ISBN: 9780262043670 - absence of clutter: minimal writing as art and literature (32 risultati)

hardcover. Condizione: Good. Bruise/tear to cover.

hardcover. Condizione: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Fine.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Very Good. Condizione sovraccoperta: 48158040. 1792050969. 10/15/2026 7:56:09 AM.

hardcover. Condizione: Like New. Clean copy. May have remainder mark.

hardcover. Condizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

hardcover. Condizione: New.

hardcover. Condizione: Very Good. MIT Press, c.2020, 1st., 8vo., hardcover, 280pp., illusts., NF/NF $.

Condizione: New.

Hardback. Condizione: New.

Condizione: New. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? NEW.

Condizione: New.

Hardcover. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. . 2020. Hardcover. . . . .

Condizione: New.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Condition: Fine, unread and excellent book, all pages and cover excellent, no markings, and no tears. Dust jacket with some shelf rubbings. 1st edition. // This is an exploration of minimal writing—texts generally shorter than a sentence—that are complex, powerful literary and visual works. In the 1960s and 70s, minimal and conceptual artists stripped language down to its most basic components: the word and the letter. Barbara Kruger, Jenny Holzer, Carl Andre, Lawrence Weiner, and others built lucrative careers from text-based art. Meanwhile, poets and writers created works of minimal writing—visual texts generally shorter than a sentence. (One poem by Aram Saroyan reads in its entirety: eyeye.) In absence of clutter, Paul Stephens offers the first comprehensive account of minimal writing, arguing that it is equal in complexity and power to better-known, more commercial text-based art. // 288 pages; format: 23,5 x 16,1 x 2,6 cm; Bookweight: 720 g.…

Condizione: New. . 2020. Hardcover. . . . . Books ship from the US and Ireland.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 304 pages. 9.25x6.25x1.25 inches. In Stock.

Hardback. Condizione: New.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

Gebunden. Condizione: New. Paul Stephens is the author of The Poetics of Information Overload: From Gertrude Stein to Conceptual Writing and the editor of the journal Convolution.An exploration of minimal writing&#8212texts generally shorter than a sentence&#821.

Hardback. Condizione: New.

Hardcover. Condizione: new. Hardcover. An exploration of minimal writing-texts generally shorter than a sentence-as complex, powerful literary and visual works.In the 1960s and 70s, minimal and conceptual artists stripped language down to its most basic components: the word and the letter. Barbara Kruger, Jenny Holzer, Carl Andre, Lawrence Weiner, and others built lucrative careers from text-based art. Meanwhile, poets and writers created works of minimal writing-visual texts generally shorter than a sentence. (One poem by Aram Saroyan reads in its entirety: eyeye.) In absence of clutter, Paul Stephens offers the first comprehensive account of minimal writing, arguing that it is equal in complexity and power to better-known, more commercial text-based art.Minimal writing, Stephens writes, can be beguilingly simple on the surface, but can also offer iterative reading experiences on multiple levels, from the fleeting to the ponderous. "absence of clutter," for example, the entire text of a poem by Robert Grenier, is both expressive and self-descriptive. Stephens first sets out a theoretical framework for reading and viewing minimal writing and then offers close readings of works of minimal writing by Saroyan, Grenier, Norman Pritchard, Natalie Czech, and others. He "reverse engineers" recent works by Jen Bervin, Craig Dworkin, and Christian B k that draw on molecular biology, and explores print-on-demand books by Holly Melgard, code poetry by Nick Montfort, Twitter-based work by Allison Parrish, and the use of Instagram by Hans-Ulrich Obrist and Saroyan. Text, it seems, is becoming ever more prevalent in visual art; meanwhile, poems are getting shorter. When reading has become scanning a screen and writing tapping out a text, absence of clutter invites us to reflect on how we read, see, and pay attention. An exploration of minimal writingtexts generally shorter than a sentenceas complex, powerful literary and visual works. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: as new. Cambridge : The MIT Press, 2020. Hardcover. Dustjacket. 280 pp. - An exploration of minimal writing-texts generally shorter than a sentence-as complex, powerful literary and visual works. In the 1960s and 70s, minimal and conceptual artists stripped language down to its most basic components: the word and the letter. Barbara Kruger, Jenny Holzer, Carl Andre, Lawrence Weiner, and others built lucrative careers from text-based art. Meanwhile, poets and writers created works of minimal writing-visual texts generally shorter than a sentence. (One poem by Aram Saroyan reads in its entirety: eyeye.) In absence of clutter, Paul Stephens offers the first comprehensive account of minimal writing, arguing that it is equal in complexity and power to better-known, more commercial text-based art. Minimal writing, Stephens writes, can be beguilingly simple on the surface, but can also offer iterative reading experiences on multiple levels, from the fleeting to the ponderous. absence of clutter, for example, the entire text of a poem by Robert Grenier, is both expressive and self-descriptive. Stephens first sets out a theoretical framework for reading and viewing minimal writing and then offers close readings of works of minimal writing by Saroyan, Grenier, Norman Pritchard, Natalie Czech, and others. He reverse engineers recent works by Jen Bervin, Craig Dworkin, and Christian Boek that draw on molecular biology, and explores print-on-demand books by Holly Melgard, code poetry by Nick Montfort, Twitter-based work by Allison Parrish, and the use of Instagram by Hans-Ulrich Obrist and Saroyan. Text, it seems, is becoming ever more prevalent in visual art; meanwhile, poems are getting shorter. When reading has become scanning a screen and writing tapping out a text, absence of clutter invites us to reflect on how we read, see, and pay attention. Condition : as new copy. ISBN 9780262043670. Keywords : LITERATURE.…