9780521027052 - Theory and Practice of Text Editing: Essays in Honour of James T. Boulton di Small/Walsh (17 risultati)

Soft cover. Condizione: Very Good. VERY GOOD softcover, no marks in text, tight uncreased spine, clean exterior, appears unread. Book.

Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condizione: Used. pp. 232.

Condizione: Used. pp. 232 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam.

Condizione: Used. pp. 232.

Condizione: New.

Condizione: New. In.

Paperback. Condizione: New.

Condizione: New. This volume of essays addresses the practical implications of theoretical issues in a variety of texts from Shakespeare to Oscar Wilde. Editor(s): Small, Ian; Walsh, Marcus. Num Pages: 232 pages, black & white illustrations. BIC Classification: DSA. Category: (P) Professional & Vocational. Dimension: 216 x 138 x 13. Weight in Grams: 300. . 2008. Reissue. paperback. . . . .

Condizione: New. This volume of essays addresses the practical implications of theoretical issues in a variety of texts from Shakespeare to Oscar Wilde. Editor(s): Small, Ian; Walsh, Marcus. Num Pages: 232 pages, black & white illustrations. BIC Classification: DSA. Category: (P) Professional & Vocational. Dimension: 216 x 138 x 13. Weight in Grams: 300. . 2008. Reissue. paperback. . . . . Books ship from the US and Ireland.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - The modern published editions in which we read the great literary works of the distant and recent past almost invariably embody the work of a textual editor. Recent literary theory has called into question most of the assumptions on which the practice of textual editing has historically depended. Notions of authorial intention, authority, the status of annotation and commentary, the relationship between 'literary' and non-literary works (such as letters and dictionaries), and hence the concept of literature itself, are central to this debate. This volume of essays, written by practising textual editors and scholars, addresses the practical implications of these theoretical issues, taking a variety of texts as examples for the particular editorial problems they pose. The works of authors as various as Shakespeare and John Clare, Samuel Johnson and D. H. Lawrence, Milton and Oscar Wilde are invoked to demonstrate the practical basis of an editorial discipline which requires theoretical sophistication but resists reduction to any single theory.

Paperback. Condizione: new. Paperback. The modern published editions in which we read the great literary works of the distant and recent past almost invariably embody the work of a textual editor. Recent literary theory has called into question most of the assumptions on which the practice of textual editing has historically depended. Notions of authorial intention, authority, the status of annotation and commentary, the relationship between 'literary' and non-literary works (such as letters and dictionaries), and hence the concept of literature itself, are central to this debate. This volume of essays, written by practising textual editors and scholars, addresses the practical implications of these theoretical issues, taking a variety of texts as examples for the particular editorial problems they pose. The works of authors as various as Shakespeare and John Clare, Samuel Johnson and D. H. Lawrence, Milton and Oscar Wilde are invoked to demonstrate the practical basis of an editorial discipline which requires theoretical sophistication but resists reduction to any single theory. This volume of essays, written by practising textual editors and scholars, addresses the practical implications of theoretical issues in a variety of texts from Shakespeare to John Clare, Samuel Johnson to D. H. Lawrence, and Milton to Oscar Wilde. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: Brand New. 1st edition. 231 pages. 8.30x5.50x0.60 inches. In Stock. This item is printed on demand.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condizione: new. Paperback. The modern published editions in which we read the great literary works of the distant and recent past almost invariably embody the work of a textual editor. Recent literary theory has called into question most of the assumptions on which the practice of textual editing has historically depended. Notions of authorial intention, authority, the status of annotation and commentary, the relationship between 'literary' and non-literary works (such as letters and dictionaries), and hence the concept of literature itself, are central to this debate. This volume of essays, written by practising textual editors and scholars, addresses the practical implications of these theoretical issues, taking a variety of texts as examples for the particular editorial problems they pose. The works of authors as various as Shakespeare and John Clare, Samuel Johnson and D. H. Lawrence, Milton and Oscar Wilde are invoked to demonstrate the practical basis of an editorial discipline which requires theoretical sophistication but resists reduction to any single theory. This volume of essays, written by practising textual editors and scholars, addresses the practical implications of theoretical issues in a variety of texts from Shakespeare to John Clare, Samuel Johnson to D. H. Lawrence, and Milton to Oscar Wilde. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This volume of essays, written by practising textual editors and scholars, addresses the practical implications of theoretical issues in a variety of texts from Shakespeare to John Clare, Samuel Johnson to D. H. Lawrence, and Milton to Oscar Wilde.I.