paperback. Condizione: Very Good. Unmarked interior, pages clean. Covers slightly curved outwards. Minor edge-wear. 2013. Paperback. (1h).
paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Paperback. Condizione: Very Good-. Reprint. Few pages with underlining. ; B&W Illustrations; 9.1 X 6.1 X 0.8 inches; 312 pages.
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Aggiungi al carrelloSoft cover. Condizione: Near Fine. 1st Edition.
Condizione: As New. Unread book in perfect condition.
Condizione: New.
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Condizione: New. pp. 336 1st Edition.
EUR 54,98
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Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
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Aggiungi al carrelloCondizione: New. In.
EUR 65,61
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Aggiungi al carrelloCondizione: New. pp. 336.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Prima edizione
EUR 72,09
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Aggiungi al carrelloCondizione: New. Ewan Fernie argues that the demonic tradition in literature offers a key to our most agonised and intimate experiences. The Demonic ranges across the breadth of Western culture, engaging with writers as central and various as Luther, Shakespeare, Hegel, Dostoevsky, Melville and Mann. Num Pages: 336 pages, 10 black & white halftones. BIC Classification: DSB; HRQX9. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 157 x 232 x 18. Weight in Grams: 514. . 2012. 1st Edition. paperback. . . . .
EUR 88,16
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Aggiungi al carrelloCondizione: New. Ewan Fernie argues that the demonic tradition in literature offers a key to our most agonised and intimate experiences. The Demonic ranges across the breadth of Western culture, engaging with writers as central and various as Luther, Shakespeare, Hegel, Dostoevsky, Melville and Mann. Num Pages: 336 pages, 10 black & white halftones. BIC Classification: DSB; HRQX9. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 157 x 232 x 18. Weight in Grams: 514. . 2012. 1st Edition. paperback. . . . . Books ship from the US and Ireland.
EUR 83,63
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Aggiungi al carrelloPaperback. Condizione: Brand New. 1st edition. 304 pages. 9.17x6.22x0.79 inches. In Stock.
Da: Majestic Books, Hounslow, Regno Unito
EUR 54,87
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Aggiungi al carrelloCondizione: New. pp. 336 This item is printed on demand.
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 46,36
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Aggiungi al carrelloPaperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Da: Revaluation Books, Exeter, Regno Unito
EUR 50,66
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Aggiungi al carrelloPaperback. Condizione: Brand New. 1st edition. 304 pages. 9.17x6.22x0.79 inches. In Stock. This item is printed on demand.
EUR 48,11
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Aggiungi al carrelloKartoniert / Broschiert. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Ewan Fernie is Professor of Shakespeare Studies at the Shakespeare Institute, University of Birmingham, author of Shame in Shakespeare, and joint General Editor of the Shakespeare Now! series. Redcrosse, his latest, col.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 85,87
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Are we either good or bad, and do we really know the difference Why do we want what we cannot have, and even to be what we're not Can we desire others without wanting to possess them Can we open to others and not risk possession ourselves And where, in these cases, do we draw the line Ewan Fernie argues that the demonic tradition in literature offers a key to our most agonised and intimate experiences. The Demonic ranges across the breadth of Western culture, engaging with writers as central and various as Luther, Shakespeare, Hegel, Dostoevsky, Melville and Mann.A powerful foreword by Jonathan Dollimore brings out its implications as an intellectual and stylistic breakthrough into new ways of writing criticism. Fernie unfolds an intense and personal vision, not just of Western modernity, but of identity, morality and sex. As much as it's concerned with the great works, this is a book about life.