9780300163353 - The Edwardian Sense: Art, Design, and Performance in Britain, 1901-1910 (24 risultati)

hardcover. Condizione: Fine. still in original shrinkwrap with dust jacket - VERY NICE With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

hardcover. Condizione: As New. Hardcover. Good binding and cover. Clean, unmarked pages.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. clean, unmarked pages, clean covers, hardcover, fine, fine DJ.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. Explores how art, design, and performance registered the changes in the Edwardian period (1901-1910) and helped to precipitate them. Acknowledging familiar divisions between the neo-Baroque magnificence of central London and the slums of the East End, this title discusses the middlebrow culture that characterizes the anonymous edge of the city. Editor(s): O'Neill, Morna; Hatt, Michael. Series: Yale Center for British Art. Num Pages: 336 pages, 90 black-&-white illustrations + colour images. BIC Classification: 3JJC; ABA; ACX. Category: (G) General (US: Trade). Dimension: 254 x 178 x 25. Weight in Grams: 1092. . 2010. First Edition. Hardcover. . . . .

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. Although numerous studies have explored the Edwardian period (1901-1910) as one of political and social change, this innovative book is the first to explore how art, design, and performance not only registered those changes but helped to precipitate them. While acknowledging familiar divisions between the highbrow world of aesthetic theory and the popular delights of the music hall, or between the neo-Baroque magnificence of central London and the slums of the East End, The Edwardian Sense also discusses the middlebrow culture that characterizes the anonymous edge of the city. Essays are divided into three sections under the broad headings of spectacle, setting, and place, which reflect the book's focus on the visual, spatial, and geographic perspectives of the Edwardians themselves.Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art.

Condizione: new.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: New.

Condizione: New. Explores how art, design, and performance registered the changes in the Edwardian period (1901-1910) and helped to precipitate them. Acknowledging familiar divisions between the neo-Baroque magnificence of central London and the slums of the East End, this title discusses the middlebrow culture that characterizes the anonymous edge of the city. Editor(s): O'Neill, Morna; Hatt, Michael. Series: Yale Center for British Art. Num Pages: 336 pages, 90 black-&-white illustrations + colour images. BIC Classification: 3JJC; ABA; ACX. Category: (G) General (US: Trade). Dimension: 254 x 178 x 25. Weight in Grams: 1092. . 2010. First Edition. Hardcover. . . . . Books ship from the US and Ireland.

Condizione: New.

Hardcover. Condizione: new. Hardcover. Although numerous studies have explored the Edwardian period (19011910) as one of political and social change, this innovative book is the first to explore how art, design, and performance not only registered those changes but helped to precipitate them. While acknowledging familiar divisions between the highbrow world of aesthetic theory and the popular delights of the music hall, or between the neo-Baroque magnificence of central London and the slums of the East End, The Edwardian Sense also discusses the middlebrow culture that characterizes the anonymous edge of the city. Essays are divided into three sections under the broad headings of spectacle, setting, and place, which reflect the books focus on the visual, spatial, and geographic perspectives of the Edwardians themselves. Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art Explores how art, design, and performance registered the changes in the Edwardian period (1901-1910) and helped to precipitate them. Acknowledging familiar divisions between the neo-Baroque magnificence of central London and the slums of the East End, this title discusses the middlebrow culture that characterizes the anonymous edge of the city. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: New. Condizione sovraccoperta: New. vii, 328 pages, illustrated with both colour plates, and black and white reproductions. A New copy in dust jacket, in the publishers shrinkwrap.

Hardcover. 328p. A hardcover book in fine condition with a like dustjacket. Studies in British Art 20. A study of the role of arts and culture in the sociopolitical changes of Edwardian England.

Hardcover. Condizione: Brand New. 336 pages. 10.50x7.50x1.00 inches. In Stock.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condizione: new. Hardcover. Although numerous studies have explored the Edwardian period (19011910) as one of political and social change, this innovative book is the first to explore how art, design, and performance not only registered those changes but helped to precipitate them. While acknowledging familiar divisions between the highbrow world of aesthetic theory and the popular delights of the music hall, or between the neo-Baroque magnificence of central London and the slums of the East End, The Edwardian Sense also discusses the middlebrow culture that characterizes the anonymous edge of the city. Essays are divided into three sections under the broad headings of spectacle, setting, and place, which reflect the books focus on the visual, spatial, and geographic perspectives of the Edwardians themselves. Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art Explores how art, design, and performance registered the changes in the Edwardian period (1901-1910) and helped to precipitate them. Acknowledging familiar divisions between the neo-Baroque magnificence of central London and the slums of the East End, this title discusses the middlebrow culture that characterizes the anonymous edge of the city. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardback. Condizione: New. Although numerous studies have explored the Edwardian period (1901-1910) as one of political and social change, this innovative book is the first to explore how art, design, and performance not only registered those changes but helped to precipitate them. While acknowledging familiar divisions between the highbrow world of aesthetic theory and the popular delights of the music hall, or between the neo-Baroque magnificence of central London and the slums of the East End, The Edwardian Sense also discusses the middlebrow culture that characterizes the anonymous edge of the city. Essays are divided into three sections under the broad headings of spectacle, setting, and place, which reflect the book's focus on the visual, spatial, and geographic perspectives of the Edwardians themselves.Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art.

Hardcover. Condizione: new. Hardcover. Although numerous studies have explored the Edwardian period (19011910) as one of political and social change, this innovative book is the first to explore how art, design, and performance not only registered those changes but helped to precipitate them. While acknowledging familiar divisions between the highbrow world of aesthetic theory and the popular delights of the music hall, or between the neo-Baroque magnificence of central London and the slums of the East End, The Edwardian Sense also discusses the middlebrow culture that characterizes the anonymous edge of the city. Essays are divided into three sections under the broad headings of spectacle, setting, and place, which reflect the books focus on the visual, spatial, and geographic perspectives of the Edwardians themselves. Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art Explores how art, design, and performance registered the changes in the Edwardian period (1901-1910) and helped to precipitate them. Acknowledging familiar divisions between the neo-Baroque magnificence of central London and the slums of the East End, this title discusses the middlebrow culture that characterizes the anonymous edge of the city. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.