9780262600491 - Robert Rauschenberg: 4 (11 risultati)

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Trade Paperback. Condizione: Near Fine. 8vo. - over 7¾ in. - 9¾ in. Paperback edition. Light shelfwear to book edges, covers clean, binding solid and strong, small remainder mark to lower page edges, interior text clean. Near Fine copy.

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Trade Paperback. Condizione: New.

Paperback. Condizione: Fine. 163 pages, illustrations; 24 cm. October Files 4. Tight, clean copy. *** "Critical essays on the artist Robert Rauschenberg, focusing on the important period of his development in the 1950s and 1960s. From the moment art historian Leo Steinberg championed his work in opposition to Clement Greenberg's rigid formalism, Robert Rauschenberg has played a pivotal role in the development and understanding of postmodern art. Challenging nearly all the prevailing assumptions about the visual arts of his time, he pioneered the postwar revival of collage, photography, silkscreen, technology, and performance. This book focuses on Rauschenberg's work during the critical period of the 1950s and 1960s. It opens with a newly prefaced version of Leo Steinberg's 'Reflections on the State of Criticism,' the first published version of his famous 1972 essay, 'Other Criteria,' which remains the single most important text on Rauschenberg. Rosalind Krauss's 'Rauschenberg and the Materialized Image' builds on Steinberg's essay, arguing that Rauschenberg's work represents a decisive shift in contemporary art. Douglas Crimp's 'On the Museum's Ruins' examines Rauschenberg's silkscreens in the context of the modern museum. Helen Molesworth's 'Before Bed' uses psychoanalytic and economic structures to examine the artist's Black Paintings of the early 1950s. A second essay by Krauss, 'Perpetual Inventory,' revisits both her and Steinberg's articles of nearly twenty-five years earlier. Finally, Branden Joseph's 'A Duplication Containing Duplications' views Rauschenberg's silkscreens in relation to the artist's interests in technology, particularly television." - Publisher. *** CONTENTS: Preface to "Reflections . . .", by Branden W. Joseph; Reflections on the state of criticism (1972), by Leo Steinberg; Rauschenberg and the materialized image (1974), by Rosalind Krauss; On the museum's ruins (1980), by Douglas Crimp; Before Bed (1993), by Helen Molesworth; Perpetual inventory (1997), by Rosalind Krauss; A duplication containing duplications (2001), by Branden W. Joseph. Size: 8vo.

Softcover, 164 pages, very good condition; clean and crisp; no internal marks.

Paperback. Condizione: VG. Red, white, and BW-illustrated wraps with black and white lettering. 163 pp. Illustrations. Contents: Reflections on the state of criticism /; Leo Steinberg.; Rauschenberg and the materialized image /; Rosalind Krauss.; On the Museum's ruins /; Douglas Crimp.; Before Bed /; Helen Molesworth.; Perpetual inventory /; Rosalind Krauss.; Duplication containing duplications, A /; Branden W. Joseph.

Condizione: Fair. Volume 4. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780262600491.