9780520235151 - in other los angeleses: multicentric performance art di cheng, meiling (21 risultati)
Lingua: Inglese
Editore: University of California Press, Berkeley, CA, 2002
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Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS
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EUR 21,88
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Paperback. Condizione: Fine. 1st. xxxiv, 407 pages, illustrations; 24 cm. Tight, clean copy. *** "Performance art and Los Angeles, two subjects spectacularly resistant to definitions, illuminate each other in this searching study by Meiling Cheng. A marginal artistic pursuit by choice as well as necessity, performance art has fl…ourished in and about 'multicentric' Los Angeles for nearly four decades, finding its own centers of activity, moving and changing as the margins have reconstituted themselves. The notion of multicentricity serves, somewhat paradoxically, as the unifying motif in Cheng's imaginative views of center and periphery, self and other, and 'mainstream' and 'marginal' cultures. She analyzes individual artists and performances in detail, bringing her own 'center' gracefully and unmistakably into contact with all those others. Without suggesting that her approach is definitive, she offers a way of thinking and talking coherently about particularly elusive, ephemeral artwork. Cheng describes performance art as 'an intermedia visual art form that uses theatrical elements in presentation.' Performance art, which uses the living body as its central medium, occurs only 'here' and only 'now.' Because it is intentionally volatile, highly adaptable, and often site-specific, with emphasis on audience interaction, context is inseparable from the work itself. When Cheng writes about Suzanne Lacy or Tim Miller, Johanna Went or Oguri and Renzoku, Sacred Naked Nature Girls or osseus labyrint, she is conscious of her role in extending their creative expression. As members of the 'virtual audience,' readers and viewers of other documentation concerning performance art are arrayed outside the center represented by a given artist and the circle represented by the immediate witnesses to a performance, but all may entertain what Cheng calls a conceptual ownership of the work. A person who reads about a performance, she says, may feel more affected by this virtual encounter than a person who has seen it live, and may reimagine it as a 'prosthetic performance.' Cheng's writing draws us into the many centers where a vibrant contemporary art phenomenon and a fascinating urban environment interact. / Meiling Cheng is Associate Professor and Director of Critical Studies at School of Theatre, University of Southern California." - Publisher. Size: 8vo.
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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
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Da: Books From California, Simi Valley, CA, U.S.A.Books From California
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EUR 21,14
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Paperback. Condizione: Very Good.
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 25,39
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Condizione: As New. Unread book in perfect condition.
Altre immagini- Brossura
Da: Pistil Books Online, IOBA, Seattle, WA, U.S.A.Pistil Books Online, IOBA
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Condizione: Usato - Molto buono
EUR 25,67
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Trade Paperback. Condizione: Very Good. A clean, unmarked book with a tight binding. Light wear to cover and small tear at top of spine. 408 pages. The author discusses Suzanee Lacy, Tim Miller, Johanna Went, Oguri and Renzoku, Sacred Naked Nature Girls, Osseus Labyrint and others. Keywords: Performance art, Los Angeles, Meiling… Cheng, Center, Periphery, Marginal cultures, Mainstream, Art Criticism, Suzanee Lacy, Tim Miller, Johanna Went, Oguri and Renzoku, Sacred Naked Nature Girls, Osseus Labyrint, Southern California.
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: New.
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Da: BargainBookStores, Grand Rapids, MI, U.S.A.BargainBookStores
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Paperback or Softback. Condizione: New. In Other Los Angeleses: Multicentric Performance Art. Book.
Altre immaginiLingua: Inglese
Editore: University of California Press, Berkeley, California, 2002
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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA
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Hardcover. Slate grey cloth/boards; silver lettering. xxxiv + 407 pp. with 52 bw illustrations. No dust jacket. Performance art and Los Angeles, two subjects spectacularly resistant to definitions, illuminate each other in this searching study by Meiling Cheng. A marginal artistic pursuit by choice as well as necessity, performa…nce art has flourished in and about "multicentric" Los Angeles for nearly four decades, finding its own centers of activity, moving and changing as the margins have reconstituted themselves. VG, clean, tight copy but with art school ex-lib. marks.
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Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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- Prima edizione
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Da: Read Books, Los Angeles, CA, U.S.A.Read Books
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EUR 34,83
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Soft cover. Condizione: Very Good. 1st Edition. SIGNED by author on half-title page and inscribed to Mary. 1st Printing. Pages clean and unmarked with no rips. Binding tight. Covers clean and bright. Moderate corner bumping. Quick, secure shipping with free delivery confirmation from Los Angeles bookstore. Photos available upon…request. International shipping may be extra due to weight. Signed by Author(s).
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Da: ANARTIST, New York, NY, U.S.A.ANARTIST
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EUR 35,72
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Softcover, 408 pages; very good condition, clean and crisp; inscribed and signed by author on first page; no other internal marks. Foreign shipping may be extra.
