9780521136655 - Visible Words: A Study of Inscriptions In and As Books and Works of Art di Sparrow, John (16 risultati)

Condizione: New.

Condizione: New. In.

Condizione: Very good.

Condizione: New. Sparrow traces the development of the inscription as a literary form in Renaissance and post-Renaissance Europe. Num Pages: 172 pages, black & white illustrations. BIC Classification: AFKB; AFKC; AM; CFF; DSBB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 278 x 212 x 11. Weight in Grams: 424. . 2011. Illustrated. paperback. . . . .

Condizione: New. Sparrow traces the development of the inscription as a literary form in Renaissance and post-Renaissance Europe. Num Pages: 172 pages, black & white illustrations. BIC Classification: AFKB; AFKC; AM; CFF; DSBB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 278 x 212 x 11. Weight in Grams: 424. . 2011. Illustrated. paperback. . . . . Books ship from the US and Ireland.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Mr Sparrow traces the development of the inscription as a literary form in Renaissance and post-Renaissance Europe. He defines the 'literary' inscription as 'a text composed with a view to its being presented in lines of different lengths, the lineation contributing to or enhancing the meaning, so that someone who does not see it, actually or in the mind's eye, but only hears it read aloud, misses something of the intended effect'. Mr Sparrow attributes the Renaissance concern with the visual presentation of words to the profound interest in epigraphy aroused by the rediscovery of classical inscriptions. This interest was felt mainly by scholars and writers, but it extended to architects, painters, sculptors and designers of monuments - all of whom incorporated inscriptions in their work.

Paperback. Condizione: new. Paperback. Mr Sparrow traces the development of the inscription as a literary form in Renaissance and post-Renaissance Europe. He defines the 'literary' inscription as 'a text composed with a view to its being presented in lines of different lengths, the lineation contributing to or enhancing the meaning, so that someone who does not see it, actually or in the mind's eye, but only hears it read aloud, misses something of the intended effect'. Mr Sparrow attributes the Renaissance concern with the visual presentation of words to the profound interest in epigraphy aroused by the rediscovery of classical inscriptions. This interest was felt mainly by scholars and writers, but it extended to architects, painters, sculptors and designers of monuments - all of whom incorporated inscriptions in their work. Mr Sparrow traces the development of the inscription as a literary form in Renaissance and post-Renaissance Europe. He attributes the Renaissance concern with the visual presentation of words to the profound interest in epigraphy aroused by the rediscovery of classical inscriptions. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. Print on Demand pp. 172 6:B&W 8.25 x 11 in or 280 x 210 mm Perfect Bound on White w/Gloss Lam.

Paperback. Condizione: Brand New. reissue edition. 151 pages. 10.75x8.00x0.50 inches. In Stock. This item is printed on demand.

Condizione: New. Print on Demand pp. 172.

Condizione: New. PRINT ON DEMAND pp. 172.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condizione: new. Paperback. Mr Sparrow traces the development of the inscription as a literary form in Renaissance and post-Renaissance Europe. He defines the 'literary' inscription as 'a text composed with a view to its being presented in lines of different lengths, the lineation contributing to or enhancing the meaning, so that someone who does not see it, actually or in the mind's eye, but only hears it read aloud, misses something of the intended effect'. Mr Sparrow attributes the Renaissance concern with the visual presentation of words to the profound interest in epigraphy aroused by the rediscovery of classical inscriptions. This interest was felt mainly by scholars and writers, but it extended to architects, painters, sculptors and designers of monuments - all of whom incorporated inscriptions in their work. Mr Sparrow traces the development of the inscription as a literary form in Renaissance and post-Renaissance Europe. He attributes the Renaissance concern with the visual presentation of words to the profound interest in epigraphy aroused by the rediscovery of classical inscriptions. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Mr Sparrow traces the development of the inscription as a literary form in Renaissance and post-Renaissance Europe. He attributes the Renaissance concern with the visual presentation of words to the profound interest in epigraphy aroused by the rediscovery .

Paperback. Condizione: new. Paperback. Mr Sparrow traces the development of the inscription as a literary form in Renaissance and post-Renaissance Europe. He defines the 'literary' inscription as 'a text composed with a view to its being presented in lines of different lengths, the lineation contributing to or enhancing the meaning, so that someone who does not see it, actually or in the mind's eye, but only hears it read aloud, misses something of the intended effect'. Mr Sparrow attributes the Renaissance concern with the visual presentation of words to the profound interest in epigraphy aroused by the rediscovery of classical inscriptions. This interest was felt mainly by scholars and writers, but it extended to architects, painters, sculptors and designers of monuments - all of whom incorporated inscriptions in their work. Mr Sparrow traces the development of the inscription as a literary form in Renaissance and post-Renaissance Europe. He attributes the Renaissance concern with the visual presentation of words to the profound interest in epigraphy aroused by the rediscovery of classical inscriptions. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condizione: Neu. Visible Words | A Study of Inscriptions in and as Books and Works of Art | John Sparrow | Taschenbuch | Kartoniert / Broschiert | Englisch | 2010 | Cambridge University Press | EAN 9780521136655 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.