Isbn: 9780262515221 - new realisms: 1957-1962: object strategies between readymade and spectacle (18 risultati)

Condizione: New.

Paperback. Condizione: new. Paperback. Works by a pre-Pop, post-abstract expressionist generation of artists who rejected painterly expression and embraced the object.As the 1950s became the 1960s, a new generation of artists around the globe rejected direct painterly expression and returned decisively to the object. Moving away from abstract expressionism and toward the sensibility that would become Pop, these artists-among them Raymond Hains, Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, and Robert Rauschenberg-effectively established a new set of artistic paradigms that would influence the decade ahead. New Realisms: 1957-1962 maps this international field of artistic practice, showcasing more than 200 works by artists of the period. The title echoes the name of the French movement of the 1960s "Nouveau Realisme." Indeed, the work of the Nouveaux Realistes group anchors the book (and the exhibition it accompanies), but at the same time, New Realisms represents a wider range of related instincts, diversely expressed. The emphasis is on a constellation of activities in play before the new critical terms and categories of Pop Art were set in stone. The book views the emerging artistic scene from the other end of the telescope, as it were: from a European perspective rather than from that of American Pop Art. New Realisms is emphatically hybrid, encompassing the initiatives of the French group as well as trajectories in New York that stretched from painting to "Environment" to Happening.Artists include: Arman, George Brecht, Cesar, Christo, Gerard Deschamps, Jim Dine, Fran ois Dufrane, Oyvind Fahlstrom, Raymond Hains, Allan Kaprow, Yves Klein, Yayoi Kusama, Roy Lichtenstein, Piero Manzoni, Claes Oldenburg, Giuseppe Pinot Gallizio, Robert Rauschenberg, Martial Raysse, Mimmo Rotella, Niki de Saint Phalle, Daniel Spoerri, Jean Tinguely, Robert Watts, and Robert Whitman.Essays by: Julia Robinson, Hannah Feldman, Agnes Berecz, Emmelyn Butterfield-Rosen, Benjamin H. D. Buchloh.Exhibition: Museo Nacional Centro de Arte Reina Sofia, Madrid; June 19th-October 4th, 2010.Distributed by the MIT Press for the Reina Sofia Museum Works by a pre-Pop, post-abstract expressionist generation of artists who rejected painterly expression and embraced the object. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

Softcover, 304 pages; in English; very good condition; 1/2-inch crease to lower right corner tip of most pages; no internal marks. Foreign shipping may be extra.

Condizione: New. pp. 294.

Paperback. Condizione: New.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condizione: New. Works by a pre-Pop, post-abstract expressionist generation of artists who rejected painterly expression and embraced the object. Editor(s): Robinson, Julia. Num Pages: 294 pages, 250 color illus., 50 b&w illus. BIC Classification: ACXJ. Category: (G) General (US: Trade). Dimension: 221 x 283 x 22. Weight in Grams: 1414. . 2010. Paperback. . . . . …

Paperback. Condizione: Brand New. 300 pages. 11.00x8.50x1.00 inches. In Stock.

Soft cover. Condizione: Good. Condizione sovraccoperta: No Jacket as Issued. 1st Edition. Covers have light general wear. Some sunning and minor creasing to spine. Name to title-page, otherwise internally very clean. Binding good. 294pp The title echoes the name of the French movement of the 1960s "Nouveau Realisme." Indeed, the work of the Nouveaux Realistes group anchors the book (and the exhibition it accompanies), but at the same time, New Realisms represents a wider range of related instincts, diversely expressed. The emphasis is on a constellation of activities in play before the new critical terms and categories of Pop Art were set in stone. The book views the emerging artistic scene from the other end of the telescope, as it were: from a European perspective rather than from that of American Pop Art. Size: 210mm x 280mm. Book.…

Condizione: New. Works by a pre-Pop, post-abstract expressionist generation of artists who rejected painterly expression and embraced the object. Editor(s): Robinson, Julia. Num Pages: 294 pages, 250 color illus., 50 b&w illus. BIC Classification: ACXJ. Category: (G) General (US: Trade). Dimension: 221 x 283 x 22. Weight in Grams: 1414. . 2010. Paperback. . . . . Books ship from the US and Ireland. …

Condizione: New. pp. 294.

Paperback. Condizione: New.

Paperback. Condizione: new. Paperback. Works by a pre-Pop, post-abstract expressionist generation of artists who rejected painterly expression and embraced the object.As the 1950s became the 1960s, a new generation of artists around the globe rejected direct painterly expression and returned decisively to the object. Moving away from abstract expressionism and toward the sensibility that would become Pop, these artists-among them Raymond Hains, Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, and Robert Rauschenberg-effectively established a new set of artistic paradigms that would influence the decade ahead. New Realisms- 1957-1962 maps this international field of artistic practice, showcasing more than 200 works by artists of the period. The title echoes the name of the French movement of the 1960s "Nouveau Realisme." Indeed, the work of the Nouveaux Realistes group anchors the book (and the exhibition it accompanies), but at the same time, New Realisms represents a wider range of related instincts, diversely expressed. The emphasis is on a constellation of activities in play before the new critical terms and categories of Pop Art were set in stone. The book views the emerging artistic scene from the other end of the telescope, as it were- from a European perspective rather than from that of American Pop Art. New Realisms is emphatically hybrid, encompassing the initiatives of the French group as well as trajectories in New York that stretched from painting to "Environment" to Happening.Artists include- Arman, George Brecht, Cesar, Christo, Gerard Deschamps, Jim Dine, Fran ois Dufrane, Oyvind Fahlstrom, Raymond Hains, Allan Kaprow, Yves Klein, Yayoi Kusama, Roy Lichtenstein, Piero Manzoni, Claes Oldenburg, Giuseppe Pinot Gallizio, Robert Rauschenberg, Martial Raysse, Mimmo Rotella, Niki de Saint Phalle, Daniel Spoerri, Jean Tinguely, Robert Watts, and Robert Whitman.Essays by- Julia Robinson, Hannah Feldman, Agnes Berecz, Emmelyn Butterfield-Rosen, Benjamin H. D. Buchloh.Exhibition- Museo Nacional Centro de Arte Reina Sofia, Madrid; June 19th-October 4th, 2010.Distributed by the MIT Press for the Reina Sofia Museum Works by a pre-Pop, post-abstract expressionist generation of artists who rejected painterly expression and embraced the object. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: New.

Condizione: New. As the 1950s became the 1960s, a new generation of artists around the globe rejected direct painterly expression and returned decisively to the object. Moving away from abstract expressionism and toward the sensibility that would become Pop, these artistsâ"among them Raymond Hains, Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, and Robert Rauschenbergâ"effectively established a new set of artistic paradigms that would influence the decade ahead. New Realisms: 1957â"1962 maps this international field of artistic practice, showcasing more than 200 works by artists of the period. The title echoes the name of the French movement of the 1960s âNouveau Rà alisme. â Indeed, the work of the Nouveaux Rà alistes group anchors the book (and the exhibition it accompanies) , but at the same time, New Realisms represents a wider range of related instincts, diversely expressed. The emphasis is on a constellation of activities in play before the new critical terms and categories of Pop Art were set in stone. The book views the emerging artistic scene from the other end of the telescope, as it were: from a European perspective rather than from that of American Pop Art. New Realisms is emphatically hybrid, encompassing the initiatives of the French group as well as trajectories in New York that stretched from painting to âEnvironmentâ to Happening. Artists include: Arman, George Brecht, Cesar, Christo, Gà rard Deschamps, Jim Dine, François Dufrêne, Oyvind Fahlstrom, Raymond Hains, Allan Kaprow, Yves Klein, Yayoi Kusama, Roy Lichtenstein, Piero Manzoni, Claes Oldenburg, Giuseppe Pinot Gallizio, Robert Rauschenberg, Martial Raysse, Mimmo Rotella, Niki de Saint Phalle, Daniel Spoerri, Jean Tinguely, Robert Watts, and Robert Whitman. Essays by: Julia Robinson, Hannah Feldman, Agnes Berecz, Emmelyn Butterfield-Rosen, Benjamin H. D. Buchloh Exhibition: Museo Nacional Centro de Arte Reina SofÃa, Madrid; June 19thâ"October 4th, 2010 Distributed by the MIT Press for the Reina Sofia Museum. …