Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Very Good. 1 Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. 1 Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Da: HPB Inc., Dallas, TX, U.S.A.
hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Da: The Maryland Book Bank, Baltimore, MD, U.S.A.
Prima edizione
hardcover. Condizione: Very Good. First Edition. Used - Very Good.
Da: Flip Your Wig, Cloverdale, CA, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Clean cover.Dust Jacket in very good condition. Unmarked clean pages.
Lingua: Inglese
Editore: Yale University Press, New Haven, CT, 2000
ISBN 10: 0300085346 ISBN 13: 9780300085341
Da: Montana Book Company, Fond du Lac, WI, U.S.A.
Cloth. Condizione: Very Good Plus. 200 pp. Tightly bound. Corners not bumped. Text is Free of Markings. No ownership markings.
Da: Hektor Dantes History, Lubbock, TX, U.S.A.
Prima edizione
The dust jacket has tears at the spine, and the book has a slight amount of shelf wear.
Lingua: Inglese
Editore: Yale University Press, New Haven, 2000
ISBN 10: 0300085346 ISBN 13: 9780300085341
Da: Bookplate, Chestertown, MD, U.S.A.
Prima edizione
Hardcover. Condizione: As New. Condizione sovraccoperta: Near Fine. 1st Edition. Clean, unmarked. sharp corners with DJ in NF+ condition. BP/Art History.
Da: Cape Cod Booksellers, Yarmouth, MA, U.S.A.
Hard Cover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Yale University Press, 2000, 8vo, 200 pages, illustrations. Book and jacket in near fine condition. Size: 8vo - over 7¾" - 9¾" tall.
Da: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 200 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Lingua: Inglese
Editore: Yale University Press, New Haven, 2000
ISBN 10: 0300085346 ISBN 13: 9780300085341
Da: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
hardcover. Condizione: near fine. Condizione sovraccoperta: near fine. Illustrated in black and white. xiv, 200 pages. 8vo, black cloth, d.w. New Haven: Yale University Press, (2000). A near fine copy in a near fine dust wrapper.
Lingua: Inglese
Editore: Yale University Press, New Haven, (2000), 2000
ISBN 10: 0300085346 ISBN 13: 9780300085341
Da: Heartwood Books, A.B.A.A., Charlottesville, VA, U.S.A.
Prima edizione
Cloth. Condizione: Near Fine. Condizione sovraccoperta: Very Good. First Edition. Near Fine, internally clean,solid hard cover in a complete dust jacket with no tears. The jacket has a faded though readable spine. #.
Da: A Squared Books (Don Dewhirst), South Lyon, MI, U.S.A.
Hardcover. Condizione: As New. New Haven, 2000; black cloth covered boards with gold spine titles; mild shelf wear; photo illustrated dust jacket with white cover titles and spine titles; 8vo - over 7 3/4" to 9 3/4" tall; pencil marking on half title page, otherwise interior is clean and unmarked. 200 pages.
hardcover. Condizione: As New. Excellent, unread, like-new condition in like-new dust jacket. Dust jacket is in a brand new Brodart clear protective sleeve. Interior is pristine. No writing or markings of any kind. Ships well-packed in a box.
Da: FSS Books, New York, NY, U.S.A.
Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Unread First edition. Text is clean and unmarked, binding solid, DJ unclipped and without imperfections, no indications of previous ownership.
Lingua: Inglese
Editore: Yale University Press, New Haven, CT, 2000
ISBN 10: 0300085346 ISBN 13: 9780300085341
Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 9.52 X 6.43 X 0.82 inches; 200 pages; B&W illustrations. Very Good condition. No noteworthy defects. No markings. ; Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. 1st Edition (Unstated); No Printing Stated.
Da: Anybook.com, Lincoln, Regno Unito
EUR 11,60
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780300085341.
Da: Anybook.com, Lincoln, Regno Unito
EUR 11,65
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780300085341.
