Lingua: Inglese
Editore: Taylor & Francis Ltd, London, 2020
ISBN 10: 0367524457 ISBN 13: 9780367524456
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. For literary scholars, plays are texts; for scenographers, plays are performances. Yet clearly a drama is both text and performance. Dramatic Spaces examines period-specific stage spaces in order to assess how design shaped the thematic and experiential dimensions of plays. This book highlights the stakes of the debate about spatiality and the role of the spectator in the auditorium if audience members are co-creators of the drama, how do they contribute? The book investigates: Roman comedy and Shakespearean dramas in which the stage-space itself constituted the primary scenographic element and actors bodies shaped the playing space more than did sets or props the use of paid applauders in nineteenth-century Parisian theaters and how this practice reconfigured theatrical space transactions between stage designers and spectators, including work by Laszlo Moholy-Nagy, William Ritman, and Eiko Ishioka Dramatic Spaces aims to do for stage design what reader-response criticism has done for the literary text, with specific case studies on Coriolanus, The Comedy of Errors, Romeo and Juliet, Tales of Hoffman, M. Butterfly and Tiny Alice exploring the audiences contribution to the construction of meaning. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Condizione: New. pp. 220.
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Da: Biblios, Frankfurt am main, HESSE, Germania
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Da: Ria Christie Collections, Uxbridge, Regno Unito
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Prima edizione
EUR 75,60
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Aggiungi al carrelloCondizione: New. 2020. 1st Edition. Paperback. . . . . .
Lingua: Inglese
Editore: Taylor & Francis Ltd, London, 2020
ISBN 10: 0367524457 ISBN 13: 9780367524456
Da: AussieBookSeller, Truganina, VIC, Australia
EUR 59,37
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. For literary scholars, plays are texts; for scenographers, plays are performances. Yet clearly a drama is both text and performance. Dramatic Spaces examines period-specific stage spaces in order to assess how design shaped the thematic and experiential dimensions of plays. This book highlights the stakes of the debate about spatiality and the role of the spectator in the auditorium if audience members are co-creators of the drama, how do they contribute? The book investigates: Roman comedy and Shakespearean dramas in which the stage-space itself constituted the primary scenographic element and actors bodies shaped the playing space more than did sets or props the use of paid applauders in nineteenth-century Parisian theaters and how this practice reconfigured theatrical space transactions between stage designers and spectators, including work by Laszlo Moholy-Nagy, William Ritman, and Eiko Ishioka Dramatic Spaces aims to do for stage design what reader-response criticism has done for the literary text, with specific case studies on Coriolanus, The Comedy of Errors, Romeo and Juliet, Tales of Hoffman, M. Butterfly and Tiny Alice exploring the audiences contribution to the construction of meaning. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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EUR 69,04
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Da: moluna, Greven, Germania
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Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Jennifer Low is Associate Professor of English at Florida Atlantic University.For literary scholars, plays are texts for scenographers, plays are performances. Yet clearly a drama is both text and performance. Dramatic Spaces exami.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 85,66
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - For literary scholars, plays are texts; for scenographers, plays are performances. Yet clearly a drama is both text and performance. Dramatic Spaces examines period-specific stage spaces in order to assess how design shaped the thematic and experiential dimensions of plays. This book highlights the stakes of the debate about spatiality and the role of the spectator in the auditorium - if audience members are co-creators of the drama, how do they contribute The book investigates:Roman comedy and Shakespearean dramas in which the stage-space itself constituted the primary scenographic element and actors' bodies shaped the playing space more than did sets or propsthe use of paid applauders in nineteenth-century Parisian theaters and how this practice reconfigured theatrical spacetransactions between stage designers and spectators, including work by László Moholy-Nagy, William Ritman, and Eiko IshiokäDramatic Spaces aims to do for stage design what reader-response criticism has done for the literary text,¿with specific case studies on Coriolanus, The Comedy of Errors, Romeo and Juliet, Tales of Hoffman, M. Butterfly and Tiny Alice exploring the audience's contribution to the construction of meaning.