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Condizione: New. pp. 198.
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EUR 75,12
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Da: Biblios, Frankfurt am main, HESSE, Germania
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Prima edizione
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Aggiungi al carrelloCondizione: New. Num Pages: 196 pages, black & white illustrations. BIC Classification: 2AB; DSBD; JFSJ1. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 166 x 11. Weight in Grams: 302. . 2011. 1st Edition. paperback. . . . .
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Aggiungi al carrelloCondizione: New. Num Pages: 196 pages, black & white illustrations. BIC Classification: 2AB; DSBD; JFSJ1. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 166 x 11. Weight in Grams: 302. . 2011. 1st Edition. paperback. . . . . Books ship from the US and Ireland.
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Da: moluna, Greven, Germania
EUR 88,71
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Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. An Associate Professor of English at the University of Southern California, Emily Hodgson Anderson specializes in the 18th-century novel, drama, and women writers. She has published extensively on these topics, and others, in journals such as Eighteenth-.
Da: preigu, Osnabrück, Germania
EUR 92,05
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Eighteenth-Century Authorship and the Play of Fiction | Novels and the Theater, Haywood to Austen | Emily Hodgson Anderson | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2011 | Routledge | EAN 9780415699457 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
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EUR 109,30
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This study looks at developments in eighteenth-century drama that influenced the rise of the novel; it begins by asking why women writers of this period experimented so frequently with both novels and plays. Here, Eliza Haywood, Frances Burney, Elizabeth Inchbald, Maria Edgeworth, and Jane Austen explore theatrical frames--from the playhouse, to the social conventions of masquerade, to the fictional frame of the novel itself-that encourage audiences to dismiss what they contain as feigned. Yet such frames also, as a result, create a safe space for self-expression. These authors explore such payoffs both within their work-through descriptions of heroines who disguise themselves to express themselves-and through it. Reading the act of authorship as itself a form of performance, Anderson contextualizes the convention of fictionality that accompanied the development of the novel; she notes that as the novel, like the theater of the earlier eighteenth century, came to highlight its fabricated nature, authors could use it as a covert yet cathartic space. Fiction for these authors, like theatrical performance for the actor, thus functions as an act of both disclosure and disguise-or finally presents self-expression as the ability to oscillate between the two, in 'the play of fiction.'.