Da: MisterSeekersBook.Store, Edmonton, AB, Canada
Prima edizione
EUR 15,87
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. In Very Good Used Condition. With Fading To The Spine Of Dust Jacket. May Have Minor Shelf Wear To Dust Jacket. - For More Information On Condition. Please See All Photos. When And Why Did Large-Scale Exhibitions Of Old Master Paintings Begin, And How Have They Evolved Through The Centuries? In This Book An Eminent Art Historian Examines The Intriguing History And Significance Of These International Art Exhibitions. Francis Haskell Begins By Discussing The First "Old Master" Exhibitions In Rome And Florence In The Seventeenth Century And Then Moves To Eighteenth-Century France And The Efforts To Organize Exhibitions Of Contemporary Art That Would Be An Alternative To The Official Ones Held By The Salon. He Next Describes The Role Of The British Institution In London And The Series Of Remarkable Loan Exhibitions Of Old Master Paintings There. He Traces The Emergence Of Such Nationalist Exhibitions As The Rembrandt Exhibition Held In Amsterdam In 1898, The First Modern "Blockbuster" Exhibit. Demonstrating How The International Loan Exhibition Was A Vehicle Of Foreign And Cultural Policy After The First World War, He Gives A Fascinating Account Of Several Of These, For Example The Italian Art Exhibition Held At Burlington House In 1930 (Botticelli In The Service Of Fascism). He Describes The Initial Reluctance Of Major Museums To Send Pictures On Potentially Damaging Journeys And Explains How This Feeling Gave Way To Cautious Enthusiasm. Finally, In A Polemical Chapter, He Explores The Type Of Publications Associated With Exhibitions And With The Criticism And Scholarship That Have Centered Upon Them.
Da: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Prima edizione
hardcover. Condizione: Used-Very Good. First Edition. Cloth, dj. Minor shelf wear. Else a bright, clean copy.
Lingua: Inglese
Editore: Yale University Press, 2000,, 2000
ISBN 10: 0300085346 ISBN 13: 9780300085341
Da: BRIMSTONES, Lewes, Regno Unito
Prima edizione
EUR 11,83
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Very Good. Dust Jacket Included. 1st Edition. 1st edition, hardback, 8vo, xii,200pp, illustrated, clean and tight, no inscriptions, Very Good / Very Good dustwrapper. ISBN: 0300085346.
Lingua: Inglese
Editore: Yale University Press, New Haven, CT, 2000
ISBN 10: 0300085346 ISBN 13: 9780300085341
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardbound. Condizione: VG. Color illustrated boards, red spine with white lettering, xiv, 200 pp., 53 bw photographs. When and why did large-scale exhibitions of Old Master paintings begin, and how have they evolved through the centuries? In this book an eminent art historian examines the intriguing history and significance of these international art exhibitions. Francis Haskell begins by discussing the first 'Old Master' exhibitions in Rome and Florence in the seventeenth century and then moves to eighteenth-century France and the efforts to organize exhibitions of contemporary art that would be an alternative to the official ones held by the Salon. He next describes the role of the British Institution in London and the series of remarkable loan exhibitions of Old Master paintings there. He traces the emergence of such nationalist exhibitions as the Rembrandt exhibition held in Amsterdam in 1898 - the first modern 'blockbuster' show. Demonstrating how the international loan exhibition was a vehicle of foreign and cultural policy after the First World War, he gives a fascinating account of several of these, notably the Italian art exhibition held at Burlington House in London in 1930. He describes the initial reluctance of major museums to send pictures on potentially damaging journeys and explains how this feeling gave way to cautious enthusiasm. Finally, in a polemical chapter, he explores the types of publication associated with exhibitions and the criticism and scholarship that have centred upon them.
Lingua: Inglese
Editore: Yale University Press, New Haven and London, 2000
ISBN 10: 0300085346 ISBN 13: 9780300085341
Da: THOMAS RARE BOOKS, Yaxley, SUFFOLK, Regno Unito
EUR 29,57
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st US Edition. 200pp. A lovely unmarked copy. Nearly like new. No inscriptions or fading.
Lingua: Inglese
Editore: Yale University Press, New Haven, 2000
ISBN 10: 0300085346 ISBN 13: 9780300085341
Da: Librairie Sheehy (Theologia Books), La Charite sur Loire, Francia
EUR 20,00
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First edition. As new copy in as new dustjacket. xiv, 200 pages. Illustrated. Sewn-binding. Book.