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Aggiungi al carrelloCondizione: New. Written by the author of "Postmodernism: The Cultural Logic of Late Capitalism", this book explores film and film culture through the relationship between the imaginative world on screen and the historical world onto which it is projected. Series: Routledge Classics. Num Pages: 360 pages, 3 black & white line drawings. BIC Classification: APFA. Category: (UU) Undergraduate. Dimension: 197 x 130 x 28. Weight in Grams: 382. . 2007. New Ed. Paperback. . . . .
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Aggiungi al carrelloPaperback. Condizione: Brand New. 1st edition. 350 pages. 7.50x5.00x1.25 inches. In Stock.
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Aggiungi al carrelloCondizione: New. Written by the author of "Postmodernism: The Cultural Logic of Late Capitalism", this book explores film and film culture through the relationship between the imaginative world on screen and the historical world onto which it is projected. Series: Routledge Classics. Num Pages: 360 pages, 3 black & white line drawings. BIC Classification: APFA. Category: (UU) Undergraduate. Dimension: 197 x 130 x 28. Weight in Grams: 382. . 2007. New Ed. Paperback. . . . . Books ship from the US and Ireland.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Signatures of the Visible | Fredric Jameson | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2007 | Routledge | EAN 9780415771610 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Lingua: Inglese
Editore: Taylor & Francis Ltd, London, 2007
ISBN 10: 0415771617 ISBN 13: 9780415771610
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Paperback. Condizione: new. Paperback. In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America's most observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema - the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining, Dog Day Afternoon and the works of Alfred Hitchcock, among many others. Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued. In Signatures of the Visible, one of America's most influential critics explores film and film culture through the relationship between the imaginative world on screen and the historical world onto which it is projected. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloCondizione: New. pp. 362 421:B&W 5.06 x 7.81 in or 198 x 129 mm Perfect Bound on White w/Matte Lam This item is printed on demand.
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Aggiungi al carrelloPAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Aggiungi al carrelloPaperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America's mostobservant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema -the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining, Dog Day Afternoon and the works of Alfred Hitchcock, among many others. Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued. 362 pp. Englisch.
Lingua: Inglese
Editore: Taylor & Francis Ltd, London, 2007
ISBN 10: 0415771617 ISBN 13: 9780415771610
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America's most observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema - the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining, Dog Day Afternoon and the works of Alfred Hitchcock, among many others. Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued. In Signatures of the Visible, one of America's most influential critics explores film and film culture through the relationship between the imaginative world on screen and the historical world onto which it is projected. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Lingua: Inglese
Editore: Taylor & Francis Ltd, London, 2007
ISBN 10: 0415771617 ISBN 13: 9780415771610
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America's most observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema - the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining, Dog Day Afternoon and the works of Alfred Hitchcock, among many others. Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued. In Signatures of the Visible, one of America's most influential critics explores film and film culture through the relationship between the imaginative world on screen and the historical world onto which it is projected. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Aggiungi al carrelloKartoniert / Broschiert. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Fredric Jameson is one of the most respected cultural critics working in America today and one of postmodernism s most savage critics. Currently William A. Lane Professor of Comparative Literature and Romance Studies at Duke University, he is the author .
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America's mostobservant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema -the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining, Dog Day Afternoon and the works of Alfred Hitchcock, among many others. Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued.