirit and ambiance of the work. Yvette Bíro thoroughly analyzes this overlooked subject, examining various methods of temporal articulation. Relying on the richness of both classical and contemporary cinema, the author revisits the great masters such as Bresson, Ozu, Tarkovsky, Bergman, and Antonioni, as well as the directors of the Nouvelle Vague. In addition to discovering the new contributions of Asian cinema, she also discusses newcomers, including Jarmusch, Kaurismaki, and Kiarostami. 286 pp. Englisch.
Lingua: Inglese
Editore: Indiana University Press (USA), 2008
ISBN 10: 0253219655 ISBN 13: 9780253219657
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 44,90
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. PRINT ON DEMAND pp. 288 Acknowledgements.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 27,64
Quantità: 2 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Little attention has been paid to the temporal aspect of filmmaking. Turbulence and Flow in Film describes how pace and rhythm create meaning and how film gains its fullness through the flow of images and the speed or slowness of the dramatic action. It demonstrates that the quick or restrained breathing of the sequences is not a secondary element but rather provides the spirit and ambiance of the work. Yvette Bíro thoroughly analyzes this overlooked subject, examining various methods of temporal articulation. Relying on the richness of both classical and contemporary cinema, the author revisits the great masters such as Bresson, Ozu, Tarkovsky, Bergman, and Antonioni, as well as the directors of the Nouvelle Vague. In addition to discovering the new contributions of Asian cinema, she also discusses newcomers, including Jarmusch, Kaurismaki, and Kiarostami.