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9780262551205 - Robert Ryman: Used Paint di Hudson, Suzanne P. (27 risultati)
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Robert Ryman: Used Paint
Prima edizione
Hardcover. Condizione: Fine. No jacket.
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Robert Ryman : Used Paint
Da: GreatBookPrices, Columbia, MD, U.S.A.
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EUR 50,98
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Robert Ryman: Used Paint (Paperback or Softback)
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback or Softback. Condizione: New. Robert Ryman: Used Paint. Book.
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Robert Ryman : Used Paint
Da: GreatBookPrices, Columbia, MD, U.S.A.
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EUR 56,41
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Spedito in U.S.A.Quantità: Più di 20 disponibili
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Robert Ryman
Da: Rarewaves.com USA, London, LONDO, Regno Unito
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EUR 62,72
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Spedito da Regno Unito a U.S.A.Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
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EUR 64,26
Spedizione gratuita
Spedito in U.S.A.Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
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Robert Ryman: Used Paint (October Books)
Da: Ria Christie Collections, Uxbridge, Regno Unito
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EUR 54,40
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Robert Ryman : Used Paint
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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EUR 54,39
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Spedito da Regno Unito a U.S.A.Quantità: Più di 20 disponibili
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Robert Ryman: Used Paint (October Books)
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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EUR 63,72
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Robert Ryman : Used Paint
Da: GreatBookPricesUK, Woodford Green, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 59,38
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Spedito da Regno Unito a U.S.A.Quantità: Più di 20 disponibili
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Robert Ryman: Used Paint (October Books)
Da: Kennys Bookstore, Olney, MD, U.S.A.
Valutazione del venditore 5 su 5 stelle
EUR 79,89
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Spedito in U.S.A.Quantità: Più di 20 disponibili
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Robert Ryman: Used Paint
Da: Revaluation Books, Exeter, Regno Unito
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EUR 76,70
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Spedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 336 pages. 9.00x7.00x0.75 inches. In Stock.
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EUR 66,40
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Aggiungi al carrelloPaperback. Condizione: New.
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ROBERT RYMAN: Used Paint
Da: Ursus Books, Ltd., New York, NY, U.S.A.
Membro dell'associazione: ABAA ILAB
Valutazione del venditore 4 su 5 stelle
Hudson, Suzanne P. ROBERT RYMAN: Used Paint. xvi and 318 pages, roughly 100 color and b&w illustrations. Small 4to, wraps. Cambridge and London, MIT Press, 2009. Traces this self-taught artist's production from his first paintings in the 1950s to his recent gallery shows.
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EUR 58,40
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Aggiungi al carrelloPaperback. Condizione: New.
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Robert Ryman: Used Paint (October Books)
Da: Mispah books, Redhill, SURRE, Regno Unito
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EUR 112,20
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Spedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrellopaperback. Condizione: New. New. book.
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Robert Ryman
Da: PBShop.store US, Wood Dale, IL, U.S.A.
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EUR 59,45
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Robert Ryman: Used Paint (October Books)
Da: Majestic Books, Hounslow, Regno Unito
Valutazione del venditore 4 su 5 stelle
EUR 51,75
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Spedito da Regno Unito a U.S.A.Quantità: 4 disponibili
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Robert Ryman (Paperback)
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Valutazione del venditore 5 su 5 stelle
Paperback. Condizione: new. Paperback. This first book-length study of Robert Ryman argues that his work is a continuous experiment in the possibilities of painting.This first book-length study of Robert Ryman argues that his work is a continuous experiment in the possibilities of painting.In this first book-length study of Robert Ryman, Suzanne Hudson traces the artist's production from his first paintings in the early 1950s, many of which have never been exhibited or reproduced, to his recent gallery shows. Ryman's largely white-on-white paintings represent his careful working over of painting's conventions at their most radically reduced. Through close readings of the work, Hudson casts Ryman as a painter for whom painting was conducted as a continuous personal investigation. Ryman's method-an act of "learning by doing"-as well as his conception of painting as "used paint" sets him apart from second-generation abstract expressionists, minimalists, or conceptualists.Ryman (born in 1930) is a self-taught artist who began to paint in earnest while working as a guard at the Museum of Modern Art in New York in the 1950s. Hudson argues that Ryman's approach to painting developed from quotidian contact with the story of modern painting as assembled by MoMA director and curator Alfred Barr and rendered widely accessible by director of the education department Victor D'Amico and colleagues. Ryman's introduction to artistic practice within the (white) walls of MoMA, Hudson contends, was shaped by an institutional ethos of experiential learning. (Others who worked at the MoMA during these years include Lucy Lippard, who married Ryman in 1961; Dan Flavin, another guard; and Sol LeWitt, a desk assistant.)Hudson's chapters-"Primer," "Paint," "Support," "Edge," and "Wall," named after the most basic elements of the artist's work-eloquently explore Ryman's ongoing experiment in what makes a painting a painting. Ryman's work, she writes, tests the medium's material and conceptual possibilities. It signals neither the end of painting nor guarantees its continued longevity but keeps the prospect of painting an open question, answerable only through the production of new paintings. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Robert Ryman
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 54,97
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Aggiungi al carrelloPAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Robert Ryman: Used Paint (October Books)
Da: Books Puddle, New York, NY, U.S.A.
