Isbn: 9780520081222 - my music is my flag: puerto rican musicians and their new york communities, 1917-1940: 3 (2 risultati)

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  • Lingua: Inglese

    Editore: University of California Press, 1995

    0520081226 / 9780520081222

    Serie: Libro 5 di 8 - Latinos in American Society and Culture

    • Rilegato

    Da: Better World Books: West, Reno, NV, U.S.A.Better World Books: West

    Venditore con 5 stelle
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    Condizione: Usato - Ottimo

    EUR 29,94

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    Spedito in U.S.A.

    Quantità: 1 disponibili

    Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

  • Lingua: Inglese

    Editore: University of California Press, 1995

    0520081226 / 9780520081222

    Serie: Libro 5 di 8 - Latinos in American Society and Culture

    • Rilegato
    • Prima edizione

    Da: DO NOT START, Grand Rapids, MI, U.S.A.DO NOT START

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    Condizione: Usato - Ottimo

    EUR 22,30

    EUR 7,78 spedizione 
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    Quantità: 1 disponibili

    Hardcover. Condizione: Fine. 1st Edition. Fine condition, no markings, appears unread. Puerto Rican music in New York is given center stage in Ruth Glasser's original and lucid study. Exploring the relationship between the social history and forms of cultural expression of Puerto Ricans, she focuses on the years between the two world wars. Her material integrates the experiences of the mostly working-class Puerto Rican musicians who struggled to make a living during this period with those of their compatriots and the other ethnic groups with whom they shared the cultural landscape. Through recorded songs and live performances, Puerto Rican musicians were important representatives for the national consciousness of their compatriots on both sides of the ocean. Yet they also played with African-American and white jazz bands, Filipino or Italian-American orchestras, and with other Latinos. Glasser provides an understanding of the way musical subcultures could exist side by side or even as a part of the mainstream, and she demonstrates the complexities of cultural nationalism and cultural authenticity within the very practical realm of commercial music. Illuminating a neglected epoch of Puerto Rican life in America, Glasser shows how ethnic groups settling in the United States had choices that extended beyond either maintenance of their homeland traditions or assimilation into the dominant culture. Her knowledge of musical styles and performance enriches her analysis, and a discography offers a helpful addition to the text.