9780521094337 - English Verse: Voice and Movement from Wyatt to Yeats di Barnes, T (15 risultati)

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: New.

Condizione: New. In.

Paperback. Condizione: New.

Condizione: New. While verse as sound is its main concern, the book can be read as an introductory history of English verse from the sixteenth to the twentieth century. Num Pages: 336 pages, black & white illustrations. BIC Classification: DSB. Category: (U) Tertiary Education (US: College). Dimension: 217 x 140 x 21. Weight in Grams: 444. . 2009. 1st Edition. paperback. . . . .

Condizione: New. pp. 336.

Condizione: New. While verse as sound is its main concern, the book can be read as an introductory history of English verse from the sixteenth to the twentieth century. Num Pages: 336 pages, black & white illustrations. BIC Classification: DSB. Category: (U) Tertiary Education (US: College). Dimension: 217 x 140 x 21. Weight in Grams: 444. . 2009. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Every poet has a characteristic tone of voice and his own rhythm. T. R. Barnes' chief interest is this 'sound poems make in the head' and his particular gift is to help us to hear what is going on in the individual poem and to catch the poet's individuality. We also hear how each poet develops the forms his predecessors have used. In this way, we move from a consideration of single voices to the development of particular forms (like the couplet or blank verse) and the characteristics of whole periods. This book, then, has several uses. While verse as sound is its main concern, it can be read as an introductory history of English verse from the sixteenth to the twentieth century. Since Barnes quotes generously, he also provides as he goes along an unhackneyed anthology in chronological order. In addition, he comments in detail on many of the poems, so that the book is a demonstration of the methods and uses of practical criticism.

Paperback. Condizione: new. Paperback. Every poet has a characteristic tone of voice and his own rhythm. T. R. Barnes' chief interest is this 'sound poems make in the head' and his particular gift is to help us to hear what is going on in the individual poem and to catch the poet's individuality. We also hear how each poet develops the forms his predecessors have used. In this way, we move from a consideration of single voices to the development of particular forms (like the couplet or blank verse) and the characteristics of whole periods. This book, then, has several uses. While verse as sound is its main concern, it can be read as an introductory history of English verse from the sixteenth to the twentieth century. Since Barnes quotes generously, he also provides as he goes along an unhackneyed anthology in chronological order. In addition, he comments in detail on many of the poems, so that the book is a demonstration of the methods and uses of practical criticism. Every poet has a characteristic tone of voice and his own rhythm. T. R. Barnes' chief interest is this 'sound poems make in the head' and his particular gift is to help us to hear what is going on in the individual poem and to catch the poet's individuality. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: Brand New. 1st edition. 334 pages. 8.40x5.50x1.00 inches. In Stock. This item is printed on demand.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condizione: New. Print on Demand pp. 336 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam.

Condizione: New. PRINT ON DEMAND pp. 336.

Paperback. Condizione: new. Paperback. Every poet has a characteristic tone of voice and his own rhythm. T. R. Barnes' chief interest is this 'sound poems make in the head' and his particular gift is to help us to hear what is going on in the individual poem and to catch the poet's individuality. We also hear how each poet develops the forms his predecessors have used. In this way, we move from a consideration of single voices to the development of particular forms (like the couplet or blank verse) and the characteristics of whole periods. This book, then, has several uses. While verse as sound is its main concern, it can be read as an introductory history of English verse from the sixteenth to the twentieth century. Since Barnes quotes generously, he also provides as he goes along an unhackneyed anthology in chronological order. In addition, he comments in detail on many of the poems, so that the book is a demonstration of the methods and uses of practical criticism. Every poet has a characteristic tone of voice and his own rhythm. T. R. Barnes' chief interest is this 'sound poems make in the head' and his particular gift is to help us to hear what is going on in the individual poem and to catch the poet's individuality. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Every poet has a characteristic tone of voice and his own rhythm. T. R. Barnes chief interest is this sound poems make in the head and his particular gift is to help us to hear what is going on in the individual poem and to catch the poet s individuality.