Isbn: 9780262011693 - scenes in a library: reading the photograph in the book, 1843-1875 (13 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 511pp. Black cloth-covered boards in dust-jacket. Crisp, bright copy in unread condition. Jacket now in mylar sleeve.

hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. VERY GOOD hardcover in VERY GOOD dust jacket, no marks in text, clean jacket; a gently used copy. Book.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1450grams, ISBN:9780262011693.…

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1450grams, ISBN:9780262011693.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good-. First Edition. Black cloth with slight wear and bumping. Unclipped DJ has mild edgewear and rubbing, and several small scratches and a small tear to front panel. Solid binding and clean text. Mild soil to page edges. No ownership marks, ex-lib marks, stamps or stickers. ; 8vo 8" - 9" tall; 511 pages.…

Hardcover. Black & yellow dustjacket w/ black printing; black cloth boards w/ gilt spine printing; xxiv, 511 pgs w/ bw illustrations. Today we are so accustomed to seeing photographs wedded to text - whether in the family album or daily newspaper - that the verbal framing of the photograph has become invisible. The text is internalized within the image, and the meaning of the photograph becomes clear and self-evident, as if by the evidence of the photograph itself. In Scenes in a Library, Carol Armstrong explores the experimental moment, at the inception of the new medium, when the word came to haunt the photographic image and the forty or so years - roughly from the 1840s to the 1880s - during which the photographic image alternately resisted and became assimilated by the printed page.-- DJ. VG (Scuffs & scratches to cloth; shelf-wear to DJ surface, edges & corners; interior is in excellent condition; binding is solid.).…

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. 511 pages. Well illustrated.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. First edition, first printing. Fine to Fine- very lightly bumped hardback in a Fine to Fine- unclipped dust jacket protected in a Brodart, clean and unmarked save trace of price sticker residue on rear jacket. Heavy oversize book will require a variable shipping surcharge based on its final destination.…

Hardcover/Hardback. Condizione: As New. Condizione sovraccoperta: As New. First edition. Book condition: As New (Like New With dust jacket.) Binding: Hardcover Language: English Edition: First edition Publishing place: London Publishing Year: 1998 Description: The MIT Press 1998 Today we are so accustomed to seeing photographs wedded to textâ"whether in the family album or daily newspaperâ"that the verbal framing of the photograph has become invisible. The text is internalized within the image, and the meaning of the photograph becomes clear and self-evident, as if by the evidence of the photograph itself. In Scenes in a Library, Carol Armstrong explores the experimental moment, at the inception of the new medium, when the word came to haunt the photographic image, and the forty or so yearsâ"roughly from the 1840s to the 1880sâ"during which the photographic image alternately resisted and became assimilated to the printed page. Armstrong's emphasis is on British books. Not only was it in an English book that the paper photograph was first described and published, but the range of subject matter of nineteenth-century British photographically illustrated books prior to the 1880s was as rich as it was peculiar and sometimes recalcitrant. Armstrong focuses on one book about photography (Talbot's The Pencil of Nature); one "scientific" book (Anna Atkins's Photographs of British Algae); two travel narratives, one factual and one fictional (Francis Frith's Egypt and Palestine Photographed and Observed and his illustrated edition of Longfellow's novel Hyperion: A Romance); and one book of poetry (Julia Margaret Cameron's Illustrations to Alfred Lord Tennyson's Idylls of the King); as well as some miscellaneous books from the 1870s. According to Armstrong, art history has tended to remove the historic photograph from its printed and published context. Moving back and forth between close looking and equally close reading, she reinserts the photograph into the book from which it was taken. 1.000000.…

Condizione: Very Good +. Very Good +. Cambridge, MA: The MIT Press / An October Book, 1998. First Edition. Octavo. 511 pp. Black and white photographs. Photo-illustrated dust jacket. Black boards with spine lettered in gilt. Dust jacket rubbed along edges with mild dust soiling. Boards lightly faded and shelfworn along edges. Binding is sound and pages unmarked.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Hard cover, in very good condition, with unclipped dust jacket in good condition. General shelf and handling wear, including light creasing to jacket edges, corners and folds, and tanning to pageblock, leading into page edges. Within, pages are tightly bound, and content is clear and bright. CN. Used. …

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.