ISBN: 9780520019355 - serial composition and atonality;: an introduction to the music of schoenberg, berg, and webern (7 risultati)

Hardcover. Condizione: Good. Third Edition Revised and Enlarged. The book is in good condition with a sturdy hardcover binding. The gray cloth cover shows minimal wear, with no visible inscriptions or library markings. The absence of a dust jacket is noted, but the text remains clean and the pages are intact. This copy is well-preserved for study and reference. unknown (no dust jacket visible).…

Hardcover. Condizione: Good. Condizione sovraccoperta: Very Good. 3rd Edition. Third edition, revised and enlarged. Text is unmarked; pages are bright. Binding is tight and square. Dust jacket shows some light edgewear and the top corner of the front flap is price clipped. Book has a musty smell. 196pp. …

Condizione: Good. Enlarged 3rd. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Hardcover. Condizione: Fine. No Jacket. 3rd Edition. Music. This is a clean, undamaged copy signed by the previous owner, but otherwise unmarked.

Soft cover. Condizione: Very Good. Condizione sovraccoperta: Good. 3rd Edition. Hardcover with dust jacket in good condition with some wear to edges and head of spine. Corners clipped. Covers are black with silver lettering to spine in very good condition. Pages clean and unmarked with many illustrations. This book has been widely recognized as the definitive work in its field ever since its original publication in 1962. In his first chapter the author examines the basic postulates. His second chapter is the most comprehensive study of predodecaphonic atonality that has so far appeared. Third chapter, he analyzes works by Scriabin, Bartok and Stravinsky, as well as Schoenberg, for he wishes to stress that the serial concept in itself is not unique to twelve-tone music. He not only offers a comprehensive description of the technical procedures used by these composers, but also a searching and critical examination of their methods.…

Hardcover. Condizione: Very Good. No Jacket. 3rd Edition. xiii, 196 pp. Hardcover, no dust jacket. Third revised and enlarged edition. Some traces of adhesive white paper on rear cover (see image). Bookseller's label inside front cover; name of previous owner, and pencilled price, on front endpaper. Otherwise a clean copy with firm binding and no markings or annotations. …

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: very good. Third edition. 7 x 10 in. xiii, 196 pp. Gray cloth boards with gilt spine titles. Condition is NEAR FINE ; covers like new, binding tight, text unmarked. Previous owner's name, Peter L. Oppenheimer, on upper front pastedown. Peter L. Oppenheimer was a philosophy professor and the son of J. Robert Oppenheimer, the atomic physicist. DJ is VERY GOOD ; price-clipped, minor edge wear, very clean with toning to sides and spine, small closed tear at spine tail. Music. Stax. …