Valutazione del venditore 4 su 5 stelle
Condizione: New. Print on Demand.
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Robert Ryman: Used Paint (October Books)
Da: Biblios, Frankfurt am main, HESSE, Germania
Valutazione del venditore 4 su 5 stelle
EUR 50,68
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Spedito da Germania a U.S.A.Quantità: 4 disponibili
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Robert Ryman: Used Paint
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
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EUR 61,69
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Aggiungi al carrelloPaperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
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Robert Ryman (Paperback)
Da: CitiRetail, Stevenage, Regno Unito
Valutazione del venditore 5 su 5 stelle
EUR 59,67
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Spedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: new. Paperback. This first book-length study of Robert Ryman argues that his work is a continuous experiment in the possibilities of painting.This first book-length study of Robert Ryman argues that his work is a continuous experiment in the possibilities of painting.In this first book-length study of Robert Ryman, Suzanne Hudson traces the artist's production from his first paintings in the early 1950s, many of which have never been exhibited or reproduced, to his recent gallery shows. Ryman's largely white-on-white paintings represent his careful working over of painting's conventions at their most radically reduced. Through close readings of the work, Hudson casts Ryman as a painter for whom painting was conducted as a continuous personal investigation. Ryman's method-an act of "learning by doing"-as well as his conception of painting as "used paint" sets him apart from second-generation abstract expressionists, minimalists, or conceptualists.Ryman (born in 1930) is a self-taught artist who began to paint in earnest while working as a guard at the Museum of Modern Art in New York in the 1950s. Hudson argues that Ryman's approach to painting developed from quotidian contact with the story of modern painting as assembled by MoMA director and curator Alfred Barr and rendered widely accessible by director of the education department Victor D'Amico and colleagues. Ryman's introduction to artistic practice within the (white) walls of MoMA, Hudson contends, was shaped by an institutional ethos of experiential learning. (Others who worked at the MoMA during these years include Lucy Lippard, who married Ryman in 1961; Dan Flavin, another guard; and Sol LeWitt, a desk assistant.)Hudson's chapters-"Primer," "Paint," "Support," "Edge," and "Wall," named after the most basic elements of the artist's work-eloquently explore Ryman's ongoing experiment in what makes a painting a painting. Ryman's work, she writes, tests the medium's material and conceptual possibilities. It signals neither the end of painting nor guarantees its continued longevity but keeps the prospect of painting an open question, answerable only through the production of new paintings. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Robert Ryman (Paperback)
Da: AussieBookSeller, Truganina, VIC, Australia
Valutazione del venditore 5 su 5 stelle
EUR 83,47
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Spedito da Australia a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: new. Paperback. This first book-length study of Robert Ryman argues that his work is a continuous experiment in the possibilities of painting.This first book-length study of Robert Ryman argues that his work is a continuous experiment in the possibilities of painting.In this first book-length study of Robert Ryman, Suzanne Hudson traces the artist's production from his first paintings in the early 1950s, many of which have never been exhibited or reproduced, to his recent gallery shows. Ryman's largely white-on-white paintings represent his careful working over of painting's conventions at their most radically reduced. Through close readings of the work, Hudson casts Ryman as a painter for whom painting was conducted as a continuous personal investigation. Ryman's method-an act of "learning by doing"-as well as his conception of painting as "used paint" sets him apart from second-generation abstract expressionists, minimalists, or conceptualists.Ryman (born in 1930) is a self-taught artist who began to paint in earnest while working as a guard at the Museum of Modern Art in New York in the 1950s. Hudson argues that Ryman's approach to painting developed from quotidian contact with the story of modern painting as assembled by MoMA director and curator Alfred Barr and rendered widely accessible by director of the education department Victor D'Amico and colleagues. Ryman's introduction to artistic practice within the (white) walls of MoMA, Hudson contends, was shaped by an institutional ethos of experiential learning. (Others who worked at the MoMA during these years include Lucy Lippard, who married Ryman in 1961; Dan Flavin, another guard; and Sol LeWitt, a desk assistant.)Hudson's chapters-"Primer," "Paint," "Support," "Edge," and "Wall," named after the most basic elements of the artist's work-eloquently explore Ryman's ongoing experiment in what makes a painting a painting. Ryman's work, she writes, tests the medium's material and conceptual possibilities. It signals neither the end of painting nor guarantees its continued longevity but keeps the prospect of painting an open question, answerable only through the production of new paintings. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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EUR 78,94
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Spedito da Germania a U.S.A.Quantità: 2 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This first book-length study of Robert Ryman argues that his work is a continuous experiment in the possibilities of painting.
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EUR 90,35
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Robert Ryman | Used Paint | Suzanne P. Hudson | Taschenbuch | Englisch | 2024 | MIT Press | EAN 9780262551205 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
