Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Da: Chiron Media, Wallingford, Regno Unito
EUR 176,98
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Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 193,37
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Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. pp. 260 1st Edition.
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 230,34
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Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 237,49
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 264,55
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Da: Mispah books, Redhill, SURRE, Regno Unito
EUR 254,94
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Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 290,28
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Da: Revaluation Books, Exeter, Regno Unito
EUR 310,74
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Aggiungi al carrelloHardcover. Condizione: Brand New. 1st edition. 260 pages. 9.00x6.20x0.70 inches. In Stock.
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 171,88
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Da: Majestic Books, Hounslow, Regno Unito
EUR 208,25
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Da: moluna, Greven, Germania
EUR 168,11
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Aggiungi al carrelloGebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Tim J. Anderson is an Assistant Professor in the Department of Communication and Theater Arts at Old Dominion University, US.In the late 1990s, the MP3 became the de facto standard for digital audio files and the networked computer began t.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 231,45
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Da: PBShop.store US, Wood Dale, IL, U.S.A.
EUR 234,35
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Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 295,91
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Aggiungi al carrelloBuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In the late 1990s, the MP3 became the de facto standard for digital audio files and the networked computer began to claim a significant place in the lives of more and more listeners. The dovetailing of these two circumstances is the basis of a new mode of musical production and distribution where new practices emerge. This book is not a definitive statement about what the new music industry is. Rather, it is devoted to what this new industry is becoming by examining these practices as experiments, dedicated to negotiating what is replacing an 'object based' industry oriented around the production and exchange of physical recordings. In this new economy, constant attention is paid to the production and licensing of intellectual property and the rise of the 'social musician' who has been encouraged to become more entrepreneurial. Finally, every element of the industry now must consider a new type of audience, the 'end user', and their productive and distributive capacities around which services and musicians must orient their practices and investments.