Lingua: Inglese
Editore: Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
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ISBN 10: 0521023920 ISBN 13: 9780521023924
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Paperback or Softback. Condizione: New. Music Theory and Natural Order from the Renaissance to the Early Twentieth Century. Book.
Lingua: Inglese
Editore: Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
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Lingua: Inglese
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Aggiungi al carrelloCondizione: New. Explores the ways music theory has represented and employed natural order since the scientific revolution. Editor(s): Clark, Suzannah; Rehding, Alexander. Num Pages: 256 pages, 10 b/w illus. 28 music examples. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 243 x 169 x 14. Weight in Grams: 41. . 2008. Illustrated. paperback. . . . .
Lingua: Inglese
Editore: Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
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ISBN 10: 0521023920 ISBN 13: 9780521023924
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Lingua: Inglese
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Aggiungi al carrelloCondizione: New. Explores the ways music theory has represented and employed natural order since the scientific revolution. Editor(s): Clark, Suzannah; Rehding, Alexander. Num Pages: 256 pages, 10 b/w illus. 28 music examples. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 243 x 169 x 14. Weight in Grams: 41. . 2008. Illustrated. paperback. . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
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paperback. Condizione: New. In shrink wrap. Looks like an interesting title!
Lingua: Inglese
Editore: Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse.
Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloPaperback. Condizione: Brand New. 243 pages. 9.50x6.50x0.75 inches. In Stock. This item is printed on demand.
Lingua: Inglese
Editore: Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
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Aggiungi al carrelloPaperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Lingua: Inglese
Editore: Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
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Aggiungi al carrelloCondizione: New. Print on Demand pp. 256 Illus.
Lingua: Inglese
Editore: Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
Da: Biblios, Frankfurt am main, HESSE, Germania
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Aggiungi al carrelloCondizione: New. PRINT ON DEMAND pp. 256.
Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Lingua: Inglese
Editore: Cambridge University Press, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
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Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory.Inhaltsverzeic.
Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 2006
ISBN 10: 0521023920 ISBN 13: 9780521023924
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EUR 93,63
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Lingua: Inglese
Editore: Cambridge University Press, 2005
ISBN 10: 0521023920 ISBN 13: 9780521023924
Da: preigu, Osnabrück, Germania
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Music Theory and Natural Order from the Renaissance to the Early Twentieth Century | Suzannah Clark (u. a.) | Taschenbuch | Englisch | 2005 | Cambridge University Press | EAN 9780521023924 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.