9780415485852 - Blade Runner (23 risultati)

Condizione: New.

Condizione: New. pp. 186.

Paperback. Condizione: New.

Condizione: New. pp. 186 Index.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. pp. 186.

Condizione: New. In.

Paperback. Condizione: New.

Paperback. Condizione: Brand New. 1st edition. 186 pages. 8.70x7.48x0.43 inches. In Stock.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Like New. Like New. book.

Condizione: As New. Unread book in perfect condition.

Condizione: New. Editor(s): Coplan, Amy; Davies, David. Series: Philosophers on Film. Num Pages: 174 pages, 10 black & white halftones. BIC Classification: APFA; HPK; HPM. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 217 x 138 x 14. Weight in Grams: 226. . 2015. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Condizione: New. Editor(s): Coplan, Amy; Davies, David. Series: Philosophers on Film. Num Pages: 174 pages, 10 black & white halftones. BIC Classification: APFA; HPK; HPM. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 217 x 138 x 14. Weight in Grams: 226. . 2015. 1st Edition. Paperback. . . . .

Paperback. Condizione: new. Paperback. Ridley Scotts Blade Runner is widely regarded as a "masterpiece of modern cinema" and is regularly ranked as one of the great films of all time. Set in a dystopian future where the line between human beings and replicants is blurred, the film raises a host of philosophical questions about what it is to be human, the possibility of moral agency and freedom in created life forms, and the capacity of cinema to make a genuine contribution to our engagement with these kinds of questions.This volume of specially commissioned chapters systematically explores and addresses these issues from a philosophical point of view. Beginning with a helpful introduction, the seven chapters examine the following questions: How is the theme of death explored in Blade Runner and with what implications for our understanding of the human condition?What can we learn about the relationship between emotion and reason from the depiction of the replicants in Blade Runner?How are memory, empathy, and moral agency related in Blade Runner?How does the style and mood of Blade Runner bear upon its thematic and philosophical significance?Is Blade Runner a meditation on the nature of film itself? Including a brief biography of the director and a detailed list of references to other writings on the film, Blade Runner is essential reading for students indeed anyone - interested in philosophy and film studies.Contributors: Colin Allen, Peter Atterton, Amy Coplan, David Davies, Berys Gaut, Stephen Mulhall, C. D. C. Reeve. This book explores and addresses Blade Runner from a philosophical point of view. Beginning with a helpful introduction, seven specially commissioned chapters examine the key questions concerning emotions, reason and personhood. Essential reading for students interested in philosophy and film studies. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condizione: new. Paperback. Ridley Scotts Blade Runner is widely regarded as a "masterpiece of modern cinema" and is regularly ranked as one of the great films of all time. Set in a dystopian future where the line between human beings and replicants is blurred, the film raises a host of philosophical questions about what it is to be human, the possibility of moral agency and freedom in created life forms, and the capacity of cinema to make a genuine contribution to our engagement with these kinds of questions.This volume of specially commissioned chapters systematically explores and addresses these issues from a philosophical point of view. Beginning with a helpful introduction, the seven chapters examine the following questions: How is the theme of death explored in Blade Runner and with what implications for our understanding of the human condition?What can we learn about the relationship between emotion and reason from the depiction of the replicants in Blade Runner?How are memory, empathy, and moral agency related in Blade Runner?How does the style and mood of Blade Runner bear upon its thematic and philosophical significance?Is Blade Runner a meditation on the nature of film itself? Including a brief biography of the director and a detailed list of references to other writings on the film, Blade Runner is essential reading for students indeed anyone - interested in philosophy and film studies.Contributors: Colin Allen, Peter Atterton, Amy Coplan, David Davies, Berys Gaut, Stephen Mulhall, C. D. C. Reeve. This book explores and addresses Blade Runner from a philosophical point of view. Beginning with a helpful introduction, seven specially commissioned chapters examine the key questions concerning emotions, reason and personhood. Essential reading for students interested in philosophy and film studies. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condizione: new. Paperback. Ridley Scotts Blade Runner is widely regarded as a "masterpiece of modern cinema" and is regularly ranked as one of the great films of all time. Set in a dystopian future where the line between human beings and replicants is blurred, the film raises a host of philosophical questions about what it is to be human, the possibility of moral agency and freedom in created life forms, and the capacity of cinema to make a genuine contribution to our engagement with these kinds of questions.This volume of specially commissioned chapters systematically explores and addresses these issues from a philosophical point of view. Beginning with a helpful introduction, the seven chapters examine the following questions: How is the theme of death explored in Blade Runner and with what implications for our understanding of the human condition?What can we learn about the relationship between emotion and reason from the depiction of the replicants in Blade Runner?How are memory, empathy, and moral agency related in Blade Runner?How does the style and mood of Blade Runner bear upon its thematic and philosophical significance?Is Blade Runner a meditation on the nature of film itself? Including a brief biography of the director and a detailed list of references to other writings on the film, Blade Runner is essential reading for students indeed anyone - interested in philosophy and film studies.Contributors: Colin Allen, Peter Atterton, Amy Coplan, David Davies, Berys Gaut, Stephen Mulhall, C. D. C. Reeve. This book explores and addresses Blade Runner from a philosophical point of view. Beginning with a helpful introduction, seven specially commissioned chapters examine the key questions concerning emotions, reason and personhood. Essential reading for students interested in philosophy and film studies. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Ridley Scott's Blade Runner is widely regarded as a 'masterpiece of modern cinema' and is regularly ranked as one of the great films of all time. Set in a dystopian future where the line between human beings and 'replicants' is blurred, the film raises a host of philosophical questions about what it is to be human, the possibility of moral agency and freedom in 'created' life forms, and the capacity of cinema to make a genuine contribution to our engagement with these kinds of questions.This volume of specially commissioned chapters systematically explores and addresses these issues from a philosophical point of view. Beginning with a helpful introduction, the seven chapters examine the following questions:How is the theme of death explored in Blade Runner and with what implications for our understanding of the human condition What can we learn about the relationship between emotion and reason from the depiction of the 'replicants' in Blade Runner How are memory, empathy, and moral agency related in Blade Runner How does the style and 'mood' of Blade Runner bear upon its thematic and philosophical significance Is Blade Runner a meditation on the nature of film itself Including a brief biography of the director and a detailed list of references to other writings on the film, Blade Runner is essential reading for students - indeed anyone - interested in philosophy and film studies.Contributors: Colin Allen, Peter Atterton, Amy Coplan, David Davies, Berys Gaut, Stephen Mulhall, C. D. C. Reeve.