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Aggiungi al carrelloPaperback. Condizione: Brand New. 302 pages. 9.25x6.25x0.75 inches. In Stock.
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Aggiungi al carrelloPAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Lingua: Inglese
Editore: Taylor & Francis Ltd, London, 2020
ISBN 10: 0367669137 ISBN 13: 9780367669133
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. Discussion concerning the musicality of Samuel Becketts writing now constitutes a familiar critical trope in Beckett Studies, one that continues to be informed by the still-emerging evidence of Becketts engagement with music throughout his personal and literary life, and by the ongoing interest of musicians in Becketts work. In Becketts drama and prose writings, the relationship with music plays out in implicit and explicit ways. Several of his works incorporate canonical music by composers such as Schubert and Beethoven. Other works integrate music as a compositional element, in dialogue or tension with text and image, while others adopt rhythm, repetition and pause to the extent that the texts themselves appear to be scored. But what, precisely, does it mean to say that a piece of prose or writing for theatre, radio or screen, is musical? The essays included in this book explore a number of ways in which Becketts writings engage with and are engaged by musicality, discussing familiar and less familiar works by Beckett in detail. Ranging from the scholarly to the personal in their respective modes of response, and informed by approaches from performance and musicology, literary studies, philosophy, musical composition and creative practice, these essays provide a critical examination of the ways we might comprehend musicality as a definitive and often overlooked attribute throughout Becketts work. Discussion concerning the musicality of Samuel Becketts writing now constitutes a familiar critical trope in Beckett Studies, one that continues to be informed by the still-emerging evidence of Becketts engagement with music throughout his personal and literary life, and by the ongoing interest of musicians in Becketts work. The essays include This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Sara Jane Bailes is a theatre-maker, writer and Reader in Theatre and Performance Studies at the University of Sussex, UK. She publishes on experimental theatre and performance and is interested in ideology and compositional practices. Her monograph, Perfor.
Da: AHA-BUCH GmbH, Einbeck, Germania
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Discussion concerning the 'musicality' of Samuel Beckett's writing now constitutes a familiar critical trope in Beckett Studies, one that continues to be informed by the still-emerging evidence of Beckett's engagement with music throughout his personal and literary life, and by the ongoing interest of musicians in Beckett's work. The essays include.