Isbn: 9780415771610 - signatures of the visible (29 risultati)

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  • Lingua: Inglese

    Editore: Routledge, 2007

    0415771617 / 9780415771610

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    Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

  • Lingua: Inglese

    Editore: Taylor & Francis Group, 2007

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    Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Lingua: Inglese

    Editore: Routledge, 2007

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  • Lingua: Inglese

    Editore: Routledge, 2007

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  • Lingua: Inglese

    Editore: Routledge 2/26/2007, 2007

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    Paperback or Softback. Condizione: New. Signatures of the Visible. Book.

  • Lingua: Inglese

    Editore: Routledge, 2007

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  • Lingua: Inglese

    Editore: Taylor and Francis Ltd, GB, 2007

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    Paperback. Condizione: New. In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America's most observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema - the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining, Dog Day Afternoon and the works of Alfred Hitchcock, among many others. Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued.

  • Lingua: Inglese

    Editore: Routledge 2007-01-02, 2007

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  • Lingua: Inglese

    Editore: Taylor & Francis Group, 2007

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    Condizione: New. pp. 362 Index.

  • Lingua: Inglese

    Editore: Routledge, 2007

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  • Lingua: Inglese

    Editore: Routledge, 2007

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    Condizione: New. In English.

  • Lingua: Inglese

    Editore: Routledge 2007-02, 2007

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  • Lingua: Inglese

    Editore: Taylor & Francis Group, 2007

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    Condizione: New. pp. 362.

  • Lingua: Inglese

    Editore: Taylor & Francis Ltd, 2007

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    Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

  • Lingua: Inglese

    Editore: Taylor & Francis Ltd, 2007

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    Condizione: New. Written by the author of "Postmodernism: The Cultural Logic of Late Capitalism", this book explores film and film culture through the relationship between the imaginative world on screen and the historical world onto which it is projected. Series: Routledge Classics. Num Pages: 360 pages, 3 black & white line drawings. BIC Classification: APFA. Category: (UU) Undergraduate. Dimension: 197 x 130 x 28. Weight in Grams: 382. . 2007. New Ed. Paperback. . . . .

  • Lingua: Inglese

    Editore: Routledge, 2007

    0415771617 / 9780415771610

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    Condizione: As New. Unread book in perfect condition.

  • Lingua: Inglese

    Editore: Taylor & Francis Ltd, 2007

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    Condizione: New. Written by the author of "Postmodernism: The Cultural Logic of Late Capitalism", this book explores film and film culture through the relationship between the imaginative world on screen and the historical world onto which it is projected. Series: Routledge Classics. Num Pages: 360 pages, 3 black & white line drawings. BIC Classification: APFA. Category: (UU) Undergraduate. Dimension: 197 x 130 x 28. Weight in Grams: 382. . 2007. New Ed. Paperback. . . . . Books ship from the US and Ireland.

  • Lingua: Inglese

    Editore: Routledge, 2007

    0415771617 / 9780415771610

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    Paperback. Condizione: Brand New. 1st edition. 350 pages. 7.50x5.00x1.25 inches. In Stock.

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    Lingua: Inglese

    Editore: Routledge, 2007

    0415771617 / 9780415771610

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    Taschenbuch. Condizione: Neu. Signatures of the Visible | Fredric Jameson | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2007 | Routledge | EAN 9780415771610 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

  • Lingua: Inglese

    Editore: Taylor and Francis Ltd, GB, 2007

    0415771617 / 9780415771610

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    Paperback. Condizione: New. In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America's most observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema - the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining, Dog Day Afternoon and the works of Alfred Hitchcock, among many others. Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued.

  • Lingua: Inglese

    Editore: Taylor & Francis Group, 2007

    0415771617 / 9780415771610

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    Condizione: New. pp. 362 421:B&W 5.06 x 7.81 in or 198 x 129 mm Perfect Bound on White w/Matte Lam This item is printed on demand.

  • Lingua: Inglese

    Editore: Taylor & Francis Ltd, London, 2007

    0415771617 / 9780415771610

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    Paperback. Condizione: new. Paperback. In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America's most observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema - the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining, Dog Day Afternoon and the works of Alfred Hitchcock, among many others. Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued. In Signatures of the Visible, one of America's most influential critics explores film and film culture through the relationship between the imaginative world on screen and the historical world onto which it is projected. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Lingua: Inglese

    Editore: Routledge, 2007

    0415771617 / 9780415771610

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    PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

  • Lingua: Inglese

    Editore: Taylor & Francis Ltd, 2007

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  • Lingua: Inglese

    Editore: Routledge Feb 2007, 2007

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    Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.

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    Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America's mostobservant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema -the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining, Dog Day Afternoon and the works of Alfred Hitchcock, among many others. Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued. 362 pp. Englisch.

  • Lingua: Inglese

    Editore: Taylor & Francis Ltd, London, 2007

    0415771617 / 9780415771610

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    Paperback. Condizione: new. Paperback. In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America's most observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema - the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining, Dog Day Afternoon and the works of Alfred Hitchcock, among many others. Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued. In Signatures of the Visible, one of America's most influential critics explores film and film culture through the relationship between the imaginative world on screen and the historical world onto which it is projected. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

  • Lingua: Inglese

    Editore: Taylor & Francis, 2007

    0415771617 / 9780415771610

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    Kartoniert / Broschiert. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Fredric Jameson is one of the most respected cultural critics working in America today and one of postmodernism s most savage critics. Currently William A. Lane Professor of Comparative Literature and Romance Studies at Duke University, he is the author .

  • Lingua: Inglese

    Editore: Taylor & Francis Ltd, London, 2007

    0415771617 / 9780415771610

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    Paperback. Condizione: new. Paperback. In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America's most observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema - the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining, Dog Day Afternoon and the works of Alfred Hitchcock, among many others. Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued. In Signatures of the Visible, one of America's most influential critics explores film and film culture through the relationship between the imaginative world on screen and the historical world onto which it is projected. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

  • Lingua: Inglese

    Editore: Routledge, 2007

    0415771617 / 9780415771610

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    Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America's mostobservant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema -the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining, Dog Day Afternoon and the works of Alfred Hitchcock, among many others. Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued.