Isbn: 9780415324427 - color, the film reader (27 risultati)

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.Set out in thematic sections, the book addresses key issues in the field including: the development of colour technologyhow visual stule was affected by the shift from black and white to colourcolour in film theory and the writings of authors such as Bresson, Eisenstein and Oshimacolour in the films of Godard, Hitchcock, Almodovar and many more.Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condizione: New.

Condizione: New. In English.

Paperback. Condizione: Brand New. 1st edition. 214 pages. 9.25x6.25x0.50 inches. In Stock.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 3 working days.

Condizione: New. pp. 214.

Condizione: New. 2006. 1st Edition. Paperback. With case studies on such figures as Hitchcock, Godard and Almovodar, this anthology is devoted to the subject of colour in film and its history, production and technology. It is suitable for students starting a film studies course. Editor(s): Vacche, Angela Dalle; Price, Brian. Series: In Focus: Routledge Film Readers. Num Pages: 214 pages, 1 black & white tables, 6 colour illustrations. BIC Classification: APF; GT. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 156 x 13. Weight in Grams: 352. . . . . . …

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: New. pp. 214.

Taschenbuch. Condizione: Neu. Neuware - This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.Set out in thematic sections, the book addresses key issues in the field including:the development of colour technologyhow visual stule was affected by the shift from black and white to colourcolour in film theory and the writings of authors such as Bresson, Eisenstein and Oshimacolour in the films of Godard, Hitchcock, Almodovar and many more.Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course.…

Condizione: New. 2006. 1st Edition. Paperback. With case studies on such figures as Hitchcock, Godard and Almovodar, this anthology is devoted to the subject of colour in film and its history, production and technology. It is suitable for students starting a film studies course. Editor(s): Vacche, Angela Dalle; Price, Brian. Series: In Focus: Routledge Film Readers. Num Pages: 214 pages, 1 black & white tables, 6 colour illustrations. BIC Classification: APF; GT. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 156 x 13. Weight in Grams: 352. . . . . . Books ship from the US and Ireland. …

Paperback. Condizione: Brand New. 1st edition. 214 pages. 9.25x6.25x0.50 inches. In Stock.

Condizione: NEW.

Condizione: New. Angela Dalle Vacche, Brian PriceThis is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.Set out in thematic sections, the book addresses key issues in the field including..

Paperback. Condizione: New. This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.Set out in thematic sections, the book addresses key issues in the field including: the development of colour technologyhow visual stule was affected by the shift from black and white to colourcolour in film theory and the writings of authors such as Bresson, Eisenstein and Oshimacolour in the films of Godard, Hitchcock, Almodovar and many more.Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course.…

Taschenbuch. Condizione: Neu. Color, The Film Reader | Angela Dalle Vacche (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2006 | Taylor & Francis Ltd | EAN 9780415324427 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

Condizione: New. pp. 214 This item is printed on demand.