Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 164,71
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Da: GreatBookPrices, Columbia, MD, U.S.A.
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 190,73
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Da: Majestic Books, Hounslow, Regno Unito
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Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 220,39
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Prima edizione
EUR 217,32
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Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 222,78
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Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 230,30
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Da: Kennys Bookstore, Olney, MD, U.S.A.
EUR 273,83
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Da: Revaluation Books, Exeter, Regno Unito
EUR 276,69
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Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 164,73
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Da: moluna, Greven, Germania
EUR 162,64
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Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Olivia Noble Gunn is Assistant Professor and Sverre Arestad Endowed Chair of Norwegian Studies at UW, Seattle. She completed her PhD in comparative literature at the University of California, Irvine in 2012. Gunn has been a fellow of the Society of Schol.
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EUR 227,40
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EUR 224,37
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Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 263,19
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Aggiungi al carrelloBuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Who is the proper occupant of the nursery The obvious answer is the child, and not an archive, a seductive troll-princess, or poor fosterlings. Nevertheless, characters in Hedda Gabler, The Master Builder, and Little Eyolf intend to host these improper occupants in their children's rooms. Dr. Gunn calls these dramas 'the empty nursery plays' because they all describe rooms intended for offspring, as well as characters' plans for refilling that space. One might expect nurseries to provide an ideal setting for a realist playwright to dramatize contemporary problems. Rather than mattering to Ibsen in terms of naturalist detail or explicit social critique, however, they are reserved for the maintenance of characters' fears and expectations concerning the future. Empty Nurseries, Queer Occupants intervenes in scholarly debates in child studies by arguing that the empty bourgeois nursery is a better symbol for innocence than the child. Here, 'emptiness' refers to the common construction of the child as blank and latent. In Ibsen, the child is also doomed or deceased, and thus essentially absent, but nurseries persist as spaces of memorialization and potential alike. Nurseries also gesture toward the domains of childhood and women's labor, from birth to domestic service. 'Bourgeois nursery' points to the classed construction of innocence and to the more materialist aspects of this book, which inform our understanding of domesticity and family in the West and uncover a set of reproductive connotations broader than 'the innocent child' can convey.