Condizione: Good. Good condition. No Dust Jacket (Women Authors, Conferences, Criticism) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Hardcover. Condizione: Near Fine. 1st Edition. Near fine copy in blue cloth with silver titles. No jacket. Literary Criticism.
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Aggiungi al carrelloHardcover. Condizione: Fine. 359p.
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 123,64
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Aggiungi al carrelloCondizione: New. Editor(s): Harris, A. Kessler; McBrien, William; Kessler-Harris, Alice. Series: Contributions in Women's Studies. Num Pages: 359 pages, black & white illustrations. BIC Classification: DSB. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 23. Weight in Grams: 703. . 1988. Hardback. . . . .
Da: Kennys Bookstore, Olney, MD, U.S.A.
EUR 137,06
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Aggiungi al carrelloCondizione: New. Editor(s): Harris, A. Kessler; McBrien, William; Kessler-Harris, Alice. Series: Contributions in Women's Studies. Num Pages: 359 pages, black & white illustrations. BIC Classification: DSB. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 23. Weight in Grams: 703. . 1988. Hardback. . . . . Books ship from the US and Ireland.
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Da: PBShop.store US, Wood Dale, IL, U.S.A.
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Aggiungi al carrelloHRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Lingua: Inglese
Editore: Bloomsbury Publishing Plc, Westport, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. Reflecting the salient undercurrents of contemporary researh on women writers, this volume is an appraisal of the work of the writer as woman and presents critics' perceptions about how women writers have dealt with the complexity of changing female visions in the twentieth century. Each of the thirty-four essays, contributed by some of today's most distinguished writers, speaks to the work of a particular twentieth-century woman writer, and each constitutes a contribution to the scholarly debate. Questions are raised as to the appropriate posture a critic should adopt, and whether a critic of women's writing should deal with the work as the product of a woman's hand, dwelling on the sensibilities of the female consciousness, or assume that the proper point of departure remains the artistic and aesthetic norms that have emerged from generations of male-defined practice. Reflecting the salient undercurrents of contemporary researh on women writers, this volume is an appraisal of the work of the writer as woman and presents critics' perceptions about how women writers have dealt with the complexity of changing female visions in the twentieth century. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloHardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Lingua: Inglese
Editore: Bloomsbury Publishing Plc, Westport, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
Da: CitiRetail, Stevenage, Regno Unito
EUR 104,91
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. Reflecting the salient undercurrents of contemporary researh on women writers, this volume is an appraisal of the work of the writer as woman and presents critics' perceptions about how women writers have dealt with the complexity of changing female visions in the twentieth century. Each of the thirty-four essays, contributed by some of today's most distinguished writers, speaks to the work of a particular twentieth-century woman writer, and each constitutes a contribution to the scholarly debate. Questions are raised as to the appropriate posture a critic should adopt, and whether a critic of women's writing should deal with the work as the product of a woman's hand, dwelling on the sensibilities of the female consciousness, or assume that the proper point of departure remains the artistic and aesthetic norms that have emerged from generations of male-defined practice. Reflecting the salient undercurrents of contemporary researh on women writers, this volume is an appraisal of the work of the writer as woman and presents critics' perceptions about how women writers have dealt with the complexity of changing female visions in the twentieth century. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Da: moluna, Greven, Germania
EUR 105,02
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Aggiungi al carrelloGebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Reflecting the salient undercurrents of contemporary researh on women writers, this volume is an appraisal of the work of the writer as woman and presents critics perceptions about how women writers have dealt with the complexity of changing female visions.
Da: preigu, Osnabrück, Germania
EUR 108,90
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Aggiungi al carrelloBuch. Condizione: Neu. The Faith of a (Woman) Writer | Alice Kessler-Harris (u. a.) | Buch | Gebunden | Englisch | 1988 | Praeger | EAN 9780313259562 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 130,13
Quantità: 1 disponibili
Aggiungi al carrelloBuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Reflecting the salient undercurrents of contemporary researh on women writers, this volume is an appraisal of the work of the writer as woman and presents critics' perceptions about how women writers have dealt with the complexity of changing female visions in the twentieth century. Each of the thirty-four essays, contributed by some of today's most distinguished writers, speaks to the work of a particular twentieth-century woman writer, and each constitutes a contribution to the scholarly debate. Questions are raised as to the appropriate posture a critic should adopt, and whether a critic of women's writing should deal with the work as the product of a woman's hand, dwelling on the sensibilities of the female consciousness, or assume that the proper point of departure remains the artistic and aesthetic norms that have emerged from generations of male-defined practice.