ISBN: 9780271010045 - the viewer as poet: the renaissance response to art (8 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 216 pages.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

hardcover. Condizione: Very Good. First Edition. Used - Very Good.

Condizione: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Used: Good. 1994 hardcover plastic over dust jacket few pages has underlining in pencil 216 pages H-7.

Hardback. Norman E. Land, Pennsylvania State University Press. In "The Viewer as Poet", Norman Land provides a comprehensive survey of ekphrasis in literature and art criticism from antiquity through the Renaissance. Land demonstrates that Renaissance art criticism assimilated the poetic tradition of ekphrasis while maintaining its function of analysing works of art. Broadly speaking, the book shows that purely literary descriptions of art in poetry and prose contain a response like that found in art-critical ekphrasis. This is true in both antiquity and the Renaissance. The response to art in the elder Philostatus' "Imagines", for example, is like that found in the descriptions of Apuleius and Lucian. Later Dante, Boccaccio and Poliziano, among others, respond to imaginary works of art in their poetry in much the same way that Lorenzo Ghiberti, Aretino and Vasari respond to real works in their writings. Land offers a synthetic description of the Renaissance response to, or experience of, art as embodied in literature, including art criticism. This book should form the basis for a deeper understanding of Renaissance art than we have now, for it provides not only a tool for viewing works of art as they were originally seen and experienced - that is, from an historical perspective - but also an outline of the tradition out of which modern writings about art grew. Hardback.…

hardcover. Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.…

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0271010045. …