9780295994901 - natural magic: salted paper prints in north america di volpe, lisa; lord, russell; bear, jordan (23 risultati)
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hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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Hardcover. Condizione: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority.
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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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Hardcover. Condizione: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Oversized.
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condizione: New. 2015. hardcover. . Not a first edition copy. . . . Books ship from the US and Ireland.
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Da: Arundel Books, Seattle, WA, U.S.A.Arundel Books
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Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 4to. - over 9¾ in. - 12 in. 144pp., including selected chronology, index of plates, and selected bibliography. Illustrated with 85 plates. A beautiful copy in Near Fine condition; the dust jacket is Fine. Essays include: The Salt Paper Print: Shaping Mexican Socio…-Political Climate, by Lisa Volpe; Obscure Histories: The Salted Paper Print in the United States, by Russell Lord; The Human and Natural Resources Revealed in Canadian Salted Paper Prints, by Jordan Bear.
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Da: Diatrope Books, Berkeley, CA, U.S.A.Diatrope Books
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Hardcover. Condizione: Very Good. Condizione sovraccoperta: very good. Unmarked text. Factory sealed. Unclipped dust jacket Beautifully illustrated. Essays by Keith F. Davis, Lisa Volpe, Russell Lord, Jordan Bear, and others. Sections on Mexico, the United States, and Canada. Chronology, Biographies. Bibliography. 144p. The salt…ed paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Prior to this volume, scant research existed on the salted paper print in North America. The essays in this volume offer views on the use and materials of these prints as they ushered in the medium of photography.
Natural Magic: Salted Paper Prints in North America
Davis, Keith F. (Introduction by); Volpe, Lisa, and Lord, Russell, and Bear, Jordan (Essays by)
Lingua: Inglese
Editore: Santa Barbara Museum of Art; University of Washington Press, Santa Barbara, CA, and Seattle, WA, 2015
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Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS
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Hardcover. Condizione: NEW. Condizione sovraccoperta: NEW. 1st. Cloth, 144 pages, illustrations, portraits; 29 cm. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "The salted paper print process and the daguerrotype were inve…nted, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate - in other words, they ushered in the medium of photography. This volume offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra icognita yet to discover." - Publisher. *** CONTENTS: Introduction: the North American salted paper print, by Keith F. Davis; The salted paper print: shaping the Mexican socio-political climate, by Lisa Volpe; Obscure histories: the salted paper print in the United States, by Russell Lord; The human and natural resources revealed in Canadian salted paper prints, by Jordan Bear. Size: 4to. Collectible.
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Da: Fleur Fine Books, Port Neches, TX, U.S.A.Fleur Fine Books
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HARDCOVER. Condizione: New. University of washington Press. New. Univ of Washington Pr 2015 Hardcover. Still in original shrink wrap. Book Condition: New . 2015. HARDCOVER.
Natural Magic : Salted Paper Prints in North America
Volpe, Lisa; Lord, Russell; Bear, Jordan; Feinberg, Larry J. (FRW); Davis, Keith F. (INT)
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: As New. Unread book in perfect condition.
Natural Magic : Salted Paper Prints in North America
Volpe, Lisa; Lord, Russell; Bear, Jordan; Feinberg, Larry J. (FRW); Davis, Keith F. (INT)
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: New.
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Hardcover. Condizione: new. Hardcover. The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within… a substrate-in other words, they ushered in the medium of photography.The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities the massing of light and the softening of detail-while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America-Canada, the United States and Mexico-faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making-defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter. Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847-1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile. This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover. " . fifth and last in the [Santa Barbara Museum of Art's] series of nineteenth-century photographic explorations"--Foreword. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Hardback. Condizione: New. The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate…-in other words, they ushered in the medium of photography. The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities?the massing of light and the softening of detail-while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America-Canada, the United States and Mexico-faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making-defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter. Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847-1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile. This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover.
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Da: HR1 Books, Hereford, Regno UnitoHR1 Books
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hardcover. Condizione: New. Same / next day dispatch (Monday - Friday).
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Hardback. Condizione: New. The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate…-in other words, they ushered in the medium of photography. The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities?the massing of light and the softening of detail-while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America-Canada, the United States and Mexico-faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making-defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter. Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847-1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile. This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover.
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Da: Mooney's bookstore, Den Helder, Paesi BassiMooney's bookstore
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Da: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
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Hardback. Condizione: New. The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate…-in other words, they ushered in the medium of photography. The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities?the massing of light and the softening of detail-while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America-Canada, the United States and Mexico-faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making-defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter. Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847-1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile. This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover.
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Da: moluna, Greven, Germaniamoluna
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Condizione: New. Über den AutorJordan Bear, Russell Lord, and Lisa Volpe. Introduction by Keith F. DavisInhaltsverzeichnisForeword by Larry J. FeinbergPreface by Karen SinsheimerIntroduction by Keith F. Dav.
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Hardcover. Condizione: new. Hardcover. The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within… a substrate-in other words, they ushered in the medium of photography.The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities the massing of light and the softening of detail-while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America-Canada, the United States and Mexico-faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making-defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter. Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847-1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile. This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover. The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. In Europe the salted paper print was valued for its aesthetic qualitiesthe massing of light and the softening of detailwhile in North America, the salted paper print was valued for its portability and reproducibility. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Hardback. Condizione: New. The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate…-in other words, they ushered in the medium of photography. The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities?the massing of light and the softening of detail-while in North America, the salted paper print was valued for its portability and reproducibility. At the same time, the three evolving regions that comprised North America-Canada, the United States and Mexico-faced quite different realities and challenges than those in Europe (primarily France and Britain). In North America artistic merit was less of a priority, as each emerging nation faced vast, untamed territories, as well as social and political tumult. These were countries in the making-defining borders, struggling to create identities, and establishing metropolitan areas and transportation networks, while the scions on the other side of the Atlantic cast a leisurely eye to their artistic, architectural, and colonial heritage for subject matter. Scant research has been done on the use of the salted paper print in North America during its brief period of use (approximately 1847-1865); physical prints are often found in obscure collections and locations, and they are, as is true for most works on paper from that period, exceedingly fragile. This volume, with essays by three up and coming 19th-century scholars, offers new views on the use and employment of the salted paper print in North America. The hope is that this publication will encourage investigation, for the history of photography has many areas of terra incognita yet to discover.
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Da: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
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Hardcover. Condizione: New.
