Isbn: 9780520256965 - moving viewers: american film and the spectator's experience (32 risultati)

Condizione: acceptable. This copy has clearly been enjoyedâ"expect noticeable shelf wear and some minor creases to the cover. Binding is strong, and all pages are legible. May contain previous library markings or stamps.

paperback. Condizione: Good. Shows some light wear from age and use. Interior is good with sound binding and no marks, damage or labels.

Condizione: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condizione: very good. Gently used. May include previous owner's signature or bookplate on the front endpaper, sticker on back and/or remainder mark on text block.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In "Moving Viewers", Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms 'the paradox of negative emotion' and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences.…

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Paperback. Condizione: New. Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In "Moving Viewers", Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms 'the paradox of negative emotion' and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences.…

Paperback. Condizione: new. Paperback. Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences. Through a discussion of mainstream Hollywood films, this title investigates what the author terms 'the paradox of negative emotion' and the function of mainstream narratives as ritualistic fantasies. It describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. Through a discussion of mainstream Hollywood films, this title investigates what the author terms 'the paradox of negative emotion' and the function of mainstream narratives as ritualistic fantasies. It describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. Num Pages: 296 pages, 14 b/w photographs, 1 table. BIC Classification: 1KBB; APFA. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 231 x 154 x 19. Weight in Grams: 420. American Film and the Spectator's Experience. 296 pages, illustrations. Through a discussion of mainstream Hollywood films, this title investigates what the author terms 'the paradox of negative emotion' and the function of mainstream narratives as ritualistic fantasies. It describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. Cateogry: (G) General (US: Trade); (U) Tertiary Education (US: College). BIC Classification: 1KBB; APFA. Dimension: 231 x 154 x 19. Weight: 424. . 2009. First Trade Paperback. Paperback. . . . .…

Condizione: New. pp. 296.

Condizione: New. Through a discussion of mainstream Hollywood films, this title investigates what the author terms 'the paradox of negative emotion' and the function of mainstream narratives as ritualistic fantasies. It describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. Num Pages: 296 pages, 14 b/w photographs, 1 table. BIC Classification: 1KBB; APFA. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 231 x 154 x 19. Weight in Grams: 420. American Film and the Spectator's Experience. 296 pages, illustrations. Through a discussion of mainstream Hollywood films, this title investigates what the author terms 'the paradox of negative emotion' and the function of mainstream narratives as ritualistic fantasies. It describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. Cateogry: (G) General (US: Trade); (U) Tertiary Education (US: College). BIC Classification: 1KBB; APFA. Dimension: 231 x 154 x 19. Weight: 424. . 2009. First Trade Paperback. Paperback. . . . . Books ship from the US and Ireland.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 296.

Condizione: New. In English.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

Paperback. Condizione: Brand New. 1st edition. 296 pages. 9.00x6.00x0.75 inches. In Stock.

Paperback. Condizione: New. Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In "Moving Viewers", Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms 'the paradox of negative emotion' and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences.…

12 Illustrations in black and white. Paperback. 280,(4)pp. Large 8vo. Covers crinkled, slightly worn. Text underlining. Used. ISBN 9780520256965.

Condizione: New. Through a discussion of mainstream Hollywood films, this title investigates what the author terms the paradox of negative emotion and the function of mainstream narratives as ritualistic fantasies. It describes the sensual nature of the movies and shows h.

Taschenbuch. Condizione: Neu. Neuware - Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience In 'Moving Viewers, 'Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms 'the paradox of negative emotion' and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences.…

Paperback. Condizione: new. Paperback. Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences. Through a discussion of mainstream Hollywood films, this title investigates what the author terms 'the paradox of negative emotion' and the function of mainstream narratives as ritualistic fantasies. It describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: New. Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In "Moving Viewers", Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms 'the paradox of negative emotion' and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences.…