Da: Diplomatist Books, Norwich, Regno Unito
Prima edizione
EUR 53,44
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Aggiungi al carrelloHardcover. Condizione: Good. 1st Edition. hb, no d/w, 233pp. Ex library copy.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 163,83
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Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 185,11
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Da: Chiron Media, Wallingford, Regno Unito
EUR 169,27
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Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. pp. 244 1st Edition.
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 217,69
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Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 223,43
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Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 227,47
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Prima edizione
EUR 244,76
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Aggiungi al carrelloCondizione: New. Editor(s): Duffett, Mark. Series: Routledge Studies in Popular Music. Num Pages: 244 pages, 2 black & white tables. BIC Classification: AVGP; JFCA. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 232 x 160 x 19. Weight in Grams: 474. . 2013. 1st Edition. hardcover. . . . .
Da: Revaluation Books, Exeter, Regno Unito
EUR 276,65
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Aggiungi al carrelloHardcover. Condizione: Brand New. 1st edition. 228 pages. 9.00x6.25x0.75 inches. In Stock.
Da: Kennys Bookstore, Olney, MD, U.S.A.
EUR 310,32
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Editor(s): Duffett, Mark. Series: Routledge Studies in Popular Music. Num Pages: 244 pages, 2 black & white tables. BIC Classification: AVGP; JFCA. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 232 x 160 x 19. Weight in Grams: 474. . 2013. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 305,21
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Da: Mispah books, Redhill, SURRE, Regno Unito
EUR 295,72
Quantità: 1 disponibili
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Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 331,94
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Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 163,84
Quantità: 5 disponibili
Aggiungi al carrelloHardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Da: Majestic Books, Hounslow, Regno Unito
EUR 201,13
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 244 This item is printed on demand.
EUR 162,64
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Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Mark Duffett is a Senior Lecturer in Media and Cultural Studies at the University of Chester, UK.This book explores popular music fandom from a cultural studies perspective that incorporates popular music studies, audience research, and me.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 221,62
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Aggiungi al carrelloHRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Da: PBShop.store US, Wood Dale, IL, U.S.A.
EUR 229,92
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Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 264,44
Quantità: 1 disponibili
Aggiungi al carrelloBuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book explores popular music fandom from a cultural studies perspective that incorporates popular music studies, audience research, and media fandom. The essays draw together recent work on fandom in popular music studies and begin a dialogue with the wider field of media fan research, raising questions about how popular music fandom can be understood as a cultural phenomenon and how much it has changed in light of recent developments. Exploring the topic in this way broaches questions on how to define, theorize, and empirically research popular music fan culture, and how music fandom relates to other roles, practices, and forms of social identity. Fandom itself has been brought center stage by the rise of the internet and an industrial structure aiming to incorporate, systematize, and legitimate dimensions of it as an emotionally-engaged form of consumerism. Once perceived as the pariah practice of an overly attached audience, media fandom has become a standardized industrial subject-position called upon to sell box sets, concert tickets, new television series, and special editions. Meanwhile, recent scholarship has escaped the legacy of interpretations that framed fans as passive, pathological, or defiantly empowered, taking its object seriously as a complex formation of identities, roles, and practices. While popular music studies has examined some forms of identity and audience practice, such as the way that people use music in daily life and listener participation in subcultures, scenes and, tribes, this volume is the first to examine music fans as a specific object of study.