Lingua: Inglese
Editore: London - New York, Routledge, London - New York, 2013
ISBN 10: 0415557011 ISBN 13: 9780415557016
Da: Messinissa libri, Milano, MI, Italia
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Aggiungi al carrellobrossura paperback. Condizione: Perfetto (Mint). ST1098.5Copertina editoriale in brossura pieghevole,in lingua inglese, volume come nuovo, illustrato, copertina e interno in condizioni eccellenti,240 pagine circa Copertina come da foto ISBN/ASIN 0415557011 . Book.
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Aggiungi al carrelloCondizione: New. Series: New Problems of Philosophy. Num Pages: 240 pages, illustrations. BIC Classification: HPM; HPN; PDA. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 158 x 232 x 13. Weight in Grams: 372. . 2013. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
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Aggiungi al carrelloCondizione: New. Series: New Problems of Philosophy. Num Pages: 240 pages, illustrations. BIC Classification: HPM; HPN; PDA. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 158 x 232 x 13. Weight in Grams: 372. . 2013. 1st Edition. Paperback. . . . .
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Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The nature of representation is a central topic in philosophy. This is the first book to connect problems with understanding representational artifacts, like pictures, diagrams, and inscriptions, to the philosophies of science, mind, and art.Can i.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The nature of representation is a central topic in philosophy. This is the first book to connect problems with understanding representational artifacts, like pictures, diagrams, and inscriptions, to the philosophies of science, mind, and art.Can images be a source of knowledge Are images merely conventional signs, like words What is the relationship between the observer and the observed In this clear and stimulating introduction to the problem John V. Kulvicki explores these questions and more. He discusses:the nature of pictorial experience and 'seeing in'recognition, resemblance, pretense, and structural theories of depictionimages as aids to scientific discovery and understandingmental imagery and the nature of perceptual contentphotographs as visual prostheses.In so doing he assesses central problems in the philosophy of images, such as how objects we make come to represent other things, and how we distinguish kinds of representation - pictures, diagrams, graphs - from one another. Essential reading for students and professional philosophers alike, the book also contains chapter summaries, annotated further reading, and a glossary.