Isbn: 9780300181180 - wagner in performance (16 risultati)

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  • Lingua: Inglese

    Editore: Yale University Press, 1992

    0300181183 / 9780300181180

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  • Lingua: Inglese

    Editore: Yale University Press 8/19/1992, 1992

    0300181183 / 9780300181180

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    Paperback or Softback. Condizione: New. Wagner in Performance. Book.

  • Lingua: Inglese

    Editore: Yale University Press, US, 2011

    0300181183 / 9780300181180

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    Paperback. Condizione: New. Despite the voluminous literature on Wagner's operas, little has been published that does justice to all the elements of their performance. This book, addressed to both specialists and the opera-going public, brings together a team of authorities from around the world to examine the performance history and reception of Wagner's works in Europe and America.Essays on conducting, singing, production, and stage design of Wagner's works explore the revolutionary nature of the composer's demands on his interpreters. The book raises profound aesthetic questions about the realization of opera on the stage: the authority of the composer vis-a-vis the director and the audience; the sanctity of the text, score, and stage directions; and the role of art itself in society. The volume also considers the explosion in popularity of Wagner's music dramas and their ability to assume new meanings-on stage and in recordings-for successive generations. It looks at the often vociferous debate over vocal and conducting styles, at the origins of Bayreuth, and at the impact of Wagner on the musical life of New York and Vienna. The book is certain to raise the level of discussion about opera production generally and to enhance our enjoyment of Wagner's works in the opera house.…

  • Lingua: Inglese

    Editore: Yale University Press, 1992

    0300181183 / 9780300181180

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  • Lingua: Inglese

    Editore: Yale University Press, 1992

    0300181183 / 9780300181180

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    Condizione: New. In English.

  • Lingua: Inglese

    Editore: Yale University Press, 1992

    0300181183 / 9780300181180

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  • Lingua: Inglese

    Editore: Yale University Press, 1992

    0300181183 / 9780300181180

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  • Lingua: Inglese

    Editore: Yale University Press, 1992

    0300181183 / 9780300181180

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    Da: Majestic Books, Hounslow, Regno UnitoMajestic Books

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    Condizione: New. pp. 226 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam.

  • Lingua: Inglese

    Editore: Yale University Press Jul 2011, 2011

    0300181183 / 9780300181180

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    Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH

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    Taschenbuch. Condizione: Neu. Neuware - Despite the voluminous literature on Wagner's operas, little has been published that does justice to all the elements of their performance. This book, addressed to both specialists and the opera-going public, brings together a team of authorities from around the world to examine the performance history and reception of Wagner's works in Europe and America. Essays on conducting, singing, production, and stage design of Wagner's works explore the revolutionary nature of the composer's demands on his interpreters. The book raises profound aesthetic questions about the realization of opera on the stage: the authority of the composer vis-a-vis the director and the audience; the sanctity of the text, score and stage directions; and the role of art itself in society. These issues are discussed both theoretically and, referring to specific productions, in terms of their practical consequences. The volume also considers the explosion in popularity of Wagner's music dramas and their ability to assume new meanings - on stage and in recordings - for successive generations. It looks at the often vociferous debate over vocal and conducting styles, at the origins of Bayreuth, and at the impact of Wagner on the musical life of New York and Vienna. The book is certain to raise the level of discussion about opera production generally and to enhance our enjoyment of Wagner's works in the opera house. Barry Millington is author of the Vintage Master Musicans volume on Wagner. Stewart Spencer is editor of 'Wagner', the journal of the Wagner Society. Together they have edited the 'Selected Letters of Richard Wagner'.…

  • Lingua: Inglese

    Editore: Yale University Press, 2011

    0300181183 / 9780300181180

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  • Lingua: Inglese

    Editore: Yale University Press, US, 2011

    0300181183 / 9780300181180

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    Paperback. Condizione: New. Despite the voluminous literature on Wagner's operas, little has been published that does justice to all the elements of their performance. This book, addressed to both specialists and the opera-going public, brings together a team of authorities from around the world to examine the performance history and reception of Wagner's works in Europe and America.Essays on conducting, singing, production, and stage design of Wagner's works explore the revolutionary nature of the composer's demands on his interpreters. The book raises profound aesthetic questions about the realization of opera on the stage: the authority of the composer vis-a-vis the director and the audience; the sanctity of the text, score, and stage directions; and the role of art itself in society. The volume also considers the explosion in popularity of Wagner's music dramas and their ability to assume new meanings-on stage and in recordings-for successive generations. It looks at the often vociferous debate over vocal and conducting styles, at the origins of Bayreuth, and at the impact of Wagner on the musical life of New York and Vienna. The book is certain to raise the level of discussion about opera production generally and to enhance our enjoyment of Wagner's works in the opera house.…

  • Lingua: Inglese

    Editore: Yale University Press, 1992

    0300181183 / 9780300181180

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  • Lingua: Inglese

    Editore: Yale University Press, New Haven, 2011

    0300181183 / 9780300181180

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    Paperback. Condizione: new. Paperback. Despite the voluminous literature on Wagner's operas, little has been published that does justice to all the elements of their performance. This book, addressed to both specialists and the opera-going public, brings together a team of authorities from around the world to examine the performance history and reception of Wagner's works in Europe and America.Essays on conducting, singing, production, and stage design of Wagner's works explore the revolutionary nature of the composer's demands on his interpreters. The book raises profound aesthetic questions about the realization of opera on the stage: the authority of the composer vis-a-vis the director and the audience; the sanctity of the text, score, and stage directions; and the role of art itself in society. The volume also considers the explosion in popularity of Wagner's music dramas and their ability to assume new meanings-on stage and in recordings-for successive generations. It looks at the often vociferous debate over vocal and conducting styles, at the origins of Bayreuth, and at the impact of Wagner on the musical life of New York and Vienna. The book is certain to raise the level of discussion about opera production generally and to enhance our enjoyment of Wagner's works in the opera house. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Lingua: Inglese

    Editore: Yale University Press, 1992

    0300181183 / 9780300181180

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  • Lingua: Inglese

    Editore: Yale University Press, 1992

    0300181183 / 9780300181180

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    Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

  • Lingua: Inglese

    Editore: Yale University Press, New Haven, 2011

    0300181183 / 9780300181180

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    Paperback. Condizione: new. Paperback. Despite the voluminous literature on Wagner's operas, little has been published that does justice to all the elements of their performance. This book, addressed to both specialists and the opera-going public, brings together a team of authorities from around the world to examine the performance history and reception of Wagner's works in Europe and America.Essays on conducting, singing, production, and stage design of Wagner's works explore the revolutionary nature of the composer's demands on his interpreters. The book raises profound aesthetic questions about the realization of opera on the stage: the authority of the composer vis-a-vis the director and the audience; the sanctity of the text, score, and stage directions; and the role of art itself in society. The volume also considers the explosion in popularity of Wagner's music dramas and their ability to assume new meanings-on stage and in recordings-for successive generations. It looks at the often vociferous debate over vocal and conducting styles, at the origins of Bayreuth, and at the impact of Wagner on the musical life of New York and Vienna. The book is certain to raise the level of discussion about opera production generally and to enhance our enjoyment of Wagner's works in the opera house. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…