Lingua: Inglese
Editore: University of Michigan Press, 2021
ISBN 10: 0472074873 ISBN 13: 9780472074877
Da: The Dawn Treader Book Shop, Ann Arbor, MI, U.S.A.
Hardcover. Condizione: As New. Book is in As New/ unread condition.
Lingua: Inglese
Editore: University of Michigan Press, 2021
ISBN 10: 0472074873 ISBN 13: 9780472074877
Da: HPB-Red, Dallas, TX, U.S.A.
hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
Lingua: Inglese
Editore: University of Michigan Press, 2021
ISBN 10: 0472074873 ISBN 13: 9780472074877
Da: Visible Voice Books, Cleveland, OH, U.S.A.
hardcover. Condizione: Very Good. University of Michigan Press June 2021 Hardcover. No jacket, but boards show pictures and text. Tight binding.
Lingua: Inglese
Editore: University of Michigan Press, 2021
ISBN 10: 0472074873 ISBN 13: 9780472074877
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 81,37
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Aggiungi al carrelloCondizione: new.
Lingua: Inglese
Editore: The University of Michigan Press, US, 2021
ISBN 10: 0472074873 ISBN 13: 9780472074877
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 91,98
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Aggiungi al carrelloHardback. Condizione: New. Jay-Z and Kanye West's 2011 Watch the Throne is a self-avowed "luxury rap" album centered on Eurocentric conceptions of nobility, artistry, and haute couture. Critical Excess performs a close reading of the sonic and social commentary on this album, examining how the album alternately imagines and critiques the mutually reinforcing ideas of Europe, nobility, old money, art, and their standard bearer, whiteness. Reading the album alongside Black critical theory and work on the prophetic nature of music, Rollefson argues that through their performance of black excellence, opulence, and decadence, Jay-Z and Kanye West poured gas on the white resentment of the Obama presidency-a resentment that would ultimately spill over into public life, make audible the dog whistling of the Far Right, and embolden white supremacists to come out from under their rocks. Ultimately, Rollefson argues, Jay-Z and Kanye West's performance of what Rollefson calls "critical excess" on this hip hop album exceeds the limits of conspicuous consumption and heralds the final stage of late capitalism-"the New Gilded Age.".
Lingua: Inglese
Editore: University of Michigan Press, 2021
ISBN 10: 0472074873 ISBN 13: 9780472074877
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New.
EUR 88,01
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EUR 90,44
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Aggiungi al carrelloHardcover. Condizione: Brand New. 223 pages. 9.00x6.00x0.75 inches. In Stock.
Lingua: Inglese
Editore: The University of Michigan Press, 2021
ISBN 10: 0472074873 ISBN 13: 9780472074877
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 91,89
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Aggiungi al carrelloHardback. Condizione: New. New copy - Usually dispatched within 4 working days.
EUR 111,79
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Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: The University of Michigan Press, US, 2021
ISBN 10: 0472074873 ISBN 13: 9780472074877
Da: Rarewaves.com UK, London, Regno Unito
EUR 89,01
Quantità: 1 disponibili
Aggiungi al carrelloHardback. Condizione: New. Jay-Z and Kanye West's 2011 Watch the Throne is a self-avowed "luxury rap" album centered on Eurocentric conceptions of nobility, artistry, and haute couture. Critical Excess performs a close reading of the sonic and social commentary on this album, examining how the album alternately imagines and critiques the mutually reinforcing ideas of Europe, nobility, old money, art, and their standard bearer, whiteness. Reading the album alongside Black critical theory and work on the prophetic nature of music, Rollefson argues that through their performance of black excellence, opulence, and decadence, Jay-Z and Kanye West poured gas on the white resentment of the Obama presidency-a resentment that would ultimately spill over into public life, make audible the dog whistling of the Far Right, and embolden white supremacists to come out from under their rocks. Ultimately, Rollefson argues, Jay-Z and Kanye West's performance of what Rollefson calls "critical excess" on this hip hop album exceeds the limits of conspicuous consumption and heralds the final stage of late capitalism-"the New Gilded Age.".