9780300032277 - Mannerism and Renaissance Poetry: Concept, Mode, Inner Design di Mirollo, James V. (18 risultati)

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Printing.

Cloth over Board. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. This book is in very good condtion with clean text and tight binding.The jacket has some slight smudging on the back and a small amount of cracking Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. 225pp. Near new condition, covers bright, text clean & binding tight in a like dust jacket.

Hardcover. Condizione: Fine condition. Condizione sovraccoperta: Very Good DJ (lightly soiled). First Printing of the First Edition. New Haven, Connecticut: Yale University Press, 1984. Clean, square, tight, unmarked copy. Sharp corners. No owner's name or bookplate. No remainder mark. Illustrated. Study of literary and artistic manifestations of mannerism in the Renaissance. Looks at Vasari, Cellini, Petrarchism, Baroque poetry, how painters and poets treated the lyric conventions of the veiled face and gloved hand, etc. The author was professor of English and comparative literature at Columbia University. Chapter notes. Bibliography. Index. Original blue cloth. First Printing of the First Edition. Hardcover. Fine condition/Very Good DJ (lightly soiled). 8vo. xv, 225pp.

Condizione: very good. New Haven : Yale University Press, 1985. Orig. cloth binding. xv,225 pp. Condition : very good copy. ISBN 9780300032277. Keywords : LITERARY CRITICISM,

Condizione: New. In.

Hardcover. Condizione: new. Hardcover. The nature and significance of mannerism has been a topic of lively debate for centuries. This insightful book by James V. Mirollo provides not only an introduction to mannerism as a theoretical concept and a historical stylistic mode but also a cogent discussion of some of the literary and artistic manifestations of mannerism in the Renaissance. Mirollo begins by offering an updated account of the controversy over mannerism that began in the mid-sixteenth century and is only now approaching a consensus. Both the survey and the bibliography that accompanies it are unusual in their range and interdisciplinary coverage, for they include selected literary, art, and music theory and criticism from Vasari to the present. The following chapters take up the aesthetic sensibility of mannerism as it revealed in Cellini's Vita and in Italian and European Petrarchism, literary and visual. The essays on Petrarchism focus on the diverse ways in which painters and poets-Italian, French, Spanish, and English-treated the lyric conventions of the veiled face and the gloved hand. The postlude offers a brief exposition of the contrast between mannerism and both Renaissance and baroque styles, as evident in a group of English related pastoral poems. The nature and significance of mannerism has been a topic of lively debate for centuries. This insightful book by James V. Mirollo provides not only an introduction to mannerism as a theoretical concept and a historical stylistic mode but also a cogent discussion of some of the literary and artistic manifestations of mannerism in the Renaissance. Mirollo begins by offering an updated account of the controversy over mannerism that began in the mid-sixteenth century and is only now approaching a consensus. Both the survey and the bibliography that accompanies it are unusual in their range and interdisciplinary coverage, for they include selected literary, art, and music theory and criticism from Vasari to the present. The following chapters take up the aesthetic sensibility of mannerism as it revealed in Cellini's Vita and in Italian and European Petrarchism, literary and visual. The essays on Petrarchism focus on the diverse ways in which painters and poets-Italian, French, Spanish, and English-treated the lyric conventions of the veiled face and the gloved hand. The postlude offers a brief exposition of the contrast between mannerism and both Renaissance and baroque styles, as evident in a group of English related pastoral poems. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Condizione: New. pp. 248 9:B&W 6 x 9 in or 229 x 152 mm Case Laminate on Creme w/Gloss Lam.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Condizione: New.

Buch. Condizione: Neu. Neuware - The nature and significance of mannerism has been a topic of lively debate for centuries. This insightful book by James V. Mirollo provides not only an introduction to mannerism as a theoretical concept and a historical stylistic mode but also a cogent discussion of some of the literary and artistic manifestations of mannerism in the Renaissance.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. The nature and significance of mannerism has been a topic of lively debate for centuries. This insightful book by James V. Mirollo provides not only an introduction to mannerism as a theoretical concept and a historical stylistic mode but also a cogent discussion of some of the literary and artistic manifestations of mannerism in the Renaissance. Mirollo begins by offering an updated account of the controversy over mannerism that began in the mid-sixteenth century and is only now approaching a consensus. Both the survey and the bibliography that accompanies it are unusual in their range and interdisciplinary coverage, for they include selected literary, art, and music theory and criticism from Vasari to the present. The following chapters take up the aesthetic sensibility of mannerism as it revealed in Cellini's Vita and in Italian and European Petrarchism, literary and visual. The essays on Petrarchism focus on the diverse ways in which painters and poets-Italian, French, Spanish, and English-treated the lyric conventions of the veiled face and the gloved hand. The postlude offers a brief exposition of the contrast between mannerism and both Renaissance and baroque styles, as evident in a group of English related pastoral poems. The nature and significance of mannerism has been a topic of lively debate for centuries. This insightful book by James V. Mirollo provides not only an introduction to mannerism as a theoretical concept and a historical stylistic mode but also a cogent discussion of some of the literary and artistic manifestations of mannerism in the Renaissance. Mirollo begins by offering an updated account of the controversy over mannerism that began in the mid-sixteenth century and is only now approaching a consensus. Both the survey and the bibliography that accompanies it are unusual in their range and interdisciplinary coverage, for they include selected literary, art, and music theory and criticism from Vasari to the present. The following chapters take up the aesthetic sensibility of mannerism as it revealed in Cellini's Vita and in Italian and European Petrarchism, literary and visual. The essays on Petrarchism focus on the diverse ways in which painters and poets-Italian, French, Spanish, and English-treated the lyric conventions of the veiled face and the gloved hand. The postlude offers a brief exposition of the contrast between mannerism and both Renaissance and baroque styles, as evident in a group of English related pastoral poems. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.