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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EUR 33,90
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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EUR 41,23
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Paperback. Condizione: New. Performance art and Los Angeles, two subjects spectacularly resistant to definitions, illuminate each other in this searching study by Meiling Cheng. A marginal artistic pursuit by choice as well as necessity, performance art has flourished in and about 'multicentric' Los Angeles for nearly four decad…es, finding its own centers of activity, moving and changing as the margins have reconstituted themselves. The notion of multicentricity serves, somewhat paradoxically, as the unifying motif in Cheng's imaginative views of center and periphery, self and other, and 'mainstream' and 'marginal' cultures. She analyzes individual artists and performances in detail, bringing her own 'center' gracefully and unmistakably into contact with all those others. Without suggesting that her approach is definitive, she offers a way of thinking and talking coherently about particularly elusive, ephemeral artwork. Cheng describes performance art as 'an intermedia visual art form that uses theatrical elements in presentation'. Performance art, which uses the living body as its central medium, occurs only 'here' and only 'now'.Because it is intentionally volatile, highly adaptable, and often site-specific, with emphasis on audience interaction, context is inseparable from the work itself. When Cheng writes about Suzanne Lacy or Tim Miller, Johanna Went or Oguri and Renzoku, Sacred Naked Nature Girls or osseus labyrint, she is conscious of her role in extending their creative expression. As members of the 'virtual audience', readers and viewers of other documentation concerning performance art are arrayed outside the center represented by a given artist and the circle represented by the immediate witnesses to a performance, but all may entertain what Cheng calls a conceptual ownership of the work. A person who reads about a performance, she says, may feel more affected by this virtual encounter than a person who has seen it live, and may reimagine it as a 'prosthetic performance'. Cheng's writing draws us into the many centers where a vibrant contemporary art phenomenon and a fascinating urban environment interact. This work is published in association with the Southern California Studies Center at the University of Southern California.
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Condizione: New. In.
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: New.
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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EUR 36,39
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Condizione: As New. Unread book in perfect condition.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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EUR 55,94
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Paperback. Condizione: Brand New. 1st edition. 407 pages. 8.75x6.00x1.00 inches. In Stock.
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Da: Friends of SMPL Bookstore, Santa Monica, CA, U.S.A.Friends of SMPL Bookstore
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EUR 70,55
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Soft cover. Condizione: Very Good. 1st Edition. Los Angeles multicentric performance art.
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Da: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
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EUR 42,91
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Paperback. Condizione: New. Performance art and Los Angeles, two subjects spectacularly resistant to definitions, illuminate each other in this searching study by Meiling Cheng. A marginal artistic pursuit by choice as well as necessity, performance art has flourished in and about 'multicentric' Los Angeles for nearly four decad…es, finding its own centers of activity, moving and changing as the margins have reconstituted themselves. The notion of multicentricity serves, somewhat paradoxically, as the unifying motif in Cheng's imaginative views of center and periphery, self and other, and 'mainstream' and 'marginal' cultures. She analyzes individual artists and performances in detail, bringing her own 'center' gracefully and unmistakably into contact with all those others. Without suggesting that her approach is definitive, she offers a way of thinking and talking coherently about particularly elusive, ephemeral artwork. Cheng describes performance art as 'an intermedia visual art form that uses theatrical elements in presentation'. Performance art, which uses the living body as its central medium, occurs only 'here' and only 'now'.Because it is intentionally volatile, highly adaptable, and often site-specific, with emphasis on audience interaction, context is inseparable from the work itself. When Cheng writes about Suzanne Lacy or Tim Miller, Johanna Went or Oguri and Renzoku, Sacred Naked Nature Girls or osseus labyrint, she is conscious of her role in extending their creative expression. As members of the 'virtual audience', readers and viewers of other documentation concerning performance art are arrayed outside the center represented by a given artist and the circle represented by the immediate witnesses to a performance, but all may entertain what Cheng calls a conceptual ownership of the work. A person who reads about a performance, she says, may feel more affected by this virtual encounter than a person who has seen it live, and may reimagine it as a 'prosthetic performance'. Cheng's writing draws us into the many centers where a vibrant contemporary art phenomenon and a fascinating urban environment interact. This work is published in association with the Southern California Studies Center at the University of Southern California.
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Da: moluna, Greven, Germaniamoluna
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EUR 44,93
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Condizione: New. A marginal artistic pursuit by choice as well as necessity, performance art has flourished in and about multicentric Los Angeles, finding its centers of activity, moving and changing as the margins have reconstituted themselves. This work describes perfor.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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EUR 58,00
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Taschenbuch. Condizione: Neu. Neuware - Performance art and Los Angeles, two subjects spectacularly resistant to definitions, illuminate each other in this searching study by Meiling Cheng. A marginal artistic pursuit by choice as well as necessity, performance art has flourished in and about 'multicentric' Los Angeles for nearl…y four decades, finding its own centers of activity, moving and changing as the margins have reconstituted themselves. The notion of multicentricity serves, somewhat paradoxically, as the unifying motif in Cheng's imaginative views of center and periphery, self and other, and 'mainstream' and 'marginal' cultures. She analyzes individual artists and performances in detail, bringing her own 'center' gracefully and unmistakably into contact with all those others. Without suggesting that her approach is definitive, she offers a way of thinking and talking coherently about particularly elusive, ephemeral artwork.Cheng describes performance art as 'an intermedia visual art form that uses theatrical elements in presentation.' Performance art, which uses the living body as its central medium, occurs only 'here' and only 'now.' Because it is intentionally volatile, highly adaptable, and often site-specific, with emphasis on audience interaction, context is inseparable from the work itself. When Cheng writes about Suzanne Lacy or Tim Miller, Johanna Went or Oguri and Renzoku, Sacred Naked Nature Girls or osseus labyrint, she is conscious of her role in extending their creative expression.As members of the 'virtual audience,' readers and viewers of other documentation concerning performance art are arrayed outside the center represented by a given artist and the circle represented by the immediate witnesses to a performance, but all may entertain what Cheng calls a conceptual ownership of the work. A person who reads about a performance, she says, may feel more affected by this virtual encounter than a person who has seen it live, and may reimagine it as a 'prosthetic performance.' Cheng's writing draws us into the many centers where a vibrant contemporary art phenomenon and a fascinating urban environment interact.Published in association with the Southern California Studies Center at the University of Southern California.
