Paperback. Condizione: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority!
Da: St Vincent de Paul of Lane County, Eugene, OR, U.S.A.
Condizione: Acceptable. Paperback 100% of proceeds go to charity! Acceptable reading copy with obvious signs of use, wear, and/or cosmetic issues. Item is complete and remains readable despite notable condition issues.
Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Da: Vernon Fox Trading Ltd (Milton Keynes), Milton Keynes, BUCKS, Regno Unito
EUR 9,39
Quantità: 1 disponibili
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Lingua: Inglese
Editore: Dover Publications, New York, NY, 1964
ISBN 10: 0486212661 ISBN 13: 9780486212661
Paperback. Condizione: Good+. Reissue Edition. Dover Books On Music: Analysis; About 500 pages. No reprint date stated, likely 1970s. A couple of minor pen scratches on the top exterior edge of textblock. Minor shelf wear and creasing on cover edges. Minor creasing on the bottom corner of a few pages. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence.
Lingua: Inglese
Editore: Dover Publications, New York, NY, 1964
ISBN 10: 0486212661 ISBN 13: 9780486212661
Paperback. Condizione: Good+. Reissue Edition. 33 pages; sheet music. Highlighting on a few pages. Dog-earing on the top corner of a single page. Light creasing on the covers. Very Good condition otherwise. No other noteworthy defects. ; Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence.
Da: Vintage Books and Fine Art, Oxford, MD, U.S.A.
Paperback. Condizione: Near Fine. Trade paperback. Square Tight Binding. Clean interior. The very mildest of edge wear. A superior edition.
Condizione: New.
EUR 20,73
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Brand New.
Da: WONDERFUL BOOKS BY MAIL, CHICO-CA, CA, U.S.A.
Prima edizione
HARDCOVER. Condizione: Very Good. PhotoPlay Edition. VERY GOOD CONDITION,clean, solid, bright.; WHITE TITLES ON BLACK PAPER COVERS SHOWING MANY 1" ROUND ORANGE SHAPES.GREEN SPINE STRIP. .unabridged & corrected republication of the first edition.(translated) ; Many full page MUSICAL SCORES; 152+333pg pages; musical career, from its extremely amateur beginnings to his final eminent status as a kind of father of Russian music. Interesting features included much detailed musical examples tonal resonance, progression of parts, voice and orchestra, tutti effects, and much more. . an essential guide for music majors looking to develop their orchestration skills and create imaginative and brilliant orchestral compositions.
Paperback. Condizione: Good. Paperback book in good condition.
Da: California Books, Miami, FL, U.S.A.
Condizione: New.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Dover Publications Inc., US, 1964
ISBN 10: 0486212661 ISBN 13: 9780486212661
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condizione: New.
Lingua: Inglese
Editore: Dover Publications, Incorporated, 1964
ISBN 10: 0486212661 ISBN 13: 9780486212661
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. pp. 489.
Lingua: Inglese
Editore: Dover Publications Inc., New York, 1964
ISBN 10: 0486212661 ISBN 13: 9780486212661
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. "To orchestrate is to create, and this cannot be taught," wrote Nikolay Rimsky-Korsakov, the great Russian composer whose genius for brilliant, highly colored orchestration is unsurpassed. But invention, in all art, is closely allied to technique, and technique can be taught. This book, therefore, which differs from most other texts on the subject because of its tremendous wealth of musical examples and its systematic arrangement of material according to each constituent of the orchestra, will undoubtedly be of value to any music student. It is a music classic, perhaps the only book on classical orchestration written by a major composer.In it, the composer aims to provide the reader with the fundamental principles of modern orchestration from the standpoint of brilliance and imagination, and he devotes considerable space to the study of tonal resonance and orchestral combination. In his course, he demonstrates such things as how to produce a good-sounding chord of certain tone-quality, uniformly distributed; how to detach a melody from its harmonic setting; correct progression of parts; and other similar problems.The first chapter is a general review of orchestral groups, with an instrument-by-instrument breakdown and material on such technical questions as fingering, range, emission of sound, etc. There follows two chapters on melody and harmony in strings, winds, brasses, and combined groups. Chapter IV, Composition of the Orchestra, covers different ways of orchestrating the same music; effects that can be achieved with full tutti; tutti in winds, tutti pizzicato, soli in the strings, etc.; chords; progressions; and so on. The last two chapters deal with opera and include discussion of solo and choral accompaniment, instruments on stage or in the wings, technical terms, soloists (range, register, vocalization, vowels, etc.), voices in combination, and choral singing. Immediately following this text are some 330 pages of musical examples drawn from "Sheherazade," the "Antar Symphony," "Capriccio Espagnol," "Sadko," "Ivan the Terrible," "Le Coq d'Or," "Mlada," "The Tsar's Bride," and others of Rimsky-Korsakov's works. These excerpts are all referred to in the text itself, where they illustrate, far better than words, particular points of theory and actual musical practice. They are largely responsible for making this book the very special (and very useful) publication it is.This single-volume edition also includes a brief preface by the editor and extracts from Rimsky-Korsakov's 1891 draft and final versions of his own preface, as well as an appendixed chart of single tutti chords in the composer's works. Great classical orchestrator provides fundamentals of tonal resonance, progression of parts, voice and orchestra, tutti effects, and much else in major document. Includes 330 pages of musical excerpts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Dover Publications 6/1/1964, 1964
ISBN 10: 0486212661 ISBN 13: 9780486212661
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. Principles of Orchestration. Book.
Lingua: Inglese
Editore: Dover Publications Inc., US, 1964
ISBN 10: 0486212661 ISBN 13: 9780486212661
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 34,44
Quantità: 4 disponibili
Aggiungi al carrelloPaperback. Condizione: New.
EUR 18,35
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.
EUR 27,37
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. new edition. 489 pages. 9.25x6.75x1.00 inches. In Stock.
EUR 26,11
Quantità: 18 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Revised ed. Special order direct from the distributor.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 32,73
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. 1964. Paperback. . . . . .
EUR 29,25
Quantità: 11 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 39,15
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Aggiungi al carrelloCondizione: New. 1964. Paperback. . . . . . Books ship from the US and Ireland.
EUR 30,62
Quantità: 11 disponibili
Aggiungi al carrelloCondizione: New.
EUR 33,94
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. new edition. 489 pages. 9.25x6.75x1.00 inches. In Stock.
EUR 37,84
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. new edition. 489 pages. 9.25x6.75x1.00 inches. In Stock.
Da: London Bridge Books, London, Regno Unito
EUR 13,56
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Fair.
Lingua: Inglese
Editore: Dover Publications Inc., US, 1964
ISBN 10: 0486212661 ISBN 13: 9780486212661
Da: Rarewaves USA United, OSWEGO, IL, U.S.A.
Paperback. Condizione: New.
Lingua: Inglese
Editore: Dover Publications Inc., New York, 1964
ISBN 10: 0486212661 ISBN 13: 9780486212661
Da: CitiRetail, Stevenage, Regno Unito
EUR 35,83
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: new. Paperback. "To orchestrate is to create, and this cannot be taught," wrote Nikolay Rimsky-Korsakov, the great Russian composer whose genius for brilliant, highly colored orchestration is unsurpassed. But invention, in all art, is closely allied to technique, and technique can be taught. This book, therefore, which differs from most other texts on the subject because of its tremendous wealth of musical examples and its systematic arrangement of material according to each constituent of the orchestra, will undoubtedly be of value to any music student. It is a music classic, perhaps the only book on classical orchestration written by a major composer.In it, the composer aims to provide the reader with the fundamental principles of modern orchestration from the standpoint of brilliance and imagination, and he devotes considerable space to the study of tonal resonance and orchestral combination. In his course, he demonstrates such things as how to produce a good-sounding chord of certain tone-quality, uniformly distributed; how to detach a melody from its harmonic setting; correct progression of parts; and other similar problems.The first chapter is a general review of orchestral groups, with an instrument-by-instrument breakdown and material on such technical questions as fingering, range, emission of sound, etc. There follows two chapters on melody and harmony in strings, winds, brasses, and combined groups. Chapter IV, Composition of the Orchestra, covers different ways of orchestrating the same music; effects that can be achieved with full tutti; tutti in winds, tutti pizzicato, soli in the strings, etc.; chords; progressions; and so on. The last two chapters deal with opera and include discussion of solo and choral accompaniment, instruments on stage or in the wings, technical terms, soloists (range, register, vocalization, vowels, etc.), voices in combination, and choral singing. Immediately following this text are some 330 pages of musical examples drawn from "Sheherazade," the "Antar Symphony," "Capriccio Espagnol," "Sadko," "Ivan the Terrible," "Le Coq d'Or," "Mlada," "The Tsar's Bride," and others of Rimsky-Korsakov's works. These excerpts are all referred to in the text itself, where they illustrate, far better than words, particular points of theory and actual musical practice. They are largely responsible for making this book the very special (and very useful) publication it is.This single-volume edition also includes a brief preface by the editor and extracts from Rimsky-Korsakov's 1891 draft and final versions of his own preface, as well as an appendixed chart of single tutti chords in the composer's works. Great classical orchestrator provides fundamentals of tonal resonance, progression of parts, voice and orchestra, tutti effects, and much else in major document. Includes 330 pages of musical excerpts